"The fact that spotting the missing Elven American Princess had become more popular than spotting Elvis helped. Her magic was always chasing blind leads: Princess Meredith skiing in Utah. Princess Meredith dancing in Paris. Princess Meredith gambling in Vegas. After three years, I was still a front-page story for the tabloids, though the latest headlines had been speculating that I was as dead as the King of Rock and Roll."
In fact, Meredith has been posing as a human in Los Angeles, living as a private investigator specializing in supernatural crime. But now Doyle, the Queen's chief bodyguard and assassin, has been dispatched to fetch her back - whether she likes it or not. And suddenly Meredith finds herself a pawn in her dreaded aunt's plans...plans that affect the future of the entire UnSeelie Court.
The requirements of the job: to enjoy the constant company of the most beautiful - and immortal - men in the world. The reward: the crown - and the opportunity to continue to live. The penalty: death.
Fairie tales: listen to another Meredith Gentry fantasy.
©2000 Laurell K. Hamilton; (P)2000 Laurell K. Hamilton
"[A]n edgy story of sex, violence, and magic that manages to be both disturbing and entertaining." (Library Journal)
"As wild as the novel's premise is, memorable characters and wicked wit make it all delicious, ribald fun." (Publishers Weekly)
"I've never read a writer with a more fertile imagination." (Diana Gabaldon)
This book is a tease. The plot and characters are great even the sex is cool, for about half of the book. Ms. Hamilton has a great flow to her dialogue and she creates a great land escape for the book. At some point in the story she seems to stop trying to have a great book and just settles for an ok sexual fantasy book. Also the narrator does a bad job with male voices. There are some female narrators that handle male voices a lot better.
If your not shy about very well written sex scenes, that are also important to the storyline, than this series is a wild ride. Princess Meridith is descended from several fertility goddesses, so naturally her greatest power is expressed in the bedroom. Her lovers are all beings who have lost their power, and consequently, the world of the fey is dying -- but through her, they, and the fey, are revitalized. As a fiction writer, I find Ms. Hamilton's depictions to be a masterclass in writing a compelling sex scene. As a fan, I am endlessly entertained by her originality, and the courage of her convictions to tell the story as it is meant to be told. Having read the series, I'm now enjoying the audio books, just as much, if not more. The narrator is perfect.
For those who find it to be too much, I say, quit complaining and move along. This series is meant for adults. Go read Harry Potter. Again.
Yes and no. This is actually a review of the first FOUR books - to be fair, the author is to blame for some of the problems here. She has a tendency to use the same metaphors, descriptions, phrases, over and over and over and over until you want to say ENOUGH ALREADY, are there no other descriptive phrases you can use? Here's a thesaurus, try using it.
And while I realize the sex is supposed to be between magical beings and therefore it's probably to be expected that some of the acts described would be - um - improbable? In some cases physically impossible?
On the other hand, the books aren't a complete waste of time - they are interesting if you like this kind of magical/erotic/urban romance/fantasy thing. And if you can get passed the issues with the narration - OMG, the issues with the narration. See below for my rant over that.
Probably not as an audiobook, simply because of the narration issues I'm going to describe below.
Get someone else to record them - pretty much ANYONE else.
1. Narrator cannot seem to maintain consistency in how she pronounces names. For the first three books, "Doyle" is pronounced how you would expect. Suddenly, in the fourth book, she begins pronouncing it "Dole" (like the pineapple brand).
2. She cannot be consistent in how she voices different characters. In the first couple, Doyle has what can only be described as a robotic, uninflected, machine-like voice - completely unappealing. Suddenly, in book 3 or 4, she switches to a Gaelic accent of some kind - which is MUCH better, but still disconcerting because of the change.
3. Learn how to pronounce Gaelic names! She pronounces "Siobhan" (which even a quick Google search tells you should be pronounced Shiv-awn) as "See-O-Bon" in one book, then switches to "See-O-Ban" in another. Neither is correct. It's mangled so badly I didn't know what character she was referring to (and I read these in Kindle format first, so I was somewhat familiar with the characters and plotlines before listening to the audiobook).
4. Pronounces "Sholto" correctly for first couple of books, then switches to "Sho-lo-to" for the next couple (what? You added a syllable that doesn't exist!)
5. Pronounces "Andais" as "An-days" (or something close to that) for the first couple of books (which is probably close to correct) but then suddenly starts pronouncing it "An-day-day-ice" (again, extra syllable that doesn't exist). A comparison example would be "Alais" - which is pronounced similar to but not quite exactly like "Alice" - Andais should be pronounced in a similar fashion.
6. She mispronounces any number of other words, to the point that it's distracting.
7. Voice characterizations are - as previously stated - inconsistent and (to my ear) inappropriate for the character.
8. Pronounces "Mistral" correctly for first couple of books (Miss-TRAL) but then switches in third or fourth book to "Mis-ter-all" - again, extra syllables that aren't there and SHOULDN'T BE INFERRED AND PRONOUNCED.
Awful, just generally awful.
No. Too much improbable sex.
I liked the story, the characters especially. But the narrator, threw the whole audiobook experience in the can. Her version of male voices made all the male characters seem to be decripit and the farthest thing from sexy. I hope the next book has a new narrator. The narrator's voice was confusing from one male character to another. Other than that, the book was good.
firstly, let me say the narrator is a perfect match for the book. some combo's just work. i put this on par with michael prichard's readings of nero wolf; marguerite gavin's readings of the hollows series; james earl jones as the voice of darth vader.
there is a good plot here, it just isn't obvious early on. there is a good deal of sex also. though i for one think that it is done with style and taste, not the crass porn others have called it. if this were a film i would give it an R, not an X. in most cases it certainly furthers the plot. by the end of the book i was hooked and am greatly looking forward to book 2. lots of loose ends for the story to continue on. whatever will become of our heroine's poor brother?
There is a plot going here but basically it's a porno novel. If you don't want to read about very graphic sex acts, this is not the choice for you.
less sex - more story
less graphic sex stuff
her voice seems to old/smokers for the character. did not seem to fit.
yes and no. not worth using up my credit. :(
If you are looking for an action/mystery with a fantasy setting this isn't the book for you. If you are looking for multiple sex scenes with fantasy characters, you are in the right place. The plot takes the protagonist from partner to partner with very little content in between.
I found this title very disappointing and was unable to finish it. Titles of this genre (erotic fantasy?) should be differentiated from traditional sci-fi/fantasy.
to be honest I like the book hate the narrator just does not suit her or the book at all it actually almost makes me not want to listen to it but I'm pretty dedicated to Laura K Hamilton's book so I got a push my way through it and suffer a little nothing wrong with suffering a little
I love Laurell K. Hamilton books and this is the first I've listened to. I'm really hoping the next has a different reader as the reader read too quickly and her characters voices sometimes were not the same if the character was absent for a time.
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