It is a tale in which brother plots against brother and the dead rise to walk in the night. Here a princess masquerades as an orphan boy; a knight of the mind prepares a poison for a treacherous sorceress; and wild men descend from the Mountains of the Moon to ravage the countryside. Against a backdrop of incest and fratricide, alchemy and murder, victory may go to the men and women possessed of the coldest steel...and the coldest hearts. For when kings clash, the whole land trembles.
©1999 George R.R. Martin; (P)2004 Books on Tape, Inc.
"A truly epic fantasy....The novel is notable particularly for the lived-in quality of its world, created through abundant detail...for the comparatively modest role of magic...and for its magnificent action-filled climax....[Martin] provides a banquet for fantasy lovers with large appetites." (Publishers Weekly)
"Fans of epic fantasy should appreciate this lavishly detailed sequel to A Game of Thrones." (Library Journal)
"Dotrice's range of vocal tones, from gravelly and commanding to silkenly dangerous, creates a mood of insistence that holds the listener captive throughout the epic story." (AudioFile)
"Grabs hold and won't let go. It's brilliant." (Robert Jordan)
No. I seldom listen to books more than once.
Tyrion Lannister. Obvious underdog, bullied his whole life. He's coming up in the world and doing big things. Will he stay humble? It seems like a question Tyrion would ask himeself.
That's why I like the character so much.
Roy does 2 or 3 voices voices very well.
But! his females all sound like toothless old crones in pirate movies. Even the young beautiful ones.
The remainder of male characters sound like grumpy Leprechauns. I'm not joking. They really do. It's getting quite old and it's very disappointing.
That said Roy has the perfect amount of drama. His voice is excellent for reading the back story. You find yourself lost in the story till it comes time to narrate a female part. Then he snaps you out of it like being awakened from a sleep by a power saw in your bedroom.
37 hours N/A.
Just finishing up book 2. Already bought book 3.
I'm excited about the series and will be more than ready to move on after book 3.
Regardless of how it leaves me hanging.
Travel a lot for work and spend a good deal of time in the car.
This whole series is well worth the time and the money. Once you start its all consuming. if you dont dream about it when you finally go to sleep, then your not paying attention.
I hated the way the narrator used the same voice for multiple characters, fell in and out of accents and changed the tone of his voice in weird places. It was so distracting, I only suffered through it on my commute to work because I loved the book so much. Roy Dotrice was just awful!
I thought it was a fantastic story, and well narrated. My #1 pet peeve, which I found really irritating, was that the listening chapters didn't line up with the chapter menu on my iphone. It made it difficult to find my spot if I lost it, made it impossible to figure out how much of a chapter is left, and I couldn't check the next chapter to see who's perspective was coming next (which I like to do).
Yes, I'm ready for Book 3!!
I love the end, how the author positions all the characters for changes in the next book. I also love every section about Arya Stark, with her cleverness, strength, and stubborn determination.
"A reader lives a thousand lives before he dies. The man who never reads lives only one." - Jojen Reed. #ADanceWithDragons
Roy Dotrice again, simply great at what he does....
The twists and turns in the book is simply great and I am loving how the characters are very slowly but purposely being developed. The book has three different stories running as one it seems and it weaves together very well. Just plain impressive.
Overall... Just plain epic!
The first audiobook (Game of Thrones) has chapter breaks that coincide with where they would be in the physical book. These breaks are timed out, and so happen at random points in the story. Even the four "parts" of the book break mid-chapter.
It would be a better listening experience if the breaks happened at an appropriate chapter break.
Martin is incredible. Great characters, fearless plot--no one is safe--and masterful pace/susupense.
Dotrice, on the other hand, has mastered all of maybe 3 different voices, and each of them is about as easy on your ears as broken glass mixed with sandpaper.
I may not even listen to the rest of these novels simply BECAUSE Dotrice is involved.
Most specifically, Roy Dotrice's narration is unbearable.
Use another narrator.
As read by Mr. Dotrice, Westeros (and environs) is peopled almost entirely by trolls, goblins, elves, crones, and a few regular guys (young and old). The characters are given such horrible voices that it's difficult to hear past them - Tyrion, for example, is read as a simple-minded cockney (i.e., low class) house elf, which is totally wrong.
As a story, this is wonderful. I love and love to hate the characters.
The narrator cannot do voices..every man sounds like a old geezer and the women never sound like women....
If the story was not so wonderful, I would not tolerate these books. The narrator cannot remember how to pronounce a name....the same characters get a different name in (well at least in the way it is pronounced) in each book. That is really sad.
Martin's series is grand and ambitious in its scope, and that is simultaneously its blessing and its curse. The writing is strong, but the pace of the story is at once somehow quick, drawing the ear to the next page, and painfully slow. His use of different perspectives to tell the story is refreshing, but there are certain characters that it seems should be added to that list who remain absent, while some characters can grow simply tiresome at times. Nonetheless, if you're here for more of what you got in "A Game of Thrones", you'll find plenty.
That being said, Dotrice's narration is, to say the least, a mixed bag. Some characters, mainly the older male characters, are given excellent voices. Similarly, the voice he uses to narrate the general text itself is deliberate and clear. That being said, the list of characters who are nearly destroyed by his flamboyant voicing is long and unfortunate. He miserably fails at voicing literally every female character in the book, especially Brienne of Tarth and Mellisandre, and he manages to butcher most of the younger characters, including Theon Greyjoy and Bran Stark. His most distracting and consistent failures come with two of the most important characters, Tyrion Lannister (who is given to sound like a shamefully caricatured leprechaun) and Lord Varys, whose sloppy annunciation and unmstakeable lisp are a shame to Mr. Dotrice and an absolute failure to grasp the character. Also worth mention are his terrible performances as Hodor the stableboy and Yoren the black brother. With Hodor the failure is less distracting, since he only says one word anyway, but Yoren is consistently annoying and hard on the ear in every scene.
Nonetheless, the writing is strong enough that a careful listener can work around the narration. I would recommend this recording of this book, but be aware of what you're getting yourself into beforehand.
More important, I think, are the books I would not compare it to. Tolkien's Lord of the Rings, Heinlein's works and essentially all other rote fantasy material is not fundamentally comparable. Often, the books read more like a novelized, fictionalized history of Scotland or England, and that's a compliment. Martin understands the kind of society he's mimicking, and as such he manages to write what is mostly a political novel with fantasy elements, rather than a fantasy novel with politics.
I will, but *only* because his is the only available narration of these books. Otherwise, I would not be caught dead listening to another of his performances.
Keep reading the series.
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