Audie Award Nominee, Science Fiction, 2013
Padlocked doors. Strange light fixtures. Mutant cockroaches.
There are some odd things about Nate’s new apartment. Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much. At least, not until he meets Mandy, his neighbor across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything....
©2012 Peter Clines and Permuted Press (P)2012 Audible, Inc.
"A riveting apocalyptic mystery in the style of LOST." (Craig DiLouie, author of The Infection and The Killing Floor)
"A wholly original story that weaves together mystery and the apocalypse like a finely tuned band." (Evan Roy, Bricks of the Dead)
I purchased this novel on a whim, primarily on the strength of it's description. It turned out to be a great investment and a pleasant surprise! It's best experienced without much knowledge of the plot as most of the fun comes from the characters (who make numerous pop culture references and even compare themselves to Scooby Doo and his pals) unraveling the mysteries of the building where they live. Cline has a to-the-point writing style, a good sense of humor and he keeps this story rolling along.
14 isn't a deep novel or a book that will blow the reader away with tremendous, in-depth characterization. It's good, fun genre fiction with a memorable cast of characters and some genuinely surprising twists and turns. I highly recommend it.
Great reading. Characters had distinct voices and brought the story to life.
I loved the suspense and the science of the first half of the book. It was mature and I enjoyed the theory and the intellectual approach. I couldn't wait to get back to listen to more. THEN...Somewhere near the last 1/4th of the book when the characters actually discovered "the answer" and the "monsters came out of the closet" so to speak, all the suspense flew out the window and it became a silly, contrived action adventure and I was glad when it was finally over. I actually felt a little anger at this book. How could it have been so good to start off and then end in such pure cheese?
Rating scale: 5=Loved it, 4=Liked it, 3=Ok, 2=Disappointed, 1=Hated it. I look for well developed characters, compelling stories.
SciFi is not my usual genre, but the almost universal rave reviews with promises that this was new and different than any other book around made me take the leap of faith. Ultimately I was both disappointed and pleased at different points in the story.
I hated the slower than molasses set-up. It took right at half the book to get beyond the introductions to the cast of characters, and as much time as the author took to work everyone into the narrative, there was little depth to any of them. You could see the broad stereotypes from central casting. The comparisons to Scoobey and the gang sounded somewhat intriguing in the reviews that I read, but especially in the front half of the book it became tiresome and trite.
Once I hit the halfway mark, things picked up considerably. There was action and the wild ride creativity that had been promised in the reviews. It was Scoobey Doo meets Dr. Who, and I mean that in a good way. (Yes, Dr. Who is my one scifi guilty pleasure). Well written, unexpected and breathtaking. The characters took on greater depth and dimension as they were (finally) given something to do.
Then I hit hour 10. After the thrilling Act 2, I wondered what the author was going to do for four more hours. That's when it hit some hard core scifi that I don't mean in a good way. The fans of the book who gave the rave reviews obviously had no problems with the turn of events. But it didn't appeal to me. I don't want to ruin anyone else's pleasure with spoilers, so I won't be specific about what disappointed me. But the movie Jaws came to mind in the sense that for most of the movie we never saw the shark, and we were scared to death. It was after we actually saw the shark that it didn't quite match our imaginations. That was the kind of let-down that I felt. True fans of Clines may be better pleased. But for my leap of faith - my bad.
I honestly think I lost IQ points listening to this book. The worst part was that I got sucked in initially by the reasonably suspenseful plot devices. I put up with the cardboard characters and cliched writing because I was intrigued by the mystery surrounding the building. But the pay-off was so bad, so ridiculously bad, that I felt like an idiot having wasted any time on this drivel. I want my time back and the brain cells I expended in the effort. The narration was ok, although some of the accents were pretty lame. (Ray Porter's German is much better than his Indian.) I just kept wondering, "Isn't he embarrassed to be reading this?"
I understand from reading many other reviews that mine is a minority opinion. Just don't say I didn't warn you.
I believe a reviewer should finish a book before submitting a review. What do you think?
I am thrilled to rate this book with 5 stars. What this book has.....
terrific character development, I got to know and cared about each and every character; story/plot, I just couldn't put this book down (what is the audio equivalent of a page turner?); intrigue and suspense, the tenants of the building have a mystery to solve that is a matter of life and death;
romance that is hip and cool and relevant, with plenty of references to current culture;
and equal to the wonderfulness of the book overall is the expert narration, I am thinking that Mr. Porter is perhaps one of the best narrators ever, he did everything right, accents, pace, tone, and inflection.
I wholeheartedly recommend this book, oh I agree ......happy dance!!!!
The first seven hours of this audiobook were a constant internal struggle for me as I debated whether to stop then and ask Audible for a refund or keep listening in the hope it would get better. Curiosity got the better of me and I kept listening until the end. Now I wish I had spent the past 12 hours listening to something different.
The first 6 to 7 hours were mind-numbingly tedious and unsuspenseful. The most menacing moments were when the building manager would growl angrily at the tenants in a thick German accent. (If that does not sound suspenseful to you, that's precisely my point.) I thought I was listening to bad young adult fiction, as the sentences were short, the dialogue was uninspired, the characters were slackers mostly in their 20s, and there were a lot of dumb adolescent jokes. The mystery finally started to become interesting around hour seven. A couple of hours after that, the book took yet another turn and was definitely NOT for tender young readers. Though not intended by the author, I would describe this book as being in three parts, each a different genre: first, a really long "Friends" episode; second, a Scooby Doo episode; finally, an HP Lovecraft short story. The book did not particularly appeal to me, though younger readers who are not picky might find it sufficiently entertaining if they can get past the halfway mark. The F-bombs in the latter half became very annoying.
