For Oxford student Kivrin, traveling back to the 14th century is more than the culmination of her studies - it's the chance for a wonderful adventure. For Dunworthy, her mentor, it is cause for intense worry about the thousands of things that could go wrong. When an accident leaves Kivrin trapped in one of the deadliest eras in human history, the two find themselves in equally gripping - and oddly connected - struggles to survive.
Deftly juggling stories from the 14th and 21st centuries, Willis provides thrilling action - as well as an insightful examination of the things that connect human beings to each other.
©1992 Connie Willis; (P)2000 Recorded Books
"Ms. Willis displays impressive control of her material; virtually every detail introduced in the early chapters is made to pay off as the separate threads of the story are brought together." (The New York Times Book Review)
"A stunning novel that encompasses both suffering and hope....The best work yet from one of science fiction's best writers." (The Denver Post)
lover of dogs, fantasy, celts, mysteries & kitsch
Now more than ever, I am recommending that everyone I know listen to this book. It is an amazing, satisfying, beautiful and terrible story mostly about a time traveler who is trapped in a small medieval village that is stricken by the plague. Meanwhile, current day Oxfordshire is also suffering from an especially virulent flu and attendant quarantine. The book was written in 1992 and much of the action takes place in a squalid, medieval village and yet it is all terribly timely. The characters and setting are beautifully written and this is one of the most moving books I've ever had the pleasure of reading or listening to.
Three more selling points for this great book: 1) I love a good, long book from Audible and "Doomsday" is a wonderful 26 hours and 30 minuets of listening to one of my favorite narrators, Jenny Sterlin. 2) "Doomsday won a Hugo Award in 93 and Nebula Award in 92 and 3) Connie Willis has written another book with some of the same characters that is much lighter in tone yet still very worth reading and a good way to recover from the terrible, searing beauty of "The Doomsday Book". That other book is also available on Audible :"To Say Nothing of the Dog"
Listen to "Doomsday" first, save "To Say Nothing of the Dog" to cheer you up and you can then finish off with Jerome K Jerome's sweetly funny "Three Men in a Boat". There- I've just come up with a great plan for your next 50 or hours of Audible listening. You can thank me later. After you've thoroughly enjoyed all of these amazing books.
I listened to this on vacation and the beach, and it promised to be pure, guilty-pleasure ear candy. I was not disappointed by the writing, the concept, or the reading (the narrator is fanTAStic).
However, I would put a warning label on this that the whole second half of the book is (vague spoiler alert) sort of a sinkhole of depressing events. I wouldn't recommend this to anyone looking for a "pick-me-up" or a happily-ever-after type story.
I guess a book about the plague wouldn't be a typical candidate for that anyway, but for history buffs like me, taking a time machine back to the Middle Ages sounds like such a "fun" idea...and this just isn't a "fun" story.
Still, DEFINITELY worth a read...when you're in the right mood for a downer.
I mistakenly read this series out of order starting with book 2 first. That book "To Say Nothing of the Dog" was an upbeat, funny, and happy experience. The title of this book should be a warning to future readers--"Doomsday". Don't start this book thinking this will be a happy listen. Very long, repetitive, plodding and detailed. That said, I admit I still couldn't stop listening. Time travel and enthralling stories that alternate between past and future. Characters are developed into people that captivate and make the long hours of listening possible. A thoughtful look at time, perception, life, illness and epidemics. A perfect example that even a grueling book can be worth a listen.
I loved this book! I listened to another Willis book "To Say Nothing of the Dog" (also an award winner) and enjoyed it immensely. Then, I debated downloading this one. The terrible reviews almost stopped me - but I'm so glad I didn't listen to them. I imagine fans of action/adventure-oriented Science Fiction would not appreciate it. However, if you like more character-oriented scifi, historical novels and British literature, you are likely to enjoy this as I did. I agree that the narration isn't especially outstanding, but I found it perfectly adequate. The characters are very well-developed and many are truly lovable. Try it!
People say I resemble my dog (and vice-versa). He can hear sounds I can't hear, but I'm the one who listens to audiobooks.
A pessimist might say, well that's 26 and a half hours of my life I'll never get back. An optimist might respond, well at least it saves us from having to listen to the other 63 and a half hours of this series. Seriously: you've been warned.
Neil Young once introduced his song, Don't Let It Bring You Down, by saying, here's a song guaranteed to bring you right down -- it starts off slowly and then peters out altogether. If only that were true of Doomsday Book, which starts of slowly, 18 hours worth of slow, and then turns downright awful for the final eight hours. Unless you've been hankering for graphic descriptions of death by plague (eight hours worth!), consider yourself warned.
