GAME OF THRONES: A NEW ORIGINAL SERIES, NOW ON HBO.
Few books have captivated the imagination and won the devotion and praise of readers and critics everywhere as has George R. R. Martin’s monumental epic cycle of high fantasy that began with A Game of Thrones. Now, in A Feast for Crows, Martin delivers the long-awaited fourth book of his landmark series, as a kingdom torn asunder finds itself at last on the brink of peace . . . only to be launched on an even more terrifying course of destruction.
A Feast for Crows
It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears. . . . With the death of the monstrous King Joffrey, Cersei is ruling as regent in King’s Landing. Robb Stark’s demise has broken the back of the Northern rebels, and his siblings are scattered throughout the kingdom like seeds on barren soil. Few legitimate claims to the once desperately sought Iron Throne still exist—or they are held in hands too weak or too distant to wield them effectively. The war, which raged out of control for so long, has burned itself out.
But as in the aftermath of any climactic struggle, it is not long before the survivors, outlaws, renegades, and carrion eaters start to gather, picking over the bones of the dead and fighting for the spoils of the soon-to-be dead. Now in the Seven Kingdoms, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed, while surprising faces—some familiar, others only just appearing—are seen emerging from an ominous twilight of past struggles and chaos to take up the challenges ahead.
©2007 George R.R. Martin (P)2011 Random House
"Of those who work in the grand epic-fantasy tradition, Martin is by far the best.... [He] is a tense, surging, insomnia-inflicting plotter and a deft and inexhaustible sketcher of personalities.... This is as good a time as any to proclaim him the American Tolkien." (Time)
"The only fantast series I'd put on a level with J.R.R. Tolkein's The Lord of the Rings…. It's a fantasy series for hip, smart people, even those who don't read fantasy…. If you're new to the series, you must begin with Book 1, A Game of Thrones. Once you're hooked…. you'll be like the rest of us fans, gnawing your knuckles until book 5” (Marta Salij, Detroit Free Press)
“THE MOST impressive modern fantasy, both in terms of conception and execution, is George R.R. Martin's A Song of Ice and Fire.… A masterpiece that will be mentioned with the great works of fantasy.” (Contra Costa Times)
If I recall correctly, when GRRM was writing this it got away from him and turned into an epic unto itself with all increasing number of moving pieces. So he had to cut it back, and rework much of the story. Sadly, it shows. Long periods of exposition to explain new characters, lengthy diatribes from previously existing ones, subplots and minor story arcs that could have been handled much more succinctly, and abruptly it ends in the middle of some story arcs like a TV show cliffhanger.
Further, I read these four books of the series in rapid succession and production quality are significantly subpar compared to the previous three books. In addition to everyone still sounding like hoary old men (previous review), this time, it also sounded like Dotrice was recording from the bowels of a tin can. Further, Dotrice couldn't pronounce any of the more unusual names the same way twice and typically different from how he did in the previous books. I don't care if he was pronouncing the names wrong in the previous versions, unless it's a whole new character, keep it the same. There's this thing called consistency (in here it's sorely lacking.) It took me 6 or 10 recitations before I realized he was talking about "Petyr Littlefinger." (In the previous audiobooks, he pronounced it with a long 'I,' while in this one, *most* of the time he said it like "Peter.") Poor Brienne of Tarth, he never said her name the say way twice. In one sentence, she's "bri-EEN" and the next she's "Brian." (I wish I were exaggerating.) Finally, Dotrice didn't seem to be able to keep track of which voice he'd used previously for which characters and often seemed to swap them out at whim. All this and more still is why this only got a 1-star rating from me on Performance.
I was SO disappointed when I listened to this book. After loving the first books in the series, the wonderful narration, and the great story lines, it was so disappointing to hear the names pronounced differently from the first books. Not only were names pronounced differently, but the voices of the characters were changed dramatically. It was so frustrating that I doubt I will finish the series. I am so sad!
English Mystery Collector
On the strength of the first 3 books which I could not put down I bought 4 and 5. What a
mistake--too many characters left out, new characters go on forever and are a big yawn.
My favorites didn't appear at all. I can't imagine what Martin was thinking!
