As Jason races to solve the riddle of his disappearance, Philip K. Dick immerses us in an Orwellian atmosphere of betrayal, secrecy, and conspiracy. Painting a horribly plausible portrait of a neo-fascist America, he explores the meaning of identity and reality in a world skewed by drugs, genetic enhancement, and a culture of celebrity.
©1974 Philip K. Dick; (P)2007 Blackstone Audio Inc.
"Dick [was] many authors: a poor man's Pynchon, an oracular postmodern, a rich product of the changing counterculture." (Village Voice)
"One of the most original practitioners writing any kind of fiction, Philip K. Dick made most of the European avant-garde seem navel-gazers in a cul-de-sac." (Sunday Times, London)
Philip K. Dick had a way of writing moralist science fiction without the moralist, science, or fiction getting in the way of a good story. I believe that is why so many of his stories did well as movies (unlike other more popular authors like Stephen King). This book is one of this best. The book paces well. You meet many characters along the way and one of Dick's strengths is to make you feel involved and care for each one of the characters. Few authors make so many characters meaningful and real. You can enjoy this book from many levels and many points of view, it is not a book simply about the main character, which was something I really liked about the book. Even Charles Dickens would use vanilla characters to tell the tale of more interesting blokes (like Oliver Twist). Not so with Dick in this book. You find yourself deeply involved with each one and cheering for them in their struggle to deal with life.
Scott Brick in one of my favorite readers. His delivery is clear and keeps you interested.
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
Probably 3.5 stars, but I tend towards grade-inflation with authors I admire, so -- just to be safe -- I'm rounding down on this one. I liked the first 4/5, but the last quintile bugged a little. It started brilliantly, but ended with a J. Leno (long explanation of the joke just told). It was like towards the end PKD discounted his readers would get it, so he left simple instructions (remove plastic before eating) and tied the whole thing off neat (with complementary happy ending). Other than the explanatory ending and the relative happy ending for the narrator, the book was fascinating and at times brilliant.
The novel covers themes that Dick often explored in his writing - the nature of reality and how well we can trust our own interpretations of it, as well as the effect of drugs on our perceptions.
In this story of Jason Tavener, a celebrity who wakes up in a fleabag motel to find himself an overnight unknown, there are a lot of possible explanations for what happened, and the listener is kept guessing while Dick takes us through all the various characters who might help Jason figure out how to get back to his real life. I wouldn't like to give away too much of the ending, but I'll just say there was a similar denouement in the short story "The Electric Ant," which I personally liked better.
I think part of the problem for me was that Scott Brick simply wasn't the right narrator for this story. I have enjoyed his narrations in the past, and I bought this story mostly because I am a big fan of Philip K. Dick's, but partly due to the fact that Scott Brick was reading it. Unfortunately, his style just doesn't seem suited to Dick's dark humor. And there is definitely humor in Dick's stories, even though he is usually writing about such topics as drug abuse, police brutality and alienation from society.
For listeners who want to give a Philip K Dick story a try, I would recommend Paul Giamatti narration of A Scanner Darkly instead. It's grim and tragic, but Giamatti will also make you laugh.
This is my favorite Phillip K Dick book, it is well written and well read. Love those electric Sheep.
One thing that Philip K. Dick is known for is his ability to make the reader question reality. For example, what is the reality and what is stimulated imagination in “We Can Remember it for You Wholesale?” In “Impostor” who is human and who is not? Dick also presents us with conundrums in “Minority Report” and “The Adjustment Bureau.” But he usually leaves the issue unanswered, letting us postulate and debate what really happened. “Flow my Tears …” starts off with PKD’s usual ‘what’s going on’ approach but then tries to explain what happened in the end along with an epilogue?! Not classic PKD and not a classic story. Sorry.
I usually enjoy Scott Brick, but I’ve gotten so used to him in the Clive Cussler novels that he just didn’t sound right in this story. Nothing against Scott, I just think this story would have benefitted from a different narrator.
I don't know many friends I would recommend this too, although I got my book club to read Do Androids Dream of Electric Sheep and I was surprised to find they liked it fairly well.
I have several Dick books on my wish list.
I'm a Scott Brick fan, having heard several Nelson DeMille books read by him. He makes dialogue in this book come to life in a realistic way-- which plays against the dream-like feel of the story.
I was a little surprised by some-- shall I say-- debased aspects of the story. I don't recall that element so much in other books by this author. It's a rambling tale, but that's its strength.
This Dick novel started sooo brilliantly but like several Dick books fell apart toward the end in my opinion. I was disappointed to say the least.
I can't believe Scott Brick is the narrator as he is usually very good. This time however, he is so over the top and overly dramatic that I simply can't take it anymore. I think this is the first time I'm going to leave a audio book halfway.
The story also doesn't seem to be going anywhere and quite frankly, I don't care what happens to the main character. What's his name again?
"They're out to get you"
Like most of PKD's books this one is a nifty slice of personal paranoia and oddly moving manic encounters with characters who all twist under scrutiny as the protagonist, Jason Taverner, discovers he is trapped in a police state without his ID. He is a celebrity who loses himself. I won't go on and spoil the story for those that haven't read it, but suffice it to say that this is an entertaining listen, well paced and full of PKD's usual inventiveness. It's surprisingly contemporary, and cracks along at a good pace. Try it.
Well, i'm not really sure if I got that. Maybe this is typical of PKD so apologies to his fans if you disagree with my comments. The story has several long monologues scattered throughout which don't seem to add to the plot itself. There's a lot of philosophising going on. I guess, without trying to give anything away, I was disappointed with the ending as it's not something 'real'. I'm pretty open minded but this one wasn't for me. Sorry for sounding so negative - hope you can prove me wrong!
"really not very good"
The characters were unlikeable and confusing, only got halfway through and nothing had really happened,really dull
Not read the print version
Twerp fan adored by millions.
This is a decent Dick book. Good story, thought provoking. Like most Dick books though I wish this had just been a cut-down version and somewhere out there was a longer version, with greater detail an more going on. Guess I'm a fan of epics.
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