War in the 21st century is fought by "soldierboys". Remote-controlled mechanical monsters, they are run by human soldiers who hard-wire their brains together to form each unit. Julian is one of these dedicated soldiers, until he inadvertently kills a young boy. Now he struggles to understand how this has changed his mind.
Forever Peace is a riveting portrayal of the effects of collective consciousness, and it offers some tantalizing revelations. Narrator George Wilson's skillful performance weaves together the elements of futuristic technology with the drama of a trained soldier reconciling basic human needs.
©1997 Joe Haldeman; (P)2000 Recorded Books
"At once a hard science, military, and political thriller, this book presents a thoughtful and hopeful solution to ending war in the 21st century. Essential for sf collections." (Library Journal)
not a lot
ok book, but not up to the quality that Haldeman is capable of.
I have always enjoyed Haldeman's work. But this book's plot and characters were pretty thin. Read Forever War or some of his other works, but don't judge him based on this one.
In terms of sheer writing skill, and the ability to portray the raw tragedy, loneliness, and emptiness of being a soldier, Joe Haldeman is without equal. This book is melancholy, depressing, and despairing. It is not, however, as good as The Forever War, and in fact has no relation to that epochal work.
I'm a Hard SF & Space Opera-loving, alien android from the future. I bring gifts of SciFi eBooks & accessories for your leader's Kindle. Take me to him/her/it.
This book is a spiritual, if not narrative, sequel to Haldeman’s 1975 “Forever War”. Both novels won the Hugo & Nebula, and explore the theme of war’s futility, although from different perspectives and in separate story-worlds. Readers expecting a continuation of Forever War’s interstellar conflict or relativistic time dilation effects, will see that instead this story features a strictly terrestrial struggle between the wealthy nations, fueled by effortless nano-factory produced plenty, and the struggling excluded masses. The earlier novel, written in the immediate post-Vietnam days of an antagonistic welcome for returning veterans, further exaggerated the alienation of the protagonist with a fish-out-of-water situation that placed the character hopelessly out of touch with his own century. Here, in the 1998 novel, one senseless war is supplanted by an invisible one to end all wars, as the protagonist discovers a pacification treatment that involves sharing one of the military’s tightest-held tools with all of humanity to bring individuals together into a community incapable of violence outside of self-defense. Haldeman uses SF technology as vehicle to explore the age-old thought that ‘if we only walked in our enemies shoes for a day’. At the same time, the greatest opponent to this peace movement is one of religious zealots who inexplicably seem to want death and destruction for its own sake. I felt that not enough insight was given to their internal motivation, even when the narrative was told in first person perspective of one these characters. This left them a bit too archetypical and cartoon-evil for me. On the human-scale drama of this story, there is a compelling relationship that is shown conquering the challenges of race, age, military-civilian differences, then ‘jacked’ vs natural minds until it is thoroughly proven to be unshakable. There are also some notable thriller scenes and a number of high-tech asymmetric warfare scenes as well. Absent, sadly, are any aliens or Space Opera tropes or any references to advanced climate change expected over the coming century (CliFi).
Checking out Brandon Sanderson's work
The story line is interesting - it is nothing like Forever War. I liked the concept of the infantry fighting remotely from the battle and the idea of linked minds in combat units. I did not by the next step. Not a a bad book - just expected more.
The ending is just too deus ex machina.
I found the narration too american. It was a slow southern accent that kinda got on my nerves.
The general ideas around 'jacking' was good.
I'm completely befuddled, not only by the inane, pointless drivel this author calls a plot but by how the publisher could ever have thought anyone could stomach this rambling, boring, absolutely irredeemable mess of a book. If you're looking for entertaining sci-fi, steer very, very wide. There is absolutely nothing worth listening to here.
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