For Oxford student Kivrin, traveling back to the 14th century is more than the culmination of her studies - it's the chance for a wonderful adventure. For Dunworthy, her mentor, it is cause for intense worry about the thousands of things that could go wrong. When an accident leaves Kivrin trapped in one of the deadliest eras in human history, the two find themselves in equally gripping - and oddly connected - struggles to survive.
Deftly juggling stories from the 14th and 21st centuries, Willis provides thrilling action - as well as an insightful examination of the things that connect human beings to each other.
©1992 Connie Willis; (P)2000 Recorded Books
"Ms. Willis displays impressive control of her material; virtually every detail introduced in the early chapters is made to pay off as the separate threads of the story are brought together." (The New York Times Book Review)
"A stunning novel that encompasses both suffering and hope....The best work yet from one of science fiction's best writers." (The Denver Post)
I mistakenly read this series out of order starting with book 2 first. That book "To Say Nothing of the Dog" was an upbeat, funny, and happy experience. The title of this book should be a warning to future readers--"Doomsday". Don't start this book thinking this will be a happy listen. Very long, repetitive, plodding and detailed. That said, I admit I still couldn't stop listening. Time travel and enthralling stories that alternate between past and future. Characters are developed into people that captivate and make the long hours of listening possible. A thoughtful look at time, perception, life, illness and epidemics. A perfect example that even a grueling book can be worth a listen.
Now more than ever, I am recommending that everyone I know listen to this book. It is an amazing, satisfying, beautiful and terrible story mostly about a time traveler who is trapped in a small medieval village that is stricken by the plague. Meanwhile, current day Oxfordshire is also suffering from an especially virulent flu and attendant quarantine. The book was written in 1992 and much of the action takes place in a squalid, medieval village and yet it is all terribly timely. The characters and setting are beautifully written and this is one of the most moving books I've ever had the pleasure of reading or listening to.
Three more selling points for this great book: 1) I love a good, long book from Audible and "Doomsday" is a wonderful 26 hours and 30 minuets of listening to one of my favorite narrators, Jenny Sterlin. 2) "Doomsday won a Hugo Award in 93 and Nebula Award in 92 and 3) Connie Willis has written another book with some of the same characters that is much lighter in tone yet still very worth reading and a good way to recover from the terrible, searing beauty of "The Doomsday Book". That other book is also available on Audible :"To Say Nothing of the Dog"
Listen to "Doomsday" first, save "To Say Nothing of the Dog" to cheer you up and you can then finish off with Jerome K Jerome's sweetly funny "Three Men in a Boat". There- I've just come up with a great plan for your next 50 or hours of Audible listening. You can thank me later. After you've thoroughly enjoyed all of these amazing books.
I listened to this on vacation and the beach, and it promised to be pure, guilty-pleasure ear candy. I was not disappointed by the writing, the concept, or the reading (the narrator is fanTAStic).
However, I would put a warning label on this that the whole second half of the book is (vague spoiler alert) sort of a sinkhole of depressing events. I wouldn't recommend this to anyone looking for a "pick-me-up" or a happily-ever-after type story.
I guess a book about the plague wouldn't be a typical candidate for that anyway, but for history buffs like me, taking a time machine back to the Middle Ages sounds like such a "fun" idea...and this just isn't a "fun" story.
Still, DEFINITELY worth a read...when you're in the right mood for a downer.
I loved this book! I listened to another Willis book "To Say Nothing of the Dog" (also an award winner) and enjoyed it immensely. Then, I debated downloading this one. The terrible reviews almost stopped me - but I'm so glad I didn't listen to them. I imagine fans of action/adventure-oriented Science Fiction would not appreciate it. However, if you like more character-oriented scifi, historical novels and British literature, you are likely to enjoy this as I did. I agree that the narration isn't especially outstanding, but I found it perfectly adequate. The characters are very well-developed and many are truly lovable. Try it!
