Audie Award Nominee, Science Fiction, 2013
Padlocked doors. Strange light fixtures. Mutant cockroaches.
There are some odd things about Nate’s new apartment. Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much. At least, not until he meets Mandy, his neighbor across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything....
©2012 Peter Clines and Permuted Press (P)2012 Audible, Inc.
"A riveting apocalyptic mystery in the style of LOST." (Craig DiLouie, author of The Infection and The Killing Floor)
"A wholly original story that weaves together mystery and the apocalypse like a finely tuned band." (Evan Roy, Bricks of the Dead)
The story was UTTERLY unpredictable and MOST enjoyable!
The wit and humour woven into the seriousness and reality of certain situations.
Vika was a favourite as she faced and dealt with challenges to her world both personal and interpersonal.
My eyes were wide with wonder in parts and then in other parts you couldnt help but laugh uproariously and from the belly at others.
The narrator was absolutely superb!!!!! I want him to be Chief Reader for all Audio Books!!!
You finally forced me to take the time to review this book by continually shoving it in my face as one of the greats of the year. This book was awful! The narration was, at best, lackluster, and that was the best element. I, too, was sucked in by the plethora of glowing reviews. The first quarter or so of the book was promising. The story moved pretty slowly but was building up some interesting mystery. Beyond that point, though, everything began to read like it was written by a high school student who had seen too many episodes of "Scooby Doo". The fact that the characters eventually begin referring to themselves as Velma, Shaggy et al only makes it worse. As the story progresses we discover that this high school student author has read a few works by H.P. Lovecraft. This leads him to introduce mutant creatures including flying squid-whales and giant insects. Just to be sure we get the erudite literary reference (bonus points!) the writer includes Mr. Lovecraft himself in a tangential way. Not content with this, the author has to add poor Nikola Tesla as a conspirator. I could go on but why bother? The plot is absurd, the characters are two dimensional and literally cartoonish, and the narration is barely adequate - although to be fair you can't do an award winning job on lousy material. I feel like a chump for listening all the way through but it was like the proverbial train wreck you can't look away from .... A really bad train wreck. Please spare yourself and don't waste the credit.
My taste differs from kid books to gory horror books.
I won't he promised. Smart women are so damn sexy.
There has been a lot of ranting and raving about this book and the narrator Ray Porter.
The reason is because it is a great book. It starts out really good and you think it is a scary house book, but it is so much more. The book just gets better and better as it goes along. Toward the end of the first downloaded part, I was thinking they are about to solve, this, what are they going to do for the next six hours. Well, they did plenty.
I also like how well the author knows what it is like to be a working stiff. Most of these people are in this apartment because it is cheap and Cline seems to have some real experience on what it is like to live around the poverty level. He understands the dreams and struggles of the working man and woman. There is some good character development in this book.
Ray Porter is excellent.
Check this book out, you will like it.
Like many reviewers have said. this book takes a left turn about 2/3's in. Not long before that point, most readers will have realized that there is absolutely no way this plot will ever come together neatly. Even venturing into an alternate universe is insufficient to bring it all together. Probably the biggest loose end for me was why this magical building is not being carefully studied by scientists 24/7. Especially because someone has seen fit to develop spare parts!!
The narrator (Ray Porter) is really amazing and the only thing that made me stay with the book to the end.
This book starts out with a great premise. Kind of an X-Files, or Twilight Zone vibe. Unfortunately the writing is not very good. People are continually saying and doing things that just ring false and contrived. Every time that happened, it took me out of the story, and it happens OFTEN. It's irritating. Several times I almost stopped listening.
The other complaint I have is that, once the big secret is revealed there are about 10 or so more chapters, and everything from that point on is utterly predictable. Basically, once you get to the big reveal, you can pretty much stop listening. Just imagine how the story would be resolved if it were a Disney movie, and you've got it.
Also, there are a LOT of loose ends. Many of the "oddities" that set up the premise of the story are never explained, at least not to my satisfaction.
The narrator does a good job. I liked that all the characters are given very distinct voices.
