Germline (n): the genetic material contained in a cellular lineage that can be passed to the next generation. Also (slang): secret military program to develop genetically engineered supersoldiers.
One hundred years from now, Russia and the United States are at odds again. This time the war has gone hot. Heavily armored soldiers battle genetically engineered troops hundreds of meters below the icy, mineral-rich mountains of Kazakhstan.
War is Oscar Wendell’s ticket to greatness. A reporter for the Stars and Stripes, he has the only one-way ticket to the front lines. The front smells of blood and fire and death—it smells like a Pulitzer.
But Kaz changes people, and the chaos of war feels a bit too much like home. Hooked on a dangerous cocktail of drugs and adrenaline, Oscar starts down a dark road he won’t be able to turn back from.
©2011 T. C. McCarthy (P)2011 Blackstone Audio, Inc.
“Compelling…. Recalling the work of Remarque, Willi Heinrich, and especially Michael Herr, McCarthy’s delirious narrative avoids cliché and raises intriguing questions about what it means to be human.” (Publishers Weekly)
This book really surprised me, and once the story had me I couldn't put it down (well, pause it I suppose). The story was excellent, the characterization superb, and the portrayal of the conflict very realistic. It reminded me very much of my first reading of Micheal Herr's Dispatches. The narration was spot on, and perfectly in-tune with the personalities in the story. Probably one of my best purchases thus far on Audible.
I'm a voracious audiobibliophile, mainly interested in speculative fiction, with the occasional mimetic fiction or non-fiction title sneaking in.
In her review for Bull Spec #6, C.D. Covington called Germline ???equal parts The Forever War and Hammer???s Slammers??? and that???s pretty high praise. The book doesn???t have the star-spanning scope of Joe Haldeman???s The Forever War, and it doesn???t have the attention to detail of Hammer???s Slammers. But neither of these is the point. The novel is a first person foray into a future war through the eyes of an increasingly strung-out failed journalist. There is no lengthy exposition of how the battle suits work, what the weapons or countryside look like, or, in fact, lengthy exposition at all. There are missteps (particularly in some of the major transitions) and the book doesn???t achieve perfection, but there???s just something to it: something which vaguely recalls Vonnegut, or even Kerouac, in its bouncing, drug-blurred narrative. Publishers Weekly name-checks ???Remarque, Willi Heinrich, and especially Michael Herr??? but these names don???t mean much to me (though a quick trip to Wikipedia was quite informative). At a brisk 9 hours, very well-cast with Corren???s narration, it was exactly the summer change-up I needed from the 40-50 hour epics of George R.R. Martin. (Which I enjoyed immensely in that mode, but there???s a certain discount factor when comparing books of 9 and 50 hours!)
I think fans of science fiction--and in particular, military scifi--deserve accurate pronounciation of terms. It is "core-man," NOT "cores-man," and yes, I know how it's spelled. The "s", just like the "p" is silent. There were other mispronounciations as well, but this one just screamed out at me every time I heard it. There are no acceptable excuses. I don't blame the reader, who in every other regard did a fine job. No, I blame the producer and the director. Take some care and pride in your work. I paid good money for this audiobook. I deserve the words to be pronounced correctly.
I enjoyed this book. It is a grimy / dirt military adventure with Strong characters and excellent writing. The author will move to the upper portion on my list.
This book was just random. It's like going to a Old Folks Home and listening to the rants of a half crazy veteran. There seems to be no point to the book and I was nodding off every time I pressed play.
No point, while it had science fiction points, it wasn't what I would call science fiction.
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