Want to be immortal? You can be in AD 2110. Just go to the Hereafter Insurance Corporation and hook yourself up to the Machine. There’s nothing to fear. That is, if it happens to be working right, and if nobody slips another mind into your body when you’re not looking, and if you’re not on a poltergeist hatelist…
First published in 1959 as a startling, revolutionary novel of the future—then pushed to new cinematic limits as the feature film adaptation Freejack in 1992—Robert Sheckley’s unsettling vision of tomorrow is a trenchantly witty novel of a future where everything has improved except the bumbling human race, which just can’t let itself enjoy a good thing when it finally gets it.
Thomas Blaine awoke in a white bed in a white room and heard someone say, “He’s alive now.” Then they asked him his name, age, and marital status. Yes, that seemed normal enough—but what was this talk about “death trauma”?
Thus was Thomas Blaine introduced to the year 2110, when science had discovered the technique of transferring a man’s consciousness from one body to another, when a man’s mind could be snatched from the past, as his body was at the point of death, and brought forward into a “host body” in this fantastic future world.
But that was only a small part of it, for the future had proved the reality of life after death and discovered worlds beyond or simultaneous with our own—worlds where, through scientific techniques, a man could live again, in another body, when he died here—and had in the process established the reality of ghosts, poltergeists, and zombies.
What did it all mean? How had this discovery of what they called the “hereafter” shaped the world of 2110?
Thomas Blaine found himself living in a future where the discoveries and techniques imagined by people of his time, though realized, were completely overwhelmed by discoveries no one had ever dreamed of.
©1959 Robert Sheckley (P)2011 Blackstone Audio, Inc.
Praise for Robert Sheckley: “Sheckley has long been considered one of the genre’s leading humorists.” (New York Times Book Review)
Dr. Nils Rasmussen
When it comes to science-fiction authors you have never heard of, there are none more talented than Robert Sheckley. Aside from "Immortality Inc.", (which is amazing), his novel "Dimension of Miracles" & as well as a handful of short-stories adapted into radio dramas for the 1950's program "X-Minus One" have earned him the honor of owning the spot in my heart as my favorite obscure writer.
"Immortality Inc." plays with your mind only the way that Sheckley can. The story itself blends ideas from subjects such as time travel, the afterlife, immorality, reincarnation, and zombie folklore into ONE book that reads like a "I-can't-put-it-down" page-turner. I also found it interesting that a book which was written over 50 years ago had its protagonist be a self-proclaimed atheist. Rare for that time period in fiction.
Definitely worth the credit. You won't be sorry.
9.4 / 10
There are books of the same chemical composition as dynamite. The only difference is that a piece of dynamite explodes once, whereas a book explodes a thousand times. ― Yevgeny Zamyatin
Dystopian, futuristic, anti-religious
We by Zamyatin, 1984 by Orwell or Brave New World by Huxley where gloomy and frightening alternative futures come to life.
That's the power of his voice, the way he can easily vary his pitch, his voice quality...all sounded perfect to me.
I would recommend the book for its compelling ideas.
I think it could adapt to a tv show but might loose to much in the translation.
I liked the basic idea, I did not have a problem with the performance at all. I was not satisfied with the ending but won't go into reasons why since that's spoiler territory.
I don't see why not. Only if it is someone else performing the book. The story has interesting elements.
His voices... The voices he does for the characters are so terrible and distracting that it lowers the quality of the dialogue and ruins the character.
The ideas presented were indeed interesting and had a good amount of backing and explanation to them.
The performance is really, truly terrible.
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