I have enjoyed the story and the characters in the first three books and I continue to enjoy them in this fourth book, but the variety of voices has been lost. Mr Dotrice did a wonderful job of protraying a variety of voices in the first three books. There were clearly warriors, women, common folk, lords and children. In this book there are only about three voices, narrator, scratchy or slobbery. I miss the variety and it is distracting to have to remember whether it is 12 year old Aria, Brien, or an old crone speaking. Still a good listen, but the drama is lost.
Roy Dotrice is a beast! This man is hands-down the BEST narrator in the history of ever! And Mr. Martin is a genius. I started listening to the books after watching the first season of Game of Thrones. Each of the characters, as performed by Mr. Dotrice, come alive in your mind's eye with this audio book. I felt like I was there, I knew these characters personally and was invested in their lives (and deaths). Even the ones you're supposed to hate are so well created that you can't help but love them for their humanity (or lack of humanity). It's crazy. I've never been addicted to anything, but this series is like crack! I'm on my third listening to the series and I'm still finding things I missed the first two times. Epic.
The book itself is fantastic! However, the audio book is missing at least one chapter...I believe chapter 40 or 41. I stumbled upon this because I just happened to be reading along with my friend's book. I would read the book again, but I don't think I would listen to it because I dont know how much else is missing.
All of it!
The reader is a little slow and uses the same rhythm throughout the book. Also, his voices are all very similar and gravelly. The accent he uses for the children make them all sound like babies regardless of age.
My wife says she can read me like an open book. Though she regrets not being able to shut me up the same way. :)
I'll let the previous reviews about the narrator's failure to maintain character consistency stand unchallenged; they're right. And, I thank them all because their reviews benefitted me. Since I had read those reviews before downloading Book 4, I was prepared. So the voice changes weren't as jarring for me. In fact, since I was aware they were coming, I waited for them with a bit of comic anticipation.
So that left me to focus on the story… which I have to say was sadly disappointing--perhaps even wasteful--given such little plot progression over the course of 34…slow…hours…of…setting up…new…characters…and…more…of…the…same…heroes quest…stuff.
Over the course of 4 books now, I feel I've been baited with the anticipation of dragons; a looming war with Whites, Wargs, giants and "The Others"; meticulously developed characters sent off on compelling heroes quests; and the promise of pauper-to-king revolutions.
Instead, all we got in this book were more NEW characters to painstakingly develop and set off on yet other quests while previous protagonists are implicitly killed off, allowed to whither away with quests unfulfilled -- or unceremoniously (and I daresay lazily?) dropped from the storyline. Worse, at least one protagonist is clumsily hung over the proverbial cliff in what seemed a weak attempt to build anticipation for Book 5; an ironically pedestrian approach in what has otherwise been an imaginative story.
Add to all this the sense that the author seems biased towards having only the "bad guys" show any consistent progress and you begin to get a feeling that he must be having a hard time figuring out where to take the story from here.
Brainstorm with supporting authors if you must, but It's time to move this story along already.
Unfortunately, as I read ahead to the reviews of Book 5, it seems like there're 49 more hours of what has become the same pedantic slogging.
So, sad to say, I'm done with this series for the time being until I sense a willingness to change the scenery in Book 6 to move this story along already.
After loving books 1-3 I was disappointed in book. Specifically the narrator. In books 1-3 his pronunciation of the names was consistent and he did a great job. In book four he began pronouncing names differently and began using different voice tones. It disrupted the flow of the book. The story line is somewhat week in book four as well.
Only because you need it to get to book 5
Very little, after loving his performance in books 1-3
Yes, George RR Martin's writing is very high in detail and his volumes are herniating. Roy Dotrice does a great job narrating this universe and its detail.
Anything within Jacqueline Carey's Kushiel universe. The story is epic and over-arching.
If I had to recast, I would pick Jim Dale. However, I'd really wish the studio had instead made Roy listen to snippets of all of the major characters he has played already. It was really disheartening (and also demeaning to the character) to hear Little Finger played so subtle and Machiavellian in the first three volumes, yet he becomes a Cockney lord in the 4th.
No way. It's tremendously large. However, I listen to this in traffic and have sat in my car once home to listen to it a bit more.
I REALLY hope the production studio reads this before book 6 and 7 are released. Roy is a great narrator, but I've been listening to these all in a row and it sucks to have the voice actor suddenly change how he does his characters.
A man. A plan. A canal. Panama
This book has the same narrator as the previous 3, but Dotrice has inexplicably changed the pronunciation of many of the names and given different voices to the various characters.
It's odd, distracting and annoying.
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