At the 18 hour mark, there was a moment where I thought this might all be worth it. I could see exactly how Willis could bring together her story of time travel from the mid-21st century to the 14th century, with its bookend epidemics and attempts to bring the time traveller back from the deep dark past. But instead of tying together the scant plot strands, she gives us eight hours of the plague.
I listened to Willis's Bellwether and absolutely loved it. A neat, satisfying six and a half hour bundle of genius. I thought Doomsday Book might be Bellwether times four, the entire Oxford series Bellwether times fourteen. If only Willis had distilled this down to a manageable 8-12 hours, maybe it would have lived up to its hype and awards (by cutting out the endless repetition, for example, or cutting down the graphic description of the plague -- half an hour of plague would have sufficed).
This is beyond disappointment. This was simply awful -- 18 hours of boring followed by eight hours of awful. Thanks to Jenny Sterlin for narration that at least makes the listening easy on the ears. Too bad the writing was not at the same level.
After reading a whole slew of exited, glowing reviews, I optimistically downloaded this book. Sadly, as I slogged through the narrators bland reading, I came to realize this was not nearly the book I had hoped it would be. The time spent in the 'present' is a particular snooze, with me wishing for a switch back to the middle ages, where I at least felt I could learn something new. Indeed, this was the book's only redeeming feature--Connie Willis must have either quite an imagination or is a very thorough researcher. I was very interested in her descriptions of middle age life and customs, and the statistics of the plague she cited were also very interesting, humbling, and downright scary. For this reason alone I gave the book 2 stars and not one. As another reviewer stated, this book is also rather a downer...I'm not the fluffy feathers and floating hearts type but man...I was a little depressed at the end of this story. If you really want a wonderful time travel book, download Stephen King's "11/22/63". The reader is LIGHT YEARS better and so is the story. Don't waste your time on this downer/snoozer.
I'd read this book a couple times on paper already, so I knew it was long and layered...and feared slightly that an audio version might make it more confusing, but it didn't. The narrator did a great job of conveying the story and maintaining clarity.
Very disappointed in this book. It was no where near as enjoyable as the author's book, "To Say Nothing of the Dog." Save your money and skip this dreary book!
It's like watching a history channel documentary, she keeps repeating the same information over and over. This was a very long and gruesome tale with no point to it. There is some description of life circa 1350 and a lot of descriptions of how awful being sick can be. The science fiction part, time travel, is weak. I get the impression she didn't want to be repetitive on this part of the story. As for the story, it is very predictable and I found no one interesting outside the damsel in distress and by the end just wished they'd all hurry up and die.
The narrator is very good, but, in keeping with the story, goes very slowly.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
In Connie Willis' Hugo and Nebula winning novel Doomsday Book (1992), the Oxford University historians of 2054 use time travel to observe first hand the eras of their fields of study. Kivrin Engle is an undergraduate student keen to visit 1320 for two weeks around Christmas, despite the repeated warnings of her arthritic mentor, Mr. Dunworthy, who believes that the 14th century, what with its cutthroats, witch burnings, and diseases, is too dangerous. Ah, the reckless and ignorant enthusiasm of curious youth! Ah, the helpless and loving concern of experienced adulthood!
From the start, strange problems plague Kivrin's "drop" into 1320, and she begins to learn that the past is vastly different than all her research prepared her for and that its inhabitants are heart-breakingly human. Meanwhile, in 2054 an apparently new and deadly flu virus strikes the technician who programmed Kivrin's drop and soon leads to a city-wide quarantine. Willis tells her story alternating between the parallel plot strands of Kivrin's point of view in the 14th century and Dunworthy's in the 21st. Intense ironies and suspense grow from the inability of student and teacher to communicate with each other and from their different experiences with contagious diseases.
Willis draws well-rounded human beings we care for: in the past, Kivrin (intelligent, brave, sympathetic), Father Roche (devout, kind, good), and little Agnes (cute, spoiled, open), and in the "present," Mr. Dunworthy (wise, ironic, steadfast), Doctor Mary Ahrens (indefatigable, intelligent, caring), and her young nephew Colin (spunky, resourceful, resiliant). And her novel presents a great amount of apparently accurate historical detail of life in the 14th century. Although she is uninterested in "scientific" explanations of time travel, her depiction of infectious diseases is terrifying, reminding us of how difficult it is to remember that they are after all "only" diseases.
The book could be shorter, for sometimes characters repeat things that have earlier been narrated. And perhaps Willis relies too much on convenient narrative contrivances like the disruptions in the landline telephone system (in 2054?!), or the technician's delirium, or the History Department Head's fishing trip to Scotland. Despite its few flaws, however, its vivid historical setting, parallel contagion plots, great characters, and poignant relationships between them make Doomsday Book interesting, suspenseful, and moving. And the way in which "You are here in place of the friend I love" changes from being a revolting motto in the middle of the novel to a haunting phrase during the harrowing climax is beautiful.
