Audie Award Nominee, Science Fiction, 2013
Padlocked doors. Strange light fixtures. Mutant cockroaches.
There are some odd things about Nate’s new apartment. Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much. At least, not until he meets Mandy, his neighbor across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything....
©2012 Peter Clines and Permuted Press (P)2012 Audible, Inc.
"A riveting apocalyptic mystery in the style of LOST." (Craig DiLouie, author of The Infection and The Killing Floor)
"A wholly original story that weaves together mystery and the apocalypse like a finely tuned band." (Evan Roy, Bricks of the Dead)
We all know a significant part of how well you enjoy a book is how well the narrator performs it and Ray Porter did a great job. Beyond that, the story had enough twists and turns to keep it fun. Sometimes you could anticipate where the story was going, but it happened in such a way that you were happy to see you were reading the characters right. Definitely built some great tension at the end. Will look for more by the same author and narrator.
I really like this story, until it went off the rails about 75% of the way through. It really was too bad. I liked all the major characters a lot. They were believable and credible. They reacted to weird developments like normal people would. I don't even have a problem with the notion of the building being more than it appears. But once they go through the door into Apartment 14 ... well, the author's story unravels into increasing silliness. I could come up with half a dozen ending scenarios that would make more sense than what's written.
Like many reviewers have said. this book takes a left turn about 2/3's in. Not long before that point, most readers will have realized that there is absolutely no way this plot will ever come together neatly. Even venturing into an alternate universe is insufficient to bring it all together. Probably the biggest loose end for me was why this magical building is not being carefully studied by scientists 24/7. Especially because someone has seen fit to develop spare parts!!
The narrator (Ray Porter) is really amazing and the only thing that made me stay with the book to the end.
I know I'm coming late to this book. There are thousands before me, but I can't stand not to put my 2 cents worth in. I am a woman. I find many male science fiction authors uncongenial because they seem to care more about their hardware (guns, spaceships, etc.) than about their characters. All too many of their characters are without personality or any characteristic which would mark them as actual people with pasts.
On the other hand, I find all too many female science fiction and fantasy authors uncongenial because they are merely dressing up their romance novels with lame science fiction or fantasy trappings. They have put in far too little thought about such trivialities as plot and world building and too much into descriptions of the hero's manly pecs.
Peter Clines has found the perfect middle ground. The ideas, plot, and hardscape are intricate, well thought out--amazing even. And yet the characters are also well imagined. Each character has her or his own personality. They bring a myriad of abilities to contribute to the solution of the various problems.
I highly recommend this book.
This is a great story, full of suspense and twists. It starts out with some odd quirks about the old apartment building (including the padlocked apartment #14). As the protagonists start digging into the odd quirks, they keep finding newer, deeper mysteries...and investigating them leads to even more strangeness. [I don't want to reveal too much because this is the sort of book where it is easy to invoke spoilers which can REALLY ruin it.]
Clines' writing is excellent for this style of story. Clines' "The Fold" (also on Audible and also very good) is very much in the same style, and FWIW, is set in the same universe as 14. (I think nominally "The Fold" is the sequel, but each book stands on its own.)
Ray Porter's narration is great. He not only captures the mood of the story but also does a great job with the multitude of characters, voices and accents.
Very entertaining story line . The characters were believable and well formed. The narrator is what brought this book alive. I loved how he gave each character their own voice., you always knew who was talking.
Glad to be part of the audible community and I hope that my reviews help to choose the right book and share my love of reading.
Yes, maybe -maybe!!
Hmm,not really-the book was not good and it was not bad. Character development was well done, story line until chapter 68 or so - great, and then it went downhill. Ending was written to fast and not logical, like the author was in a hurry. Left you wondering. Sorry if this spoils it for you, but that was what got me the most.
His female voices are terrible -male voices are well done
Yes, I could, but hopefully with a better ending.
Worth to get on a "sale price" but don't waste a credit.
great characters and great narration. Funny, scary, with a couple of very amusing surprises. I recommend this book and narration of you like scifi/fantasy.
I didn't know what to expect with this one, I got it because I really enjoyed clines other creations.
But I quickly fell in love with the whole story, you get to know each and every character and the twists are great.
It is hard to review without giving anything away, alls I can say is very enjoyable and really well narrated to the point where you can easily pick out each character by the narration.
This was brilliant - characterisation was wonderful, plot was brilliantly woven together with lots of nice pop culture references (loved the totally throwaway "bowties are cool"), and pace was such that I stayed up much too late to find out how it would end. Ray Porter's narration was also excellent, with clear delineation of the various voices and a great line in comic timing amid all the impending horror. Off to look for more things by Peter Clines/more narration by Ray Porter...
This was an odd one for me, I really enjoyed the first 8 hours of the story a lot but the last 4 hours not so much. That's not to say the last 4 hours are terrible or anything - its fine, but its almost like a different storyline somehow. Hard to explain without spoilers really, but for me the writer had the first part of the story done really well, and the latter part not so well - but it was an interesting story well told, just seemed to go a bit odd towards the end.
Hilarious, entertaining madness.
