For Oxford student Kivrin, traveling back to the 14th century is more than the culmination of her studies - it's the chance for a wonderful adventure. For Dunworthy, her mentor, it is cause for intense worry about the thousands of things that could go wrong. When an accident leaves Kivrin trapped in one of the deadliest eras in human history, the two find themselves in equally gripping - and oddly connected - struggles to survive.
Deftly juggling stories from the 14th and 21st centuries, Willis provides thrilling action - as well as an insightful examination of the things that connect human beings to each other.
©1992 Connie Willis; (P)2000 Recorded Books
"Ms. Willis displays impressive control of her material; virtually every detail introduced in the early chapters is made to pay off as the separate threads of the story are brought together." (The New York Times Book Review)
"A stunning novel that encompasses both suffering and hope....The best work yet from one of science fiction's best writers." (The Denver Post)
I mistakenly read this series out of order starting with book 2 first. That book "To Say Nothing of the Dog" was an upbeat, funny, and happy experience. The title of this book should be a warning to future readers--"Doomsday". Don't start this book thinking this will be a happy listen. Very long, repetitive, plodding and detailed. That said, I admit I still couldn't stop listening. Time travel and enthralling stories that alternate between past and future. Characters are developed into people that captivate and make the long hours of listening possible. A thoughtful look at time, perception, life, illness and epidemics. A perfect example that even a grueling book can be worth a listen.
Now more than ever, I am recommending that everyone I know listen to this book. It is an amazing, satisfying, beautiful and terrible story mostly about a time traveler who is trapped in a small medieval village that is stricken by the plague. Meanwhile, current day Oxfordshire is also suffering from an especially virulent flu and attendant quarantine. The book was written in 1992 and much of the action takes place in a squalid, medieval village and yet it is all terribly timely. The characters and setting are beautifully written and this is one of the most moving books I've ever had the pleasure of reading or listening to.
Three more selling points for this great book: 1) I love a good, long book from Audible and "Doomsday" is a wonderful 26 hours and 30 minuets of listening to one of my favorite narrators, Jenny Sterlin. 2) "Doomsday won a Hugo Award in 93 and Nebula Award in 92 and 3) Connie Willis has written another book with some of the same characters that is much lighter in tone yet still very worth reading and a good way to recover from the terrible, searing beauty of "The Doomsday Book". That other book is also available on Audible :"To Say Nothing of the Dog"
Listen to "Doomsday" first, save "To Say Nothing of the Dog" to cheer you up and you can then finish off with Jerome K Jerome's sweetly funny "Three Men in a Boat". There- I've just come up with a great plan for your next 50 or hours of Audible listening. You can thank me later. After you've thoroughly enjoyed all of these amazing books.
I loved this book! I listened to another Willis book "To Say Nothing of the Dog" (also an award winner) and enjoyed it immensely. Then, I debated downloading this one. The terrible reviews almost stopped me - but I'm so glad I didn't listen to them. I imagine fans of action/adventure-oriented Science Fiction would not appreciate it. However, if you like more character-oriented scifi, historical novels and British literature, you are likely to enjoy this as I did. I agree that the narration isn't especially outstanding, but I found it perfectly adequate. The characters are very well-developed and many are truly lovable. Try it!
I listened to this on vacation and the beach, and it promised to be pure, guilty-pleasure ear candy. I was not disappointed by the writing, the concept, or the reading (the narrator is fanTAStic).
However, I would put a warning label on this that the whole second half of the book is (vague spoiler alert) sort of a sinkhole of depressing events. I wouldn't recommend this to anyone looking for a "pick-me-up" or a happily-ever-after type story.
I guess a book about the plague wouldn't be a typical candidate for that anyway, but for history buffs like me, taking a time machine back to the Middle Ages sounds like such a "fun" idea...and this just isn't a "fun" story.
Still, DEFINITELY worth a read...when you're in the right mood for a downer.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
In Connie Willis' Hugo and Nebula winning novel Doomsday Book (1992), the Oxford University historians of 2054 use time travel to observe first hand the eras of their fields of study. Kivrin Engle is an undergraduate student keen to visit 1320 for two weeks around Christmas, despite the repeated warnings of her arthritic mentor, Mr. Dunworthy, who believes that the 14th century, what with its cutthroats, witch burnings, and diseases, is too dangerous. Ah, the reckless and ignorant enthusiasm of curious youth! Ah, the helpless and loving concern of experienced adulthood!
