Capturing all the complexity and grand themes of the original, this prequel to the Dune series weaves a new tapestry of betrayal, passion, and destiny into a saga that expands the tale written by Frank Herbert more than 30 years ago.
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©2001 Brian Herbert & Kevin J. Anderson; (P)2009 Tantor
"Dune: House Atreides chronicles the early life of Leto Atreides, prince of a minor House in the galactic Imperium. Leto comes to confront the realities of power when House Vernius is betrayed in an imperial plot involving a quest for an artificial substitute to melange, a substance vital to interstellar trade that is found only on the planet Dune. Meanwhile, House Harkonnen schemes to bring Leto into conflict with the Tleilax, and the Bene Gesserit manipulate Baron Harkonnen as part of a plan stretching back 100 generations. In the Imperial palace, treason is afoot, and on Dune itself, planetologist Pardot Kynes embarks on a secret project to transform the desert world into a paradise." (Amazon.com review)
"Though the plot here is intricate, even readers new to the saga will be able to follow it easily (minute repetitions of important points help immensely), as the narrative weaves among the many interconnected tales. The attendant excitement and myriad revelations not only make this novel a terrific read in its own right but will inspire readers to turn, or return, to its great predecessor." (Publishers Weekly)
Hey Audible, don't raise prices and I promise to buy lots more books.
This review is the same for all three books of the “House Trilogy.”
The author of the Dune [Chronicles] Saga, Frank Herbert, died in 1986 before completing the final installment, Dune 7. According to his son, Brian Herbert, a couple of years after the passing of his father, a safety deposit box was found with copious notes about the saga’s past and outlines for its future completion. His son collaborated with Kevin J. Anderson on the final book but also several prequels including a Prelude to Dune trilogy about the three prominently featured houses or families of the saga: Atreides, Harkonnen and Corrino.
I thoroughly enjoyed the audio version of the original Dune years ago. And, after just finishing the entire “House” trilogy, I reread the original to more freshly compare them. I must say, I think that I enjoyed the prequels more. However, I don’t know that I would have had I not read the original first. Before going on about the “House” series, because one cannot edit a review on Audible once it’s posted, a comment here about Book 1 might be helpful. The original Dune is narrated by Scott Brick, Orlagh Cassidy, Euan Morton, Simon Vance and a cast of others. At first it seemed like a good idea to have each character in the book have a unique voice. Unfortunately, from the way the book sounds, each narrator performs in a different studio setting. How do I know? Because it sounds that way. The dialogue sounds stilted, jerky and downright amateurish. Everyone of the characters in the prequels is played by Scott Brick. And they are far superior recordings. Scott Brick’s character dialogues are fluid, of the same ambience and just don’t sound dated like the original.
To continue about the prequels, they have an added depth to them. The characters are more fully fleshed out. The separate and familial relationships among all the characters are more fully explored. I realize this in not in accord with some other reviewers who sometimes seemed to find conflict with the original material. On the contrary, I found mostly only continuity that added to and enriched the original.
In the prequels we learn how Paul Atreides becomes the product of the generations of genetic “engineering” (selective breeding) of the Bene Gesserit to obtain the Kwisatz Haderach. And we learn of the backgrounds of all the other major players: Baron Harkonnen and his maniacal family, Emperor Shaddam and his, Jessica, Rev Mother Mohiam and a whole lot of background on the other Bene Gesserit “witches.” There was a mystical context in the original chronicles but these prequels greatly amplify on that.
The Guild Navigators and their relationship to the spice is mentioned only tangentially in the Original but plays a significant part in the prequels. All the female characters of Dune Prelude play a much more significant role and that too is much to the credit of these authors. It’s always nice to have that balance. We could just go on and on but why spoil it. Hopefully, I’m communicating my sense of excitement about the Prelude to Dune Trilogy. I think that each “House” installment was just excellent and the old man would have been proud of his son and his coauthor. If you’re a fan of the Dune Chronicles, you owe it to yourself to read the “House Trilogy.”
I have always loved the Dune series. Overall I have liked the prequels. Time well spent? It's a distraction from traffic. Frankly, I'm tempted to stop listening and read the book.
The narration is horrible. I've never listened to ANY Audible book with such annoying narration. The constant fake emotion and sing song delivery is terrible and really takes away from what could have been an excellent story.
I would go see it as long as Scott Brick was not involved in any part of it.
I want to listen to the whole series after I listen through all of them the first time. Knowing the tidbits you learn as you progress through the novels improves awareness in the story and you can pick up new stuff every time you listen. It's a great example of the power of the Dune Saga.
It's not Frank Herbert, but I found this story more riveting and addictive than the other novels. Having experienced the other stories, you know what will come, but how everything pans out is really fascinating and still holds interest.
Scott Brick is a good narrator, but Simon Vance is much better at making characters come to life with his talented acting ability.
