For Oxford student Kivrin, traveling back to the 14th century is more than the culmination of her studies - it's the chance for a wonderful adventure. For Dunworthy, her mentor, it is cause for intense worry about the thousands of things that could go wrong. When an accident leaves Kivrin trapped in one of the deadliest eras in human history, the two find themselves in equally gripping - and oddly connected - struggles to survive.
Deftly juggling stories from the 14th and 21st centuries, Willis provides thrilling action - as well as an insightful examination of the things that connect human beings to each other.
©1992 Connie Willis; (P)2000 Recorded Books
"Ms. Willis displays impressive control of her material; virtually every detail introduced in the early chapters is made to pay off as the separate threads of the story are brought together." (The New York Times Book Review)
"A stunning novel that encompasses both suffering and hope....The best work yet from one of science fiction's best writers." (The Denver Post)
lover of dogs, fantasy, celts, mysteries & kitsch
Now more than ever, I am recommending that everyone I know listen to this book. It is an amazing, satisfying, beautiful and terrible story mostly about a time traveler who is trapped in a small medieval village that is stricken by the plague. Meanwhile, current day Oxfordshire is also suffering from an especially virulent flu and attendant quarantine. The book was written in 1992 and much of the action takes place in a squalid, medieval village and yet it is all terribly timely. The characters and setting are beautifully written and this is one of the most moving books I've ever had the pleasure of reading or listening to.
Three more selling points for this great book: 1) I love a good, long book from Audible and "Doomsday" is a wonderful 26 hours and 30 minuets of listening to one of my favorite narrators, Jenny Sterlin. 2) "Doomsday won a Hugo Award in 93 and Nebula Award in 92 and 3) Connie Willis has written another book with some of the same characters that is much lighter in tone yet still very worth reading and a good way to recover from the terrible, searing beauty of "The Doomsday Book". That other book is also available on Audible :"To Say Nothing of the Dog"
Listen to "Doomsday" first, save "To Say Nothing of the Dog" to cheer you up and you can then finish off with Jerome K Jerome's sweetly funny "Three Men in a Boat". There- I've just come up with a great plan for your next 50 or hours of Audible listening. You can thank me later. After you've thoroughly enjoyed all of these amazing books.
I listened to this on vacation and the beach, and it promised to be pure, guilty-pleasure ear candy. I was not disappointed by the writing, the concept, or the reading (the narrator is fanTAStic).
However, I would put a warning label on this that the whole second half of the book is (vague spoiler alert) sort of a sinkhole of depressing events. I wouldn't recommend this to anyone looking for a "pick-me-up" or a happily-ever-after type story.
I guess a book about the plague wouldn't be a typical candidate for that anyway, but for history buffs like me, taking a time machine back to the Middle Ages sounds like such a "fun" idea...and this just isn't a "fun" story.
Still, DEFINITELY worth a read...when you're in the right mood for a downer.
I mistakenly read this series out of order starting with book 2 first. That book "To Say Nothing of the Dog" was an upbeat, funny, and happy experience. The title of this book should be a warning to future readers--"Doomsday". Don't start this book thinking this will be a happy listen. Very long, repetitive, plodding and detailed. That said, I admit I still couldn't stop listening. Time travel and enthralling stories that alternate between past and future. Characters are developed into people that captivate and make the long hours of listening possible. A thoughtful look at time, perception, life, illness and epidemics. A perfect example that even a grueling book can be worth a listen.
I loved this book! I listened to another Willis book "To Say Nothing of the Dog" (also an award winner) and enjoyed it immensely. Then, I debated downloading this one. The terrible reviews almost stopped me - but I'm so glad I didn't listen to them. I imagine fans of action/adventure-oriented Science Fiction would not appreciate it. However, if you like more character-oriented scifi, historical novels and British literature, you are likely to enjoy this as I did. I agree that the narration isn't especially outstanding, but I found it perfectly adequate. The characters are very well-developed and many are truly lovable. Try it!
It is very long. It takes forever to get to a point of interest. There's very little suspense or conflict in the story.
The narration of this book was fine, but the story was both formulaic and boring. I didn't care about anyone in the story and just had to stop listening about 2/3rds of the way in, when it became clear that I wasn't -going- to care about any of them.
I thought this would be a good listen for a time travel story but did not find this interesting at all. The characters were not believable. The pace of each characters was not interesting and the science of it was lacking. I wish I would have enjoyed this book much better but their are other time travel stories far better..such as Timeline.
To lacking of enthusiasm
It was a time travel book, Disappointed that in didn't talk about more of the science and the history of the plague
Audiobooks have literally changed my life. I now actually ENJOY doing mindless chores because they give me plenty of listening time!
We're in the middle of the 21st century, and a group of Oxford scholars are now able to travel back in time. Young student Kivrin Engle has a passion for the middle ages, and the object of the next study involves traveling to the 14th century Oxford region in 1320, well before the arrival of the bubonic plague of 1348 which killed off entire villages. Kivrin has spent years preparing for this trip, and even though professor Dunworthy thinks her too young and worries the trip is fraught with too many dangers, she hasn't wasted time learning Middle English and Latin and the various tasks and labours expected of the young noblewoman she is meant to impersonate. But things have gone wrong from the start. When she arrives in the 14th century, she is badly disoriented and falls gravely ill. She is found and brought to the home of a family who do their best to nurse her back to health, but though she has spent many dedicated months to prepare for this journey, she soon discovers all her studies have been for naught, because for one thing, she can't communicate with them. Meanwhile, in the Oxford of the 21st century, things are going very wrong too. Badri Chaudhuri, the young technician responsible for setting up the apparatus for Kivrin's time travel, seeks out Dunworthy to tell him that "something is very wrong", but he can say no more than that, having fallen gravely ill and suffering from high fevers which put his life at risk, so that all he is able to communicate through the better half of this lengthy novel is that "something is wrong" over and over and over again.