Connie Willis' book was written in early 1990's and that can be clearly noticed. It takes place in what is still our future and it's full of people who try to connect with other people over failing telephone land lines (as if cell phones were not invented in 1992 and the author could not foresee future ways of communication and mankind had to resport to old bakelite phones). Now, this is supposed to be science fiction. A basic ingredient in sf is what is termed as "sense of wonder", meaning that you as the reader should feel removed from this world by the ideas presented in the sf story. Today time travel is a gadet frequently used in sf, so Connie Willis has not invented something new. Even though she presents the idea with a new twist (called "slippage" - the time elasticity caused by time travel itself), it does not reach the sense of wonder threshold. But that is not the worst - this book should have been edited down to less than one third of what it is today. There are so many side plots and alleyways leading nowhere that you wonder if the editor of this book was awake at all. Each conversation and event is dragged out by the author to the point that you as a listener just want to scream: "Get to the point". I just could not complete listening to this book, I gave up after the second part (of three). It was simply just so bo boring and not rewarding to continue. The narrator does a good enough job, but that does not help if the basic structure is so out of joint.
Very disappointed in this book. It was no where near as enjoyable as the author's book, "To Say Nothing of the Dog." Save your money and skip this dreary book!
Two great passions - dogs and books! Sci-fi/fantasy novels are my go-to favorites, but I love good writing across all genres.
I hated the Doomsday Book and I totally hated that I could have been spared this 26 hour agony had I only done what I almost always do - READ THE REVIEWS. I usually read many of a book's reviews before buying and I look especially for the more critical reviews since they tend to tell me more of what I want to know. In the case of Doomsday Book there are MANY negative reviews so even though Audible doesn't make critical reviews easy to find, it would not have been hard with this book. But no - I stupidly assumed a book that won both Nebula and Hugo awards had to be good if not great. I mean really - this book is in the rarefied company of truly stellar sci-fi like Ender's Game, Left Hand of Darkness, and Dune. I read the reviews on this book AFTER slogging through this bloated pig of a book and found they were much more interesting and better written than the book itself. To those of you who might have spared me, thanks for taking the time, sorry I was too stupid to take advantage of your efforts.
I am adding my voice to the chorus just to work out some aggravation over this one. The flaws in Doomsday Book are numerous:
* NO Editing
* Poor Writing - repetitive, cliched, terrible dialog, flat out boring sequences of characters' agonizing internally, cardboard characters, stupid and repeated plot devices, no suspense because the author takes 17 hours to get to the big reveal which is actually on the book's cover and you'd figure out anyway after about the first chapter, etc.
* Unrealistic Settings - you have a time machine and there is no advanced security for the system, the head of the HISTORY dept. is making decisions about the use of the machine, there is only one tech on duty and when he falls ill there seems to be no backup whatsoever. On and on ridiculous beyond anyone's ability to suspend disbelief.
* Terrible Narration - character voices are awful especially the children and Jenny Sterlin can't do an American accent at all. Sterlin is so slow and deliberate in delivery with a book that is already horribly slow.
But in my mind, the cardinal sin of this book is that Connie Willis has NO excuse whatsoever for the total miss on the sci-fi side of this book. She may have researched the 14th century, but she didn't seem to have even noticed technology in her own time! Published in 1992 with futuristic part of the novel set in the 2050's:
* There are no cell phones or any type of portable communication device except something called a "bleeper" which seems to be nothing but a 2050 version of a beeper (oooh - that's creative). C'mon, mobile communications technology has been around since the 40's and the first cell phones hit the scene in 1973! (I had a car phone in 1988.) But our doofus "hero" waits around for a "trunk" call - PUHLEAZE! Willis makes a point to mention that phone calls have video like that's a big advancement - I was installing teleconferencing units in 1984.
* No GPS - GPS was invented in 1974
* No Internet/email - First commercial email service was available in 1976. First host-to-host connection which launched the internet was in 1969 and this connectivity came to be called the Internet by the early 70's.
* Little advancement in medicine or transportation between 1992 and 2050.
