Audible was thrilled to discover this genre-busting alternate history of World War II by an exciting new writer, Ian Tregillis.
It's 1939. Raybould Marsh is a British secret agent in the early days of World War II, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him. It wasn’t his imagination; the wired woman can see into the future and use her knowledge to twist the present. In fact, Marsh soon discovers that the Nazis are running missions with people who have special powers – a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain.
Marsh is called upon to stop them from aiding the Nazi expansion. He rallies a group of secret warlocks in Britain to hold an impending invasion at bay. But magic always exacts a price. Eventually, the sacrifice necessary to defeat the enemy proves as unthinkable as surrender. Alan Furst meets Alan Moore in this wildly entertaining epic of supernatural historical fiction. Bitter Seeds portrays a twentieth century much like the one we knew, but also profoundly different.
Also listen to the next book, The Coldest War.
©2010 Ian Tregillis (P)2010 Audible, Inc.
"A major talent.... I can't wait to see more." (George R.R. Martin)
"Debut novelist Tregillis breathes new life into alternate military history with this fun take on WW II." (Publishers Weekly)
"Magic and mad science mix in this entertaining alternate history of WWII, with the warlocks of Britain uniting to battle German forces with super powers. A striking first novel." (Locus magazine)
"Tregillis writes and plots beautifully. The characters - twisted German psychics, bitter warlocks, the brutal calculators of the British intelligence apparat - are complex, textured, surprising. The physical descriptions are wonderful. And the plot is relentless, a driving adventure story with intrigue, battle, sacrifice, and betrayal." (BoingBoing)
One of my first alternative history (audible) books. Saw this in hardback, was waiting for the paperback - but to my surprise (even better) it's on Audible!
Basically, the British are losing the war - the US did not join in the war and the Germans have created the ??bermensch (Superman/women) - sociopathic orphans taken from WW I, and endowed with X-menesque power by mad scientists.
In response, a desperate Admiralty establish the Milkweed organisation - British warlocks that use magic to fight back.
I believe this is Tregillis' first novel - stunning piece of work and fortunately there's more to come as this is the first book of the Milkweed Triptych (trilogy).
I don't think I would listen to Bitter Seeds for a long while. I was expecting a golden age/pulp hero type of setting with super powers and magic based on the summary. Instead it was a horror story, and a darn good one.
Yes, the end of the first novel is a cliff hanger; however, I need some more lighthearted fair before diving back into the next novel.
I don't have a particularly favorite scene, however, Ian Tregillis did a great job of bring the story right to the brink of being too gruesome or callous (in terms of the "reality" of war and the supernatural) without crossing over, but not going into actual details so my imagination took over many times through out the story.
What price for victory?
Kevin Pariseau did a good job of bringing the different characters to life, it was easy to tell which character was speaking.
Sci-Fi & Fantasy Reader
First off, I feel inclined to note that I gave the novel 3 stars, but I really wanted to give it 3.5 stars. I enjoyed it and would recommend it to others, but I just didn’t love it.
I decided to listen to this after hearing rave reviews from Tom and Veronica on the Sword and Laser podcast. They really talked it up and it had a pretty interesting premise so it felt like a no-brainer. To give a little background, Bitter Seeds is an alternate history set in Europe during World War II. In this retelling however, the British employ warlocks and the Germans basically have soldiers with superpowers.
Overall, I did enjoy it, but it definitely left something to be desired. The story wasn’t bad nor were the characters, but they also weren’t amazing. I never felt that invested in the characters (on either side). They were realistic enough, but were just somewhat flat. It’s hard to describe, because they weren’t poorly written or unlikeable…they were just kind of bland.
My biggest gripe with the story was the ending. I don’t want to spoil anything, but let’s just say the climax fell short. I wanted big explosions and high excitement–it seemed like that’s where things were going–but that’s not how it played out and I was a little underwhelmed.
My only other comment is about the narrator, Kevin Pariseau. Mr. Pariseau has narrated a lot of novels and I expect that he’s pretty well respected, but he just didn’t feel like a great fit to me. Most of the novel takes place it the UK and it just stands to reason that a British narrator would have been selected. The accents of the characters would have been a bit more convincing and I think it would have increased my enjoyment.
That said, it was a pretty fun read. It’s not very long either so it’s no major investment.
The story is complex, and may require more than one listen, many story lines are woven into one all-encompassing plot line.
The concept: it's fascinating. Considering that Hitler was such a fan of the occult and science...this story fits very well into the 'what if' scenario for the SS and what Hitler could have / might have done if he'd had the chance.
The description of the Taragon Film; where all the battery charged students are displaying their abilities.
It made me think hard about what levels of technology we have today versus what was cutting edge in 1940-41...if this is 'what might have been' then what are we headed towards today?
If you're not a fan of the WWII genre or steampunk, or accustomed to hearing German spoken/written, then you may have a hard time understanding sections of this book. However, don't pass up a great tale just because you may not know the language. Tregillis has woven a fascinating tale.