This was fantastic, I enjoyed it throughly. Its one of those I'm so glad I got this books. If you like Dean Koontz you will like this. definitly want more. Worth you time cash/credit
The story was great up until the last two hours. Then it became very predictable. Some action scenes, fake pressure when everyone knows everything will be resolved soon and resolved happily, so there are no stakes in the end. I kept shipping and skipping because action scenes with no stakes are boooooring. No reason they couldn't be shorter since they were just page filler at that point in the story and because they were basically a mash-up of the same 2-3 elements again and again. I don't like wasting 2 hours on meaningless filler. So 3 points. The story before those two hours was 4.5 points. Would have been 5 points if the motivation of the charactes were better than just curiosity and the bad guy weren't so clearly pointed out. A whole scene that existed just to "hint" about the bad guy is sloppy work. Too obvious. Better to mix the hints in between a whole bunch of action in a scene.
I am not a devotee of science-fiction and would not have started this book if I'd realized that it was science fiction but I am glad I didn't know because I found this book totally engrossing and very entertaining. the performance was exceptional.
A love of Sci-Fi . But I travel with kids to school everyday so there will be a lot of YA reviews from a parent enjoyment perspective.
It's been a long while since I read anything that would be considered a shoutout to the horror genre. Stephen King was really the only author I really read and enjoyed. Peter Clines seems to have captured a little bit of that old King magic, in turning what seems a simple premise into something magically suspenseful. I really should trust fellow audible members a little more, as this was always listed in the top of all lists and in my suggestions, but I avoided it for a long time, just not feeling it from the publishers summary.
Once I finally downloaded it, and began I was deeply pulled into the story. Part of that is of course due to the masterful Ray Porter as narrator, but the story was compelling, just enough pace to pull you into a story of a everybody. A nobody special, that suddenly finds himself in the middle of something unknowable.
Characters were well crafted, you longed to grab a sixpack and to join them all on the rooftop patio.
The story is well crafted with enough twists that it isn't too predictable, but straightforward enough that you root for the characters.
This was a story that I anticipated listening too, and may have extended my trip by a few minutes to keep listening. That's always a good sign for a story.
This book doesn't fit any molds. Once you finish it you realize It blends a couple different common story lines. It works well though. Saying much more could mean giving away spoilers. The narrator does a great job of giving individual voices. Twice I've listened and I'm sure I will again.
I didn't know what to expect with this one, I got it because I really enjoyed clines other creations.
But I quickly fell in love with the whole story, you get to know each and every character and the twists are great.
It is hard to review without giving anything away, alls I can say is very enjoyable and really well narrated to the point where you can easily pick out each character by the narration.
This was brilliant - characterisation was wonderful, plot was brilliantly woven together with lots of nice pop culture references (loved the totally throwaway "bowties are cool"), and pace was such that I stayed up much too late to find out how it would end. Ray Porter's narration was also excellent, with clear delineation of the various voices and a great line in comic timing amid all the impending horror. Off to look for more things by Peter Clines/more narration by Ray Porter...
"It's locked for a reason!!!!"
It's been a while since I got totally immersed in an audiobook. This didn't really stand out to me, I only got it as it was in the sale, but I'm glad I did!
Nate works as a temp, going nowhere with no cash, so when cheap digs are offered he grabs them. Once he moves in, he starts to meet his neighbours and they soon realise that not one room in the whole building is structurally the same. Not only that, the building doesn't appear to be attached to the power grid and nobody's heard of the landlord.
I can't go into too much without spoiling it, but needless to say the atmosphere when they go past the basement and into room 14 is so tense you'll need to put the light on!
Hilarious, entertaining madness.
It's impossible to put into words without giving massive spoilers, but the characters in this book have much more depth and realism about them than pretty much any other book I have ever read. I found myself sharing all their emotions, and rather than guessing the ending, was anxious to find out what they were leading to. This book is so well written, it's truly edge of your seat stuff.
Ray Porter's performance is fantastic. A couple of the accents may have been a little ropey, but he still managed to make them believable, even his women had the correct balance of strength and fragility that so many actors tend to get so wrong. His pace is perfect, and his acting highlights all the humor and / or tension that each scene requires. I'll definitely be on the lookout for more of his narration.
I could've lost a whole weekend to this book. I was due to take a coach journey when I was about a third of the way through it, and decided to listen to more of it rather than my music. On the way home again I was pretty tired, and thought I would continue with the book, maybe have a doze on my way home...no chance. By the time my journey ended I was LITERALLY on the edge of my seat. The girl next to me must have thought I was crazy with all the fidgeting I was doing as events unfolded in my ears. By the time I actually got home, the story had become so intense that I was glad my other half was back from work so I didn't have to sit in the house on my own while I listened to the end.