Connie Willis must have been living under a rock. None of the technologies like cellular communications, the Internet/email, GPS were top secret in 1992 and a quick skim of any science/technology journal would have told her all about it. I can't understand how she or the Hugo/Nebula voters thought that a society that would have time travel technology would have lost communications technology that was invented in the 1940's!
I don't recommend this book to anyone. I have no idea how it won awards, but it has proven to me that no awards or acclaim guarantees a good book. Live and learn...
I'd read this book a couple times on paper already, so I knew it was long and layered...and feared slightly that an audio version might make it more confusing, but it didn't. The narrator did a great job of conveying the story and maintaining clarity.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
In Connie Willis' Hugo and Nebula winning novel Doomsday Book (1992), the Oxford University historians of 2054 use time travel to observe first hand the eras of their fields of study. Kivrin Engle is an undergraduate student keen to visit 1320 for two weeks around Christmas, despite the repeated warnings of her arthritic mentor, Mr. Dunworthy, who believes that the 14th century, what with its cutthroats, witch burnings, and diseases, is too dangerous. Ah, the reckless and ignorant enthusiasm of curious youth! Ah, the helpless and loving concern of experienced adulthood!
From the start, strange problems plague Kivrin's "drop" into 1320, and she begins to learn that the past is vastly different than all her research prepared her for and that its inhabitants are heart-breakingly human. Meanwhile, in 2054 an apparently new and deadly flu virus strikes the technician who programmed Kivrin's drop and soon leads to a city-wide quarantine. Willis tells her story alternating between the parallel plot strands of Kivrin's point of view in the 14th century and Dunworthy's in the 21st. Intense ironies and suspense grow from the inability of student and teacher to communicate with each other and from their different experiences with contagious diseases.
Willis draws well-rounded human beings we care for: in the past, Kivrin (intelligent, brave, sympathetic), Father Roche (devout, kind, good), and little Agnes (cute, spoiled, open), and in the "present," Mr. Dunworthy (wise, ironic, steadfast), Doctor Mary Ahrens (indefatigable, intelligent, caring), and her young nephew Colin (spunky, resourceful, resiliant). And her novel presents a great amount of apparently accurate historical detail of life in the 14th century. Although she is uninterested in "scientific" explanations of time travel, her depiction of infectious diseases is terrifying, reminding us of how difficult it is to remember that they are after all "only" diseases.
The book could be shorter, for sometimes characters repeat things that have earlier been narrated. And perhaps Willis relies too much on convenient narrative contrivances like the disruptions in the landline telephone system (in 2054?!), or the technician's delirium, or the History Department Head's fishing trip to Scotland. Despite its few flaws, however, its vivid historical setting, parallel contagion plots, great characters, and poignant relationships between them make Doomsday Book interesting, suspenseful, and moving. And the way in which "You are here in place of the friend I love" changes from being a revolting motto in the middle of the novel to a haunting phrase during the harrowing climax is beautiful.
With wit, heart, and restraint, the reader Jenny Sterlin expresses the various emotions and agendas of the characters, from Agnes begging Kivrin to tell her a story and Colin telling Dunworthy that an interfering woman is "necrotic," through Kivrin praying for a miracle and Father Roche urging her to return to Heaven, whence she has been sent by God to help them in their hour of need.
If you're interested in the 14th century, in time travel stories about the human condition more than the physics of time travel, in stories about apocalyptic diseases, or in stories about the fraught relationships between children and parents and between believers (and non-believers) and God in time of disaster, you should listen to Doomsday Book.
The interplay between the events in future Oxford and 14th century Oxford is beguiling and dizzying. The theme of the ringing of bell changes is a metaphor for this intricate counterpoint of events. The historical details of the past are solid and convincing, and so are the characters of both periods. Agnes, presented with all the exasperating traits that five-year-olds try adults with, is probably the most convincing and lovable portrayal of a young child I have ever encountered in literature. The account of the Black Death and all its horror and grief is not easy reading, but it shouldn't be. It is a real reminder of what life can be like for human beings in any age. The tale is, in the end, consoling and hopeful.