From the start, strange problems plague Kivrin's "drop" into 1320, and she begins to learn that the past is vastly different than all her research prepared her for and that its inhabitants are heart-breakingly human. Meanwhile, in 2054 an apparently new and deadly flu virus strikes the technician who programmed Kivrin's drop and soon leads to a city-wide quarantine. Willis tells her story alternating between the parallel plot strands of Kivrin's point of view in the 14th century and Dunworthy's in the 21st. Intense ironies and suspense grow from the inability of student and teacher to communicate with each other and from their different experiences with contagious diseases.
Willis draws well-rounded human beings we care for: in the past, Kivrin (intelligent, brave, sympathetic), Father Roche (devout, kind, good), and little Agnes (cute, spoiled, open), and in the "present," Mr. Dunworthy (wise, ironic, steadfast), Doctor Mary Ahrens (indefatigable, intelligent, caring), and her young nephew Colin (spunky, resourceful, resiliant). And her novel presents a great amount of apparently accurate historical detail of life in the 14th century. Although she is uninterested in "scientific" explanations of time travel, her depiction of infectious diseases is terrifying, reminding us of how difficult it is to remember that they are after all "only" diseases.
The book could be shorter, for sometimes characters repeat things that have earlier been narrated. And perhaps Willis relies too much on convenient narrative contrivances like the disruptions in the landline telephone system (in 2054?!), or the technician's delirium, or the History Department Head's fishing trip to Scotland. Despite its few flaws, however, its vivid historical setting, parallel contagion plots, great characters, and poignant relationships between them make Doomsday Book interesting, suspenseful, and moving. And the way in which "You are here in place of the friend I love" changes from being a revolting motto in the middle of the novel to a haunting phrase during the harrowing climax is beautiful.
With wit, heart, and restraint, the reader Jenny Sterlin expresses the various emotions and agendas of the characters, from Agnes begging Kivrin to tell her a story and Colin telling Dunworthy that an interfering woman is "necrotic," through Kivrin praying for a miracle and Father Roche urging her to return to Heaven, whence she has been sent by God to help them in their hour of need.
If you're interested in the 14th century, in time travel stories about the human condition more than the physics of time travel, in stories about apocalyptic diseases, or in stories about the fraught relationships between children and parents and between believers (and non-believers) and God in time of disaster, you should listen to Doomsday Book.
I'd read this book a couple times on paper already, so I knew it was long and layered...and feared slightly that an audio version might make it more confusing, but it didn't. The narrator did a great job of conveying the story and maintaining clarity.
This is one of my all time favorite audible listens. The story takes place in a not-too-distant near future in which time travel is possible under tightly controlled conditions within a university setting. A history graduate student named Kivran has prepared intensively to travel back to the early 14th century, learning the languages and practical and social skills for the period. In the present day, elaborate immunization protocols have eliminated illness. Part of Kivran's preparation involves health enhancements to protect her from medieval illnesses of her targeted time drop.. Her time drop is scheduled for about 30 years ahead of the black death's lethal sweep through England and Europe.
But! As it happens, a fatal flu epidemic is just getting started in Oxford as Kivran's time drop is being put in motion. The key technician for the drop is already losing cognitive focus, being (unknowingly) in the early stages of the flu. Due to decreased focus, he makes an error in the program, and Kivran ends up in 1348, just in time to be in the path of the plague.
At the same time, the flu epidemic sweeps through the story's present-day Oxford, thus incapacitating the key personnel for correcting the mistake.
This is not an unfamiliar plot device for a time travel narrative---a person getting "lost" in the past. What makes it a great story is the way the increasing intensity of the characters' development, in both the present and the past streams of the story. That, and the superb narrator, whose voice brings to life a 14th century priest, a future/present day 14 year old boy, an anxious middle aged don, a 7 year old medieval girl, and an initially fearful but increasingly dismayed yet unfailingly courageous Kivran--who finds herself drawn into the real human lives of the people of the little 14th c. village in which she finds herself.
I found this a very moving, engaging, thrilling, and poignant story. Highly recommended for lovers of historical fiction and character-driving time travel.
I am a blind lawyer and aspiring writer, trying to read a little bit of everything but partial to sci-fi and military fiction.
