Johannes Cabal was just your average, everyday scientist trying to cure death before he gave up on science and turned to necromancy. To become a necromancer, all he had to do was sell his soul to the devil. Which was fine, he didn't think he'd need it. Turns out he was wrong, though, so he goes to hell to get it back. Only once there, he finds the devil's not so interested in returning it. At least not without making things interesting. So, Cabal and the devil agree on a little wager: If Cabal can collect 100 souls in the span of one year, the devil will return his soul to him. Cabal accepts the challengenot that he really had any choice, unless he wanted to settle for eternal damnationand returns to Earth to discover that the devil haskindly? provided him with a traveling carnival, which Cabal must use in his attempts to acquire those hundred souls.
If Terry Pratchett and Neil Gaiman had collaborated on another book after Good Omens, or Christopher Moore had been raised in the UK by devil-worshiping carnies, or J. K. Rowling had decided to write a humorous novel but had a cold, black lump of coal in her chest where a heart would otherwise be, Johannes Cabal the Necromancer is the book they, he, or she might have written. Which is to say a laugh-out-loud funny fantasy, with liberal doses of the devil, darkness, and death.
To narrate such a text-one rife with numerous (and challenging) voices and requiring of impeccable comic timingwould be a tall order for any actor, but Christopher Cazenove makes it seem as child's play. His sonorous British tone matches up with Jonathan L. Howard's prose precisely, and he provides several unique voices, bringing a wide range of characters to life (some of which are dead!), resulting in a truly remarkabledare I say...flawless? audiobook production.
Given the subject matter of the novel, it's entirely possible Howard and Cazenove sold their souls in exchange for their incredible talents. If you run into either of them, be sure to read very carefully anything they ask you to sign... John Joseph Adams
He hastily sold his years ago in order to learn the laws of necromancy. But now, tormented by a dark secret, he travels to the fiery pits of Hell to retrieve it. Satan, who is incredibly bored these days, proposes a little wager: Johannes has one year to persuade 100 people to sign over their souls or he will be damned forever.
To make the bet even more interesting, Satan throws in that diabolical engine of deceit, seduction, and corruption known as a "traveling circus" to aid in the evil bidding. What better place exists to rob poor sad saps of their souls than the traveling carnivals historically run by hucksters and legendary con men?
With little time to lose, Johannes raises a motley crew from the dead and enlists his brother, Horst, a charismatic vampire (an unfortunate side effect of Johannes's early experiments with necromancy), to be the carnival's barker. On the road through the pastoral English countryside, this team of reprobates wields their black magic with masterful ease, resulting in mayhem at every turn.
Johannes may have the moral conscience of anthrax, but are his tricks sinful enough to beat the Devil at his own game? You'll never guess, and that's a promise!
Brilliantly written and wickedly funny, Johannes Cabal the Necromancer combines the chills and thrills of old-fashioned gothic tales like The Legend of Sleepy Hollow, the mischievous humor of Wicked, and the sophisticated charms of Jonathan Strange & Mr. Norrell and spins the Faustian legend into a fresh, irreverent, and irresistible new adventure.
©2009 Jonathan L. Howard; (P)2009 Random House
Yes, I'm one of those. Gaiman and Pratchett can't write them fast enough and Adams is currently dead (for tax reasons, I believe). Howard isn't as funny, but he's got dark and ironic down--which is more than enough to stave off the withdraw shakes for another day. And, in all fairness, this is a better showing for an early work than most of Pratchett's first several books. As far as audio goes, Christopher Cazenove does a superb job talking us through this freak show.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
Johannes Cabal once sold his soul to the devil in return for necromantic knowledge that would propel him towards his goal in the dark arts, only to discover that his soullessness always skews the results of his black scientific experiments. Therefore, he makes a wager with Satan: if he can get 100 people to sign their souls over to the devil within one year, Satan will return Cabal???s soul to him. To ???help??? Cabal, Satan gives him the use of an infernal traveling carnival and a ball of Satanic blood with which to conjure up workers and attractions. The penalty for failure is Cabal???s death and damnation.
Thus begins Jonathan L. Howard???s macabre, humorous, and strangely moving novel Johannes Cabal the Necromancer. Howard???s fresh takes on hellish horror tropes like vampires, ghosts, demons, warlocks, imps, zombies, and Lovecraftian cults, is entertaining. His similes are often funny and original, as when the smoke from the infernal train engine rises up to the sky like the pyres of witches or martyrs. I liked much of the social satire, about, for instance, the insanity of war or men who beat women. Sometimes Howard???s jokes and allusions are a bit too contemporary or cheap, as in revealing that Satan created lawyers or as in having Al Capone misspell ???venereal??? on the form he???s trying to fill in to enter hell. But Cabal is a fascinating anti-hero protagonist, his relationship with his big brother Horst is compelling, and his mysterious reason for being a necromancer is intriguing. And the climax and resolution of the novel are suspenseful and satisfying (though I could have done with a little less of Layla the Latex Lady).
Christopher Cazenove marvelously reads the novel (as he does with The Merry Adventures of Robinhood and Peter Pan), with perfect rhythm and clear enunciation and varied voices for different characters, from Cabal???s stiff, cold, and slightly Germanic accent through Bones??? ingratiating Americanisms and Satan???s infernal humor and silk and rage. Fans of Terry Pratchett and Neil Gaiman ought to enjoy this book.
This isn't just a book that has many moments that made me laugh out loud. It's well told narrative with suspense and twists.
If it was just a comedy I wouldn't give this five stars. But it's clever, passionate, well narrated and beautifully sarcastic.
I had as much fun listening to this as I had 30 years ago reading Bored of the Rings or in the 80's and 90's reading Good Omens or the first few Xanth novels by Piers Anthony. Also, if you like passionately fun novels like Infected/Contagious you also might like this, too.
The narrator was just the best that could be for this story. His accents were great, all of them. The story has a solid pace, somewhat like Jonathan Strange & Mr. Norrell, you either like it or you don't.The humour is as dry as an autumn leaf, and thinly served up, so as not to overwhelm. A very good listen.
Fun story, great historical setting, humorous situations & dialogue, interesting characters, rich prose and a narrator who just knocked it out of the park. If you agree with my other reviews, trust me on this on this one.
Perfect pitch dark fantasy comedy.Dripping with sarcasm and wit, johannes and his brother weave a great story. Fans of Neil Gaiman, Terry Pratchett will not be disappointed.
Howard has created some very memorable character in this unique story of morals on earth and below. A race against time, brotherly competition and love are all entertainingly intertwined. Listen deeply or on the surface...you'll find whatever you are looking for.
I found this book light and amusing, with a delightful flavour of morbidity. It is great if you want something along those lines. It is not High Literature, but it is not intended to be. The reader gives it the proper tone and I didn't catch any mispronunciations. However, it does drag at the end and become focused on letting the plot twist, rather than on the writing.
I really wanted to like this book. The narrator was amazing and the premise sounded great. I just couldn't get into it. I must have restarted it three times before I finally made myself stick to it. In the end I listened to it at triple speed just to finish it. I just couldn't make myself care about Johannes Cabal. I like anti-heros as much as the next gal but this guy was just "anti", no "hero".
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