It's impossible to put into words without giving massive spoilers, but the characters in this book have much more depth and realism about them than pretty much any other book I have ever read. I found myself sharing all their emotions, and rather than guessing the ending, was anxious to find out what they were leading to. This book is so well written, it's truly edge of your seat stuff.
Ray Porter's performance is fantastic. A couple of the accents may have been a little ropey, but he still managed to make them believable, even his women had the correct balance of strength and fragility that so many actors tend to get so wrong. His pace is perfect, and his acting highlights all the humor and / or tension that each scene requires. I'll definitely be on the lookout for more of his narration.
I could've lost a whole weekend to this book. I was due to take a coach journey when I was about a third of the way through it, and decided to listen to more of it rather than my music. On the way home again I was pretty tired, and thought I would continue with the book, maybe have a doze on my way home...no chance. By the time my journey ended I was LITERALLY on the edge of my seat. The girl next to me must have thought I was crazy with all the fidgeting I was doing as events unfolded in my ears. By the time I actually got home, the story had become so intense that I was glad my other half was back from work so I didn't have to sit in the house on my own while I listened to the end.
I've been chewing all my friends ears off (figuratively) to try and get them to listen to or read this book. If you give it a chance, I promise you will too. Pretty much jumped straight into my top five favourite books and gives Neil Gaiman a damn good run for his money.
"Solid first 3/4's...dissapointing finale."
Hmmm, not really. [Spoiler free] - Ive said that the finale is dissapointing, but this has little to do with the plot/story - which was fine, if a little derivative. The build up of quiet dread, and the slow unfolding of the mystery was a lot of fun. No, it was the character's response to the events towards the end that didn't sit well. Up to the final quarter of the book, Nate and chums responded plausibly to what was going on. However, their friendly banter, and muted reactions (to what was, a roller-coaster of terror and madness), seemed more in keeping with getting lost in the woods, and not being sure if you're going to make it home that night, rather than, what was, a prolonged waking nightmare.
Putting people in bizarre, and horrifying situations, and making their responses believable, is something that writers like, Stephen King or Richard Matheson, seem to make look easy. And its essential in stories like this. Peter Clines' difficulty just highlights how hard it is to actually achieve, and the difference between writing a book thats good, and writing one thats just alright.
The narration, although a little flat and stacatto at times (during the 3rd person narration, rather than when people were 'talking'), was quality. The characters were distinct and well portrayed.
"Oh I loved this book!"
Fresh believable characters, incidental love interests that didn't detract from the story in any way! Unpredictable twists and turns, appealed to me (at 60) and my daughter (at 24) test of a good story. Different to my usual read but I'm really glad I took a chance and listened. Easy to follow without being boring, unusual concept but believable, even the weird bits!
Can't compare it to anything really, all new and very enjoyable!
Veek is very cool (not sure if that's how to spell it) she has a wicked sense of humour, Zeela is also pretty cool.
Both - I found my jaw clenching in parts, shouted out loud in the car a few times, couldn't wait to get out of work to start listening again!
Buy it if you like a good story, fantasy, suspense and laughing!
Nate moves into a new flat in a very strange apartment building. It seems that every apartment in the building is different and has something strange about it. There are the green cockroaches, the lift that has never worked, apartment 14 is padlocked, and many other strange oddities.
This was a wonderful book, with lots of twists and turns, and some fantastic ideas. And every time something new was revealed about the building I had a new theory about what was going on. I loved this book and will be looking for more books by Peter Clines.
Loved every minute of it.
Really great listen, highly recommended.
"A crafty nod to the old master"
The Kavach building is a wonderful creation set in the middle of LA. A gothic monolith filled with strangely disproportionate rooms and even odder tenants. In comes Nate, an all American loser but all round nice guy. His flat is let to him at an unfeasibly low rent,with all utilities included, but with an ominous message that people move out because things aren't quite right there. The story begins gently with Nate investigating his surroundings and meeting his fellow tenants and from then on it becomes brilliantly weird.
This story is heavily influenced by another American writer and makes no attempt to hide this.
The narrator is terrific and handles the material in exactly the right way.
I can close my eyes now and see the Kavach looming over me.
And as for number 14 ...
"Totally unexpected and unexpectedly enjoyable"
This kind of feels like two separate books but I don't actually mind that at all. It flips between the mundane and the weird and back again before exploding off into a totally unexpected direction. I can't think of anything to compare it to really: it's a bit Lost, a bit House of Leaves, a bit... it's own thing.
I like the narrator a lot. All the characters are differentiated and believable and I enjoyed his laid back tone as it lulls you into a false sense security before the weirdness kicks in.
An oddity but an interesting one. Oh, and I really appreciated all the H P Lovecraft references.
"Zoinks don't open the door!"
This was a fun, entertaining listen. With lots of twists and turns to the story, all of which managed to keep me on the edge of my seat. And seriously I would never of guessed at that ending.The author created some very memorable characters particularly liked Veek and Tim.
Ray Porters narration really brought the book to life loved his characters,they were all top quality, he did a great job with the female characters and Roger was a joy. You could easily tell them all apart, only felt his third party narration was sometimes a little flat.
All in all this was a great listen wouldn't hesitate to recommend it,well worth the credit spent. And will definitely look for more from both the author and narrator.
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