I've been chewing all my friends ears off (figuratively) to try and get them to listen to or read this book. If you give it a chance, I promise you will too. Pretty much jumped straight into my top five favourite books and gives Neil Gaiman a damn good run for his money.
This was an odd one for me, I really enjoyed the first 8 hours of the story a lot but the last 4 hours not so much. That's not to say the last 4 hours are terrible or anything - its fine, but its almost like a different storyline somehow. Hard to explain without spoilers really, but for me the writer had the first part of the story done really well, and the latter part not so well - but it was an interesting story well told, just seemed to go a bit odd towards the end.
"Oh I loved this book!"
Fresh believable characters, incidental love interests that didn't detract from the story in any way! Unpredictable twists and turns, appealed to me (at 60) and my daughter (at 24) test of a good story. Different to my usual read but I'm really glad I took a chance and listened. Easy to follow without being boring, unusual concept but believable, even the weird bits!
Can't compare it to anything really, all new and very enjoyable!
Veek is very cool (not sure if that's how to spell it) she has a wicked sense of humour, Zeela is also pretty cool.
Both - I found my jaw clenching in parts, shouted out loud in the car a few times, couldn't wait to get out of work to start listening again!
Buy it if you like a good story, fantasy, suspense and laughing!
"Solid first 3/4's...dissapointing finale."
Hmmm, not really. [Spoiler free] - Ive said that the finale is dissapointing, but this has little to do with the plot/story - which was fine, if a little derivative. The build up of quiet dread, and the slow unfolding of the mystery was a lot of fun. No, it was the character's response to the events towards the end that didn't sit well. Up to the final quarter of the book, Nate and chums responded plausibly to what was going on. However, their friendly banter, and muted reactions (to what was, a roller-coaster of terror and madness), seemed more in keeping with getting lost in the woods, and not being sure if you're going to make it home that night, rather than, what was, a prolonged waking nightmare.
Putting people in bizarre, and horrifying situations, and making their responses believable, is something that writers like, Stephen King or Richard Matheson, seem to make look easy. And its essential in stories like this. Peter Clines' difficulty just highlights how hard it is to actually achieve, and the difference between writing a book thats good, and writing one thats just alright.
The narration, although a little flat and stacatto at times (during the 3rd person narration, rather than when people were 'talking'), was quality. The characters were distinct and well portrayed.
"Loved the 1st half...then it all got a bit silly"
Overall narration was good, characters pretty interesting and the story flowed at a decent pace.
I LOVED the first half / 2/3rds of this ...introduction to the characters and the building, some intrigue, building suspense, a hint at what's been going on. Loved it. It's been compared to Lost and I can see why.
HOWEVER. Without giving anything away, after we get the big reveal of what/how/why/where/who it became increasingly daft.
One aspect in particular I detested and it made me cringe, because it was so awfully silly and daft and cheesy. You'll know the bit when you get to it.
The last couple of hours I really just sat through because I was in the car and hate to leave anything half finished.
"Finally - A fantastic narrator!"
I've had some hit and miss luck with narrators and was about to give up on audiobooks altogether...... Luckily I tried this book! This guy was spot on!
Every character had a unique accent and didn't distract from the story... even the female voices! I hope all future audible books have top narrators like this one.
Story - great story & not too long winded - snappy story telling. Fans of 'Fringe' would like this.
"REVIEW FOR 14, by Peter Clines, read by Ray Porter"
This book is one of my favourite books from Audible since I first got my iPad Mini 2 years ago. I am not sure why, it leans a little too much on the fantasy side of Sci-Fi. I am not really into Lovecraft horror/monster type normally but 14 is written with such gritty, ordinary, day to day characters, so well developed that it is very believable. And extremely intriguing and very thrilling.
It has a "Lost" kind of feeling. However, I don't mean that literally; Lost became so drawn out and complicated that I got totally bored and lost interest in any of the increasingly unbelievable characters after the first season. This book kept my interest as the puzzles unfolded and the characters developed.
Ray Porter, The guy who reads it, is wonderful, not too much accent or gender changes, and helps to give credence to the characters.
So, when it started to go off into the horror side I was too hooked to let it really bother me. It all fits together well in the end and I have listened to it over and over. It is weird, I bought one of his other books immediately because I enjoyed 14 so much but, sadly I did not like it at all.
But for me 14 remains up there with Solaris, which is a much deeper, more psychological story, (equally well read) and The Martian; which I don't think is as well written but also a really exciting, well read book.
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