I was constantly of two minds while reading this book. The segments set in the 14th Century were engrossing, vibrant, explorations into a wonderful if harsh world, looked forward to and cherished. The portion set in the 21st Century however, dragged, full of comparatively mundane detail and an improbably bumbling cast of characters. Some mild spoilers follow.
Part of the problem stems from the fact that there are essentially two stories going on; a science fiction tale in which Mr. Dunworthy tries to overcome numerous obstacles to rescue a lost time traveler, not least being a "modern" epidemic, and a historical recounting of one village's fate during the Black Death, as observed by the young Kivrin. Being two very distinct settings, I can say they appear to have aged differently. I find it odd now to read contemporary sci-fi stories that include things like blogging, but here find that I'm equally conscious of snags that date a work including a near future world that fails to include developments like ubiquitous wireless communication. I always try to put such nitpicks out of my mind, but can you imagine someone like a major university head completely disappearing from the grid for weeks at a time in the present day? There is also the series of unfortunate events that leads the book's major crisis to occur in the first place, but your suspension of disbelief may vary on these points.
I really did not find anything overly remarkable about the narration; it was very good overall, but could be slow, leading me to increase playback speed.
With all of that said, the reason why I enthusiastically recommend this book can be summed up in one word, Kivrin. While Dunworthy's tale is largely mired in overcoming bureaucratic resistance and a telephone system designed by Satan, Kivrin is discovering the reality of Medieval England, how much harder it was in ways neglected by those who made it their business to "study" it, but more importantly, that it was a time in which real people lived, worked, hoped, and died. The modern influenza epidemic provides contrast. While trained medical personnel in the 2050s stop showing up to work, a priest in a 1348 English village tirelessly tends the dying and rings the bell to ensure the salvation of the dead. While those quarantined in 2054 bicker and grumble, the female head of a noble family seeking refuge in the country takes in Kivrin who appears to her to be a sick girl with no memory of her past. It's easy to see Dunworthy taking a shine to being Kivrin's tutor; both have keen minds, a need to do what's right, as well as almost too much fatalism balanced by an ability to quickly adapt. And both wield a delightful gift for sarcasm. I felt true sympathy for her as she struggled to cope with the underlying assumptions of her world suddenly unraveling, reshaping, and perhaps leaving her stranded in a world not her own, and when the girl Dunworthy thought looked too young to cross a street on her own was able to live up to a poor priest's prayers for divine assistance.
Like other reviewers, I was sad for Kivrin in the end, and that my time with her, Dunworthy too I suppose, had come to a close.
The interplay between the events in future Oxford and 14th century Oxford is beguiling and dizzying. The theme of the ringing of bell changes is a metaphor for this intricate counterpoint of events. The historical details of the past are solid and convincing, and so are the characters of both periods. Agnes, presented with all the exasperating traits that five-year-olds try adults with, is probably the most convincing and lovable portrayal of a young child I have ever encountered in literature. The account of the Black Death and all its horror and grief is not easy reading, but it shouldn't be. It is a real reminder of what life can be like for human beings in any age. The tale is, in the end, consoling and hopeful.
Oh, and in parts, it is very funny.
I understand that some listeners find the beginning a little hard to get into, but those who stick with it will be rewarded. The characters become incredibly, heartbreakingly real, as do the worlds Willis painstakingly creates. I listened to this a year ago, and I still think of it often. Willis is one of our great writers crossing the border between sci-fi and "serious" fiction.
"enthralling tale of time travel"
do not be put off by the old fashioned start to this book as it improves as it goes on and the plot unfolds. I will be searching out another book by this author. Agreat listen
"You have to listen to this"
This book is excellant. So many superb twists and turns it makes you want to keep listening. It'll make you laugh cry and smile like the village idiot whilst sat on the bus. The interaction of the characters is so fatastic would definately recommend. A must listen to.
"Disappointing comedy of manners"
This listener found Jenny Sterlin's voice flat and uninteresting, which was a drawback for such a long book. There's also a passage of a few paragraphs which gets repeated in the first section of the download, an indication of a lower standard of audio production than most recent Audible recordings.
As for the story itself, I was very disappointed. The pace is extremely leisurely and while the depiction of the pettiness of academic life is mildly amusing, the story failed to grip. Every time I was getting into it, I found myself shaken out by jarring inaccuracies of language or geographical detail. Clearly, these haven't bothered other listeners, but this one found that they severely impeded his ability to suspend disbelief.