With wit, heart, and restraint, the reader Jenny Sterlin expresses the various emotions and agendas of the characters, from Agnes begging Kivrin to tell her a story and Colin telling Dunworthy that an interfering woman is "necrotic," through Kivrin praying for a miracle and Father Roche urging her to return to Heaven, whence she has been sent by God to help them in their hour of need.
If you're interested in the 14th century, in time travel stories about the human condition more than the physics of time travel, in stories about apocalyptic diseases, or in stories about the fraught relationships between children and parents and between believers (and non-believers) and God in time of disaster, you should listen to Doomsday Book.
"Drop the Telephone spoils a good story"
I got a great feel for what it may have been like to live through the Black Death.
Sadly Connie Willis chose to pad the story out with superfluous repetition, no hint of mobile phones in the mid 21st century leading to silly repetitive story lines about not being able to contact people. In a similar vein if we can invent a sub dermal recording device surly a micro beacon to enable "Historians" to find "the Drop" would not have been beyond the ability of engineers that can send people back to 1348. Again this created irritating repetitive fluff that spoiled what was a great story.
I enjoyed the historical parts of the story but then again I'm a real fan of Historical fiction.
She portrayed the emotions of the numerous characters extremely well.
Yes, it ends rather abruptly having raised loads of questions during the plot building about errors and who was at fault for this disastrous "Drop." Additionally more linking the archaeological evidence to the experiences of Kivrin and what other trips do the University staff embark on.
This was a gripping story on several levels with parallels between the past and the story's present. Unexpectedly moving and not easily forgotten.
The transformation on the naive student of the present day into a tough and resilient charactor.
Pretty much, a little slow in places, particularly the unnecessary dragging out of the Latin quotations at the start of some chapters.
A plague on you all?
Despite some minor irritations with the narration this was a cracking read which kept me up many a long hour
"Detail Detail - Far too much detail"
The authors attempts at making us imagine what it was like in England during the Black Death fall flat. The details (far too many of them for my liking) destroy the momentum. Constantly had a "let's just get on with it" feeling. The narration is so slow that I listened to the back in higher speed. The narration is also tediously monotone and bored. The story, the characters, the events are pretty banal - despite the very promising main idea.
Get it if you are very-very patient.
Excellent story, very good narration. Bridge between well-researched historical fiction and English scifi. highly recommended.
Gripping story accurately depicting peoples anxieties and worries interacting with each other. Some reviewers have commented that writing is repetitive but this is how the human mind works. Going over things in your head over and over again.
"Grueling in places but worth it"
A book about time travel to the Black Death from a future world suffering a pandemic was never going to be exactly cheery. This one is so well written it gets very bleak without being gratuitous. Its also often funny. And I couldn't stop reading, even when I was crying. I HAD to see it through. There were times I wondered if anyone would make it out of the book alive. Be warned, you'll think you can see what's coming and you will often be wrong. Many twists and turns. Ultimately I found the ending satisfying. Connie Willis makes you like the characters, in spite of their many flaws, so that you are sucked into their experience. Jennie Sterlin is a wonderful narrator for this story and I never got lost about who was speaking.
"History and time travel and grime."
I really enjoyed the premise of this story, the whole idea seemed quite plausible if the science exists, which it doesn't yet, unless the Historians are here observing and I haven't spotted them. There's no science in this sci fi story as it focusses more on personality and the interaction of the characters and here's where the problem lies for me. Connie Willis makes them really stupid at times and they repeat themselves unnecessarily. I felt I wanted to get hold of the editor, if there was one, give them a good shake and have them excise the extraneous, repetitive mental maunderings. Is there an abridged version? Jenny Stirlin did a sterling job (pun intended) and I applaud her narration, she made this very long story come alive. Also on the plus side, the 14th Century in all its archaic, smelly, dirty, winteriness is very well described. There is some lovely medieval language which flavours the whole book, and the medical aspects were obviously researched, except for the rude, unobservant 21st century nursing staff who annoyed me as well and yes, I do know what I'm talking about as I am in the medical field. Oh its the occasional outbreaks of stupidity of the people inhabiting this book that annoyed me so much, possibly needed as a plot device to move the story along? If so it didn't work for me. I had heard Connie Willis's sequel to this book; "All Clear" first and although there was annoying repetition in that shorter book, it was an easier listen and I enjoyed it, which is why I chose "Doomsday Book". Maybe there was better editing in "All Clear" or Connie had whittled her writing style, anyway be forewarned and forearmed, this is a good book if what bothered me doesn't bother you.
"Wonderfully swept along with the story"
I love the mixture of time travel, history, university politics, science and health in a great story that moves between the middle ages to now in and near Oxford UK. Good main characters and terrific narration too. Very sad to reach the end of it.
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