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Gormenghast: Volume 2 of the Gormenghast Trilogy | [Mervyn Peake]

Gormenghast: Volume 2 of the Gormenghast Trilogy

Enter the fantastical world of Mervyn Peake's Gormenghast Trilogy, one of the undisputed fantasy classics of all time. Novelist C.S. Lewis called Peake's books "actual additions to life; they give, like certain rare dreams, sensations we never had before, and enlarge our conception of the range of possible experience."
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Publisher's Summary

In Volume 2 of the classic Gormenghast Trilogy, a doomed lord, an emergent hero, and an array of bizarre creatures haunt the world of Gormenghast Castle. This trilogy, along with Tolkien's Lord of the Rings, reigns as one of the undisputed fantasy classics of all time. At the center of everything is the 77th Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom.

In this second volume, Titus comes of age within the walls of Gormenghast Castle and discovers various family intrigues. His twin aunts, Cora and Clarice, have been imprisoned in their own apartments, believing that they alone among the castle inhabitants were free of a hideous disease referred to as "Weasel plague." Titus has discovered secret hiding places in abandoned parts of the castle from which he can watch and learn, unobserved: for he has been "exiled" to grow up with the common children until the age of 15. And so, not feeling connected to his future responsibilities, Titus drifts back and forth between the complicated social world he will grow up to govern, and a world of fantasy and daydream.

©2000 Mervyn Peake; (P)2000 Blackstone Audiobooks

What the Critics Say

"[Peake's books] are actual additions to life; they give, like certain rare dreams, sensations we never had before, and enlarge our conception of the range of possible experience." (C.S. Lewis)

What Members Say

Average Customer Rating

4.0 (185 )
5 star
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4.0 (90 )
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4.1 (89 )
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2 star
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Performance
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  •  
    John Landrum, SC, United States 09-24-12
    John Landrum, SC, United States 09-24-12 Member Since 2007
    HELPFUL VOTES
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    "An All Time Classic"
    Would you recommend this audiobook to a friend? If so, why?

    Absolutely have recommended all three of the trilogy. The reading is as good as it gets. The writing is the best in genre.


    What was one of the most memorable moments of Gormenghast?

    The meeting between Titus and "the thing" in the cave perhaps but this is a series full of memorable moments.


    What does Robert Whitfield bring to the story that you wouldn’t experience if you just read the book?

    I think I would be so enamored by the descriptiveness that I might not let it flow like it does from Whitfield.


    0 of 0 people found this review helpful
  •  
    P&B 03-20-12
    P&B 03-20-12

    P&B

    HELPFUL VOTES
    3
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    "A sensory immersion"
    If you could sum up Gormenghast in three words, what would they be?

    A sensory immersion


    What did you like best about this story?

    The vast wealth of detail.


    Have you listened to any of Robert Whitfield???s other performances before? How does this one compare?

    No.N/A.


    Did you have an extreme reaction to this book? Did it make you laugh or cry?

    No.


    Any additional comments?

    A long, slow, quiet and thought-provoking submersion in a place that has a tinge of Doctor Caligari's Cabinet and yet is uniquely it's own universe.

    0 of 0 people found this review helpful
  •  
    Jim GRANGER, IN, USA 05-27-10
    Jim GRANGER, IN, USA 05-27-10
    HELPFUL VOTES
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    "Fantastic narration"

    Robert Whitfield brings this story to life. Peake's genius is the description of the eccentric; but his language can heavy and pace slow at times. Whitfield's reading more than makes up for this shortcoming, and completely kept my interest even when Peake's writing by itself may not have.

    0 of 0 people found this review helpful
  •  
    Amber 11-08-12
    Amber 11-08-12
    HELPFUL VOTES
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    239
    4
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    "If I could choose less than one, I would"
    What would have made Gormenghast better?

    I have no clue.


    What do you think your next listen will be?

    Definitely NOT this.


    Who would you have cast as narrator instead of Robert Whitfield?

    not sure


    If you could play editor, what scene or scenes would you have cut from Gormenghast?

    not sure


    Any additional comments?