A British character who refers to cars as "automobiles"? Cases that are called "valises"? A hospital accident and emergency department called "Casualties" rather than "Casualty"? A pub in the centre of Oxford which is nearly empty a few days before Christmas?
The geography is particularly bad. The heroine, who has travelled back to the fourteenth century to a location 10 miles west of Oxford, imagines that she might be able to see the sky glow of London "50 miles away". From that location, mediaeval London would be 70 miles away. I can't imagine much of a sky glow at that period but, besides, the Chiltern Hills would have blocked any such view even had it been available.
In her cover story, she is supposedly travelling from Yorkshire to Evesham via Oxford, which is a strange and indirect route to take, and is travelling on the road from Oxford to Bath, which runs in entirely the wrong direction.
Such details are individually trivial but cumulatively produce an impression of an author who really doesn't know Oxford and has a poor grasp of British idiom.
I was hoping for history and adventure, but while these are present, they are mostly subordinated to a mild and uninvolving comedy of manners. Disappointing.
I am certainly no historian and do not know much about the medieval ways of life but this book is very well written, well read, entertaining, impossible to put down. It certainly made me go to the library and start reading about that period in the history books!
"A Smashing Book"
I am not going to comment on how this book is written because I am not qualified to do so, but as an avid reader I do know what I enjoy. This book was one of the best books I have ever read, and as my eyesight is deteriorating now, I shall be purchasing this book so that I can listen to it as much as I wish. Thanks Audible for making it available.
"One of the best simply!"
This is something unusual, a well written really engaging historically true story that simply is almost perfect!
I'm slowly working my way through award winning science fiction and I was really excited about this book. I have a degree in Medieval History and this seemed to combine my two favorite reading genres. The book however was very disappointing. I can't flaw the history, but the story was so dire. No humor, no passion, no excitement. It was mundane banality. I closed the book with a profound feeling of depression and anti climax. I found it difficult to relate to any of the characters, and often found my self wishing that the book would get to the point. I won't give a one star review. That is reserved for tripe such as Jordan's numerous biographies, but I would not recommend reading this book.
Gripping story accurately depicting peoples anxieties and worries interacting with each other. Some reviewers have commented that writing is repetitive but this is how the human mind works. Going over things in your head over and over again.
"Grueling in places but worth it"
A book about time travel to the Black Death from a future world suffering a pandemic was never going to be exactly cheery. This one is so well written it gets very bleak without being gratuitous. Its also often funny. And I couldn't stop reading, even when I was crying. I HAD to see it through. There were times I wondered if anyone would make it out of the book alive. Be warned, you'll think you can see what's coming and you will often be wrong. Many twists and turns. Ultimately I found the ending satisfying. Connie Willis makes you like the characters, in spite of their many flaws, so that you are sucked into their experience. Jennie Sterlin is a wonderful narrator for this story and I never got lost about who was speaking.
"History and time travel and grime."
I really enjoyed the premise of this story, the whole idea seemed quite plausible if the science exists, which it doesn't yet, unless the Historians are here observing and I haven't spotted them. There's no science in this sci fi story as it focusses more on personality and the interaction of the characters and here's where the problem lies for me. Connie Willis makes them really stupid at times and they repeat themselves unnecessarily. I felt I wanted to get hold of the editor, if there was one, give them a good shake and have them excise the extraneous, repetitive mental maunderings. Is there an abridged version? Jenny Stirlin did a sterling job (pun intended) and I applaud her narration, she made this very long story come alive. Also on the plus side, the 14th Century in all its archaic, smelly, dirty, winteriness is very well described. There is some lovely medieval language which flavours the whole book, and the medical aspects were obviously researched, except for the rude, unobservant 21st century nursing staff who annoyed me as well and yes, I do know what I'm talking about as I am in the medical field. Oh its the occasional outbreaks of stupidity of the people inhabiting this book that annoyed me so much, possibly needed as a plot device to move the story along? If so it didn't work for me. I had heard Connie Willis's sequel to this book; "All Clear" first and although there was annoying repetition in that shorter book, it was an easier listen and I enjoyed it, which is why I chose "Doomsday Book". Maybe there was better editing in "All Clear" or Connie had whittled her writing style, anyway be forewarned and forearmed, this is a good book if what bothered me doesn't bother you.
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