The very beginning of the story showed great promise, and I found all the details about 14th century England fascinating, but I felt that for at least the first half of the narrative barely anything happened at all and we were circling round the same details again and again, as if in a bad dream. I quickly lost patience and was ready to give up, but so many fans of this book assured me it was well worth the effort that I stuck to it. The story that finally emerges is a good one, but I would probably have enjoyed it more had there been a serious editing job done, since so much of the book was taken up with what seemed like filler. Had the novel been cut by half, I would probably have thought it was pretty great, but as it is I have a hard time believing that it won prestigious awards (the Hugo, Nebula and Locus awards among many others), and had to overcome a lot of frustration to finish it. I think I found a reasonable compromise with my current rating.
You might love it completely, and then again, you may not.
People say I resemble my dog (and vice-versa). He can hear sounds I can't hear, but I'm the one who listens to audiobooks.
A pessimist might say, well that's 26 and a half hours of my life I'll never get back. An optimist might respond, well at least it saves us from having to listen to the other 63 and a half hours of this series. Seriously: you've been warned.
Neil Young once introduced his song, Don't Let It Bring You Down, by saying, here's a song guaranteed to bring you right down -- it starts off slowly and then peters out altogether. If only that were true of Doomsday Book, which starts of slowly, 18 hours worth of slow, and then turns downright awful for the final eight hours. Unless you've been hankering for graphic descriptions of death by plague (eight hours worth!), consider yourself warned.
At the 18 hour mark, there was a moment where I thought this might all be worth it. I could see exactly how Willis could bring together her story of time travel from the mid-21st century to the 14th century, with its bookend epidemics and attempts to bring the time traveller back from the deep dark past. But instead of tying together the scant plot strands, she gives us eight hours of the plague.
I listened to Willis's Bellwether and absolutely loved it. A neat, satisfying six and a half hour bundle of genius. I thought Doomsday Book might be Bellwether times four, the entire Oxford series Bellwether times fourteen. If only Willis had distilled this down to a manageable 8-12 hours, maybe it would have lived up to its hype and awards (by cutting out the endless repetition, for example, or cutting down the graphic description of the plague -- half an hour of plague would have sufficed).
This is beyond disappointment. This was simply awful -- 18 hours of boring followed by eight hours of awful. Thanks to Jenny Sterlin for narration that at least makes the listening easy on the ears. Too bad the writing was not at the same level.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
In Connie Willis' Hugo and Nebula winning novel Doomsday Book (1992), the Oxford University historians of 2054 use time travel to observe first hand the eras of their fields of study. Kivrin Engle is an undergraduate student keen to visit 1320 for two weeks around Christmas, despite the repeated warnings of her arthritic mentor, Mr. Dunworthy, who believes that the 14th century, what with its cutthroats, witch burnings, and diseases, is too dangerous. Ah, the reckless and ignorant enthusiasm of curious youth! Ah, the helpless and loving concern of experienced adulthood!
From the start, strange problems plague Kivrin's "drop" into 1320, and she begins to learn that the past is vastly different than all her research prepared her for and that its inhabitants are heart-breakingly human. Meanwhile, in 2054 an apparently new and deadly flu virus strikes the technician who programmed Kivrin's drop and soon leads to a city-wide quarantine. Willis tells her story alternating between the parallel plot strands of Kivrin's point of view in the 14th century and Dunworthy's in the 21st. Intense ironies and suspense grow from the inability of student and teacher to communicate with each other and from their different experiences with contagious diseases.
Willis draws well-rounded human beings we care for: in the past, Kivrin (intelligent, brave, sympathetic), Father Roche (devout, kind, good), and little Agnes (cute, spoiled, open), and in the "present," Mr. Dunworthy (wise, ironic, steadfast), Doctor Mary Ahrens (indefatigable, intelligent, caring), and her young nephew Colin (spunky, resourceful, resiliant). And her novel presents a great amount of apparently accurate historical detail of life in the 14th century. Although she is uninterested in "scientific" explanations of time travel, her depiction of infectious diseases is terrifying, reminding us of how difficult it is to remember that they are after all "only" diseases.
The book could be shorter, for sometimes characters repeat things that have earlier been narrated. And perhaps Willis relies too much on convenient narrative contrivances like the disruptions in the landline telephone system (in 2054?!), or the technician's delirium, or the History Department Head's fishing trip to Scotland. Despite its few flaws, however, its vivid historical setting, parallel contagion plots, great characters, and poignant relationships between them make Doomsday Book interesting, suspenseful, and moving. And the way in which "You are here in place of the friend I love" changes from being a revolting motto in the middle of the novel to a haunting phrase during the harrowing climax is beautiful.
With wit, heart, and restraint, the reader Jenny Sterlin expresses the various emotions and agendas of the characters, from Agnes begging Kivrin to tell her a story and Colin telling Dunworthy that an interfering woman is "necrotic," through Kivrin praying for a miracle and Father Roche urging her to return to Heaven, whence she has been sent by God to help them in their hour of need.
If you're interested in the 14th century, in time travel stories about the human condition more than the physics of time travel, in stories about apocalyptic diseases, or in stories about the fraught relationships between children and parents and between believers (and non-believers) and God in time of disaster, you should listen to Doomsday Book.
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