    I despised this story, and will definitely not listen to this again. I'll also probably not listen to anything from this author or series again.

    1 of 3 people found this review helpful
  •  
    Jefferson 07-27-12
    Jefferson 07-27-12 Member Since 2010

    I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.

    HELPFUL VOTES
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    "A ???Supernaturally Outlandish??? Masterpiece"

    Gormenghast (1950), the second novel in Mervyn Peake???s classic fantasy trilogy, opens with seven-year-old Titus Groan, the 77th Earl of Gormenghast, already conflicted by rebellious desires to be free from the meaningless ritual and dry duty of the castle and from his role as its figurehead. The novel depicts his maturing into a sensitive and self-aware young man scarred by violence, seasoned by loss, and attracted by the world outside. Into that plot Peake weaves the career of the amoral ex-kitchen boy Steerpike, scheming his way ever deeper into the heart of Gormenghast. And for comic relief, Peake spends (almost too) much time with Professor Bellgrove, his bachelor colleagues, and Irma Prunesquallor, who wants a husband.

    There are many memorable set pieces in the novel, like the moment when Titus and his sister Fuchsia discover that they love each other, the ???Bachelorette??? soiree at the Prunesquallors, the demise of an anile headmaster, the game of marbles in the Lichen Fort, the tracking of a satanic outlaw, the aborted ceremony of the Bright Carvings, the encounter with the wild Thing in the forest cave, the Biblical flooding of the castle, and the schoolboy game featuring a classroom window 100 feet above the ground, a giant plane tree, a pair of polished floor boards, and a gauntlet of slingshots.

    Reader Robert Whitfield???s narrator is clear, refined, and sympathetic, and his character voices varied and on target (especially Dr. Prunesquallor, Irma, Bellgrove, Barquentine, Steerpike, and Flay). But his Fuchsia needs more raw passion and less nasal whine and his Countess Gertrude more gravitas and less dowager quaver. And there is an odd glitch whereby about twenty times during the course of the book Whitfield???s sentences jarringly repeat.

    Gormenghast resembles Titus Groan, the first novel in the trilogy. Both novels are set in a vividly realized castle world populated by grotesque denizens. Both intoxicate the reader with rich language, baroque detail, painterly description, and blended humor and pathos. Both leave images etched upon the mind???s eye. Both feature long passages of conversation or description punctuated by unpredictable scenes of suspenseful action. Both express themes about the primacy of passion and imagination over reason and calculation and the comforting and stultifying influence of tradition on human lives. Although both novels are ???fantasies of manners,??? however, Gormenghast is also a romantic comedy, a British school story, a gothic thriller, and a bildungsroman. And it highlights new themes: the conflict between duty and freedom and the transformations, wonders, and absurdities of love and aging.

    Finally, Gormenghast, like Titus Groan, is a unique masterpiece that offers a satisfying conclusion to the story arc of the first two novels that perhaps renders the third book, Titus Alone, unnecessary.

    0 of 1 people found this review helpful
  •  
    Chris greenville, TX, USA 04-19-07
    Chris greenville, TX, USA 04-19-07
    HELPFUL VOTES
    8
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    "Get the abridged version"

    After listening to the entire unabridged trilogy, I strongly recommend the abridged version. Although the story line wasn’t bad the author spent WAY TOO MUCH time developing minor characters. It seemed that he constantly went off on tangents that in the end had almost nothing to do with developing the main story line. He also would have made my English literature teach proud with his excessive use of adjectives. It often took 10 sentences to say what could have been said in 10 words.

    1 of 5 people found this review helpful
  •  
    Gary Godman Santa Clarita, CA USA 12-20-04
    Gary Godman Santa Clarita, CA USA 12-20-04 Member Since 2001
    HELPFUL VOTES
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    "Lasted 30 Min"

    First audio book I have not finished, did not even make it 30 minutes. Must be for a paticular audience. Listen to a sample first if you can.

    0 of 4 people found this review helpful

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