Oh, and in parts, it is very funny.
"enthralling tale of time travel"
do not be put off by the old fashioned start to this book as it improves as it goes on and the plot unfolds. I will be searching out another book by this author. Agreat listen
"You have to listen to this"
This book is excellant. So many superb twists and turns it makes you want to keep listening. It'll make you laugh cry and smile like the village idiot whilst sat on the bus. The interaction of the characters is so fatastic would definately recommend. A must listen to.
"Disappointing comedy of manners"
This listener found Jenny Sterlin's voice flat and uninteresting, which was a drawback for such a long book. There's also a passage of a few paragraphs which gets repeated in the first section of the download, an indication of a lower standard of audio production than most recent Audible recordings.
As for the story itself, I was very disappointed. The pace is extremely leisurely and while the depiction of the pettiness of academic life is mildly amusing, the story failed to grip. Every time I was getting into it, I found myself shaken out by jarring inaccuracies of language or geographical detail. Clearly, these haven't bothered other listeners, but this one found that they severely impeded his ability to suspend disbelief.
A British character who refers to cars as "automobiles"? Cases that are called "valises"? A hospital accident and emergency department called "Casualties" rather than "Casualty"? A pub in the centre of Oxford which is nearly empty a few days before Christmas?
The geography is particularly bad. The heroine, who has travelled back to the fourteenth century to a location 10 miles west of Oxford, imagines that she might be able to see the sky glow of London "50 miles away". From that location, mediaeval London would be 70 miles away. I can't imagine much of a sky glow at that period but, besides, the Chiltern Hills would have blocked any such view even had it been available.
In her cover story, she is supposedly travelling from Yorkshire to Evesham via Oxford, which is a strange and indirect route to take, and is travelling on the road from Oxford to Bath, which runs in entirely the wrong direction.
Such details are individually trivial but cumulatively produce an impression of an author who really doesn't know Oxford and has a poor grasp of British idiom.
I was hoping for history and adventure, but while these are present, they are mostly subordinated to a mild and uninvolving comedy of manners. Disappointing.
I am certainly no historian and do not know much about the medieval ways of life but this book is very well written, well read, entertaining, impossible to put down. It certainly made me go to the library and start reading about that period in the history books!
"A Smashing Book"
I am not going to comment on how this book is written because I am not qualified to do so, but as an avid reader I do know what I enjoy. This book was one of the best books I have ever read, and as my eyesight is deteriorating now, I shall be purchasing this book so that I can listen to it as much as I wish. Thanks Audible for making it available.
"One of the best simply!"
This is something unusual, a well written really engaging historically true story that simply is almost perfect!
I'm slowly working my way through award winning science fiction and I was really excited about this book. I have a degree in Medieval History and this seemed to combine my two favorite reading genres. The book however was very disappointing. I can't flaw the history, but the story was so dire. No humor, no passion, no excitement. It was mundane banality. I closed the book with a profound feeling of depression and anti climax. I found it difficult to relate to any of the characters, and often found my self wishing that the book would get to the point. I won't give a one star review. That is reserved for tripe such as Jordan's numerous biographies, but I would not recommend reading this book.
"Detail Detail - Far too much detail"
The authors attempts at making us imagine what it was like in England during the Black Death fall flat. The details (far too many of them for my liking) destroy the momentum. Constantly had a "let's just get on with it" feeling. The narration is so slow that I listened to the back in higher speed. The narration is also tediously monotone and bored. The story, the characters, the events are pretty banal - despite the very promising main idea.
Get it if you are very-very patient.
Excellent story, very good narration. Bridge between well-researched historical fiction and English scifi. highly recommended.
Gripping story accurately depicting peoples anxieties and worries interacting with each other. Some reviewers have commented that writing is repetitive but this is how the human mind works. Going over things in your head over and over again.
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