I love to read, but I am time-limited. Audible allows me to keep up with all my favorite authors while on the hiking trail. Thanks, Audible!
'Bitter Seeds??? takes us to an alternative World War II in which the Allied forces are developing demon weapons and defenses, and the Axis Forces are developing paranormal weapons and defenses. While this type of arms race is not new in literature, Ian Tregillis??? version reads more like a thrilling history book than fiction. Tregillis really has done his homework, and this story has the gravity and intrigue found in the real-life arms race to create an atomic bomb. This is an amazing book that captures the excitement and dread of an era that still shapes our view of the world today. I highly recommend it.
I've been eyeing this title for a while and finally went for it based on other reviews. Omg, such a good book and so well narrated. I purchased the next book before I was done with this book.
Intriguing look at history, and people in general. You see the decisions everyone makes and the consequences they have to live with and it changes them. Plus, the whole take on warlocks is fascinating, their language and how they negotiate.
All around solid writing, characters , plot, and ideas. I thoroughly enjoyed it and can't wait to dive into the next one.
Bitter Seeds was a remarkably fun read. Taking place from the years 1919-1941 the book describes an alternate history in which England finds itself alone against the Nazi onslaught, made worse by fantastic and dark research on both sides.
The characters in this work are compelling and flawed, and most importantly believable, despite the fantastic elements of the story (super-powered Nazis).
The narrator does an excellent job.
YES! There is a lot in this book, and much I missed while listening to it while I worked doing yard matenance. I have already started a second time, and it is better the second time. This book will keep you going for a while!
None. This book is one of a kind. The closest you could get would be something like Harry Turtledove's "In the Presence of Mine Enemies", George RR Martins "A Song of Ice and Fire", and the "Fantastic Four" and mixed it together. Absolutely inspired.
Yes, but not a book with a lot of dates or foreign words. I tends to mispronounce foreign words and says the dates weird, saying one September, 1940, instead of first of September, 1940. He does, however, great accents for the characters and is very clear and pleasant to listen to.
Both. The author does a great job of making you care for the characters, even though you hate some of them. Even when you know something is going to happen, it still ends up as a surprise and leaves you with that reaction.
The story itself is one of the most original stories I have heard recently, and the writing style itself is great. The author does a great job of making the process between switching characters very clear and easy to follow. The narrator is great with doing the multitude of accents, even though he does occasionally mispronounce a name or word, but this is because I am a history junkie and am a fanatic about pronunciation, so this may not bother someone who is particular about these things. The narrator also pronounces the dates weird, saying one September, 1940, instead of first of September, 1940. These aside, however, this is one book no one should pass by. And, while you're at it, get the second one, "The Coldest War", because you'll want to start that immediately after finishing this one.
The narrator made some of the characters sound a bit over the top in the stereotype department, but overall it's a great story.
Where ever I am that's where I'll be.
Ian Tregillis has written a tale of adventure, action, cyborg mystery and the occult injecting them into the iconic history of WWII. The story trail blazers into a unique place in fiction & for this listener doesn't follow the expected. First rate can't wait for more. See The Coldest War.
"Good story, not so good narration"
It is, as the critics' reviews say, a good story that kept me listening... it also kept me grinding my teeth at the narrator's poor grasp of accents. Lorimer, a Scot (who, thankfully, has little to say in the book) does not have a Scottish accent, rather, he has a wandering Irish/North Country hybrid accent that left me wincing. The Germans all speak with preposterous mock German accents and Olivia, wife of Marsh, is voiced with a strange received English plus occasional hints of Mockney even though she is described as having a common accent.
If you can ignore all this (and I did, after a struggle) then it's a good audible book.
Narrators really should be discouraged from giving accents to characters unless they know how to do them properly.
"Story is ok - narration is painful"
I can only agree with the other reviewers.
Why on earth, when a book is set entirely in Germany and England, would they choose an American to narrate it? He simply cannot do the accents!
Not only is this painful on the ear at times, but also, when involving converstaion between two of the main male characters, it becomes impossible to tell who is supposed to be speaking, because the accents vary so much.
The plot is interesting and the story well told - with the exception that the Author does tend to get over impressed with his own eloquence when describing the esoteric. His descriptions of the awe-inspiringness of his super-natural beings do tend to drag.
All in all, I shall probably get the sequel – but I will wish that someone else was reading it.
"Good story, but hard to bear the narration"
I downloaded this because someone on a podcast I enjoy recommended the sequel. The concept of this book is interesting and I like that it's not your usual black-and-white WW2 story; everybody's doing horrible things, for different reasons.
But I have to agree with previous comments, and comments on the sequel, that the narration is just not good. Never mind the atrocious accents (the German ones are downright offensive), it's as if the narrator isn't able to "read ahead" to make sure he pronounces a sentence so that the full stop is actually at the end of it, and not somewhere in the middle. "Marsh opened the gate. To the garden." It is absolutely annoying. Unfortunately, I am now committed to listening to part 2 as well, but I probably won't enjoy it very much!
Recording these is probably quite expensive, so I am guessing the chances of giving this one a do-over are fairly slim.
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