I wish I could pay attention that long! It is too long to listen to in that way.
I'm a recently retired software engineer, enjoying life in the great northwest, after emigrating from southern CA. Audiobooks are a godsend!
The Dune story captured my interest decades ago when my cousin described his experience reading it. Back then, I felt reading represented more effort than benefit, so I never took the plunge.
Now that I have discovered audio books, a world has opened to me. Not only does it make it possible for me to read more than I could if restricted to those times when I am trapped with a book in my hands, unable to do other things, but often, the story unfolds in a way that surpasses the traditional reading experience, because the narrator can add a wonderful and expanded dimension.
So it is with sadness that I must abandon this audio series, because in this case, the narrator not only fails to add to the experience, but detracts from it to such an extent that I cannot bear it any longer.
Scott Brick's affected, incessant, and continuously distracting, sing-song delivery is terribly annoying to me. I have listened to a few other books narrated by this man, and each one has served to confirm and compound the unpleasant experience.
I am at a loss to understand why/how he continues to be chosen by authors and publishers to deliver their stories. And I am disappointed that there are numerous books and book series that I will be forced to read in the traditional way if I want to experience them, because when he is the narrator, I cannot subject myself to the annoyance any further; it's especially a shame with the Dune series, because if not for Brick's interference, I would truly wish to continue.
First of all, the William Shatner (early Star Trek years) of narrators butchered this book in my opinion. He bloats every sentence with sickening amounts of emotion it does not merit, and every word has a quaver in it like the character is always on the verge of sobbing. It was so overdone I could hardly pay attention to what was happening and when I could follow the story, it felt cheap. Nothing is left to the imagination, he bluntly mentions everything in a way that can't let the reader figure anything out. This kind of writing is drudgery to listen to. I could not get attached to any characters, feel anything for them or even guess how they might react to situations. A lot of what happens as far as how people react is implausible at best, and downright silly and an obvious attempt to throw the reader off balance at worst. The trick (to me at least) is to do that without the reader noticing. With this book you will notice everything your not supposed to and miss the fun and excitement of figuring something out for yourself, which is impossible when it's all just given to you ahead of time. After finishing this book, it made me feel like the writer weakly tried to explain and fill in back story without much creativity from the REAL Dune books, which are miles better than this.
I'm a technician that does a lot of driving for his job. I use the "windshield" time to listen to audiobooks.
I love the book, the story, the writing. I dislike (hate is too strong of a word) Scott Brick. His reading just seems a little too dramatic. I think I'll just get the rest of the series in paperback form, and read it the old fashion way. Am I the only one who feels this way about Brick?
Overall it was a decent book, though a couple of things stand out.
Performance-wise, the pause between chapters seemed to vary, sometimes greatly; sometimes, in the middle of a chapter, you would get an occasional long pause that would make you think you were moving into the next chapter. There seemed to be no rhyme or reason to it. Not a big deal, but it did feel a bit disorienting. Otherwise, it was the usual good narrative I've gotten used to and enjoyed with the Dune series.
From the story perspective, the authors introduced minor nuances in language that I'm pretty sure Frank Herbert would have never allowed in his dialogue. For example, never was the word "kid" used in any prior book, nor were there any oft-repeated exclamations of any kind, which this book seemed to be peppered with. The excessive amount of back-slapping going on with a couple of the characters also seemed to stand out quite a bit in the story.
Minor quibbles aside, the book did a fine job providing a cognitive history to the Atreides family history, and I enjoyed following the numerous stories the book tied together.
I listened to the 1st Dune audiobook about 6 years ago (on 20 CD's), and really liked it. The EDITED version of the Dune movie wasn't bad; but all of the subsequent video presentations put me off. Big mistake.
This is 5 star stuff and I'm definitely buying more audio-Dune
I like scifi and urban fantasy. I don't like romance novels. If you are the same my reviews should help.
Yes, it was a fun read.
No one moment stands out. The best part is getting all the glimpses of the backstory for the original series.
He does an awsome job. Every character is distinct and memorable. Top notch job!
This is a good series, but not a great series. If you take it on it's own you will enjoy the book, just don't compare it to the original series. It's interesting, but formulaic and a bit predictable (hence 4 stars instead of 5). Then again, nothing will be able to live up to the orifginal series. Still, the author does a good job and this is an interesting read.
Create a story that would stand alone without needing the reader to have already read Dune. I found myself motivated to move through the story, because I loved Dune so much. I wouldn't have finished based on the merits of this book alone.
Most interesting: Duncan Idaho's back story and character development. Details about the Spacing Guild, their technology, training, way of folding space, etc.
Least interesting: Harkonnen depravity. I get it.
Sounded fantastic at 1.5x with identifiable characters without ever sounding silly or taking away from the story.
Inspired me to read a better science fiction novel.
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