The narrator did a great job with the various characters and accents.
Tell us about yourself!
First, this is mild in terms of sci-fi or fantasy.
Second, in my opinion, this belongs in the young adult category. Some hand holding, kissing, reference to spending the night together, but nothing graphic.
I was engaged for about two thirds of the book. Then it got lame, like the author lost his muse. I was vested in the characters, but many just withered away.
When I am really into a book I can listen for up to 6 hours per day. When it took me 4 days to listen to the last three hours, I knew it was really bad.
The narrator did an admirable job with the material. In fact, he's probably the reason I trudged through to the end.
Yes because I enjoyed 2/3 of it.
The last 1/3 of the book was ridiculous. I wanted to scream at the characters to stop with their stupid chattering and get to work! Also, I wasn't a fan of the big secret - it felt too .... weird.
Yes, I can see 14 being made into a movie. It's a very visual book.
Busy mom who loves to read but doesn't always have the time. I enjoy YA, Romance and the occasional Best Seller.
Although I typically read Romance Books I just loved 14! After reading so many good reviews I decided to give this one a try for something different. WOW!
I don't want to give any of the plot points away so I will just say this book is funny, scary, mysterious, creepy and a little weird. It's Dean Koontz meets Lost. Just the right blend of sci-fi and horror.
The narration is outstanding. Ray Porter did an excellent job of bringing all the characters to life (even the evil ones).
Definitely a credit worthy listen.
This was my first Peter Clines' book to listen to.
I have become a fan of his Zombies/Super Heroes series, but this book is not part of the series.
14 started out interesting enough, but took too long to get to the meat of the story. Then it just got too "out there" at the end.
It was just okay.
"It walked a a thin line"
It manages to hover above being poor and consigned to the DNF bin...only just . The escalating level of incredulity generated by the narrative is at times bewildering. Its lack of depth and treatment of science reminds me of old Victorian novels. While suspending belief is the stuff of scifi, this story takes it to a new level almost verging on stupidity. The main characters are so poorly fleshed out and developed that it does indeed harken back to the cartoon it so often makes reference to. Suffice to say I will be giving this author a wide berth in future. Not one to be reccomended.
"Loved the 1st half...then it all got a bit silly"
Overall narration was good, characters pretty interesting and the story flowed at a decent pace.
I LOVED the first half / 2/3rds of this ...introduction to the characters and the building, some intrigue, building suspense, a hint at what's been going on. Loved it. It's been compared to Lost and I can see why.
HOWEVER. Without giving anything away, after we get the big reveal of what/how/why/where/who it became increasingly daft.
One aspect in particular I detested and it made me cringe, because it was so awfully silly and daft and cheesy. You'll know the bit when you get to it.
The last couple of hours I really just sat through because I was in the car and hate to leave anything half finished.
"A crafty nod to the old master"
The Kavach building is a wonderful creation set in the middle of LA. A gothic monolith filled with strangely disproportionate rooms and even odder tenants. In comes Nate, an all American loser but all round nice guy. His flat is let to him at an unfeasibly low rent,with all utilities included, but with an ominous message that people move out because things aren't quite right there. The story begins gently with Nate investigating his surroundings and meeting his fellow tenants and from then on it becomes brilliantly weird.
This story is heavily influenced by another American writer and makes no attempt to hide this.
The narrator is terrific and handles the material in exactly the right way.
I can close my eyes now and see the Kavach looming over me.
And as for number 14 ...
"Totally unexpected and unexpectedly enjoyable"
This kind of feels like two separate books but I don't actually mind that at all. It flips between the mundane and the weird and back again before exploding off into a totally unexpected direction. I can't think of anything to compare it to really: it's a bit Lost, a bit House of Leaves, a bit... it's own thing.
I like the narrator a lot. All the characters are differentiated and believable and I enjoyed his laid back tone as it lulls you into a false sense security before the weirdness kicks in.
An oddity but an interesting one. Oh, and I really appreciated all the H P Lovecraft references.
"Finally - A fantastic narrator!"
I've had some hit and miss luck with narrators and was about to give up on audiobooks altogether...... Luckily I tried this book! This guy was spot on!
Every character had a unique accent and didn't distract from the story... even the female voices! I hope all future audible books have top narrators like this one.
Story - great story & not too long winded - snappy story telling. Fans of 'Fringe' would like this.
"REVIEW FOR 14, by Peter Clines, read by Ray Porter"
This book is one of my favourite books from Audible since I first got my iPad Mini 2 years ago. I am not sure why, it leans a little too much on the fantasy side of Sci-Fi. I am not really into Lovecraft horror/monster type normally but 14 is written with such gritty, ordinary, day to day characters, so well developed that it is very believable. And extremely intriguing and very thrilling.
It has a "Lost" kind of feeling. However, I don't mean that literally; Lost became so drawn out and complicated that I got totally bored and lost interest in any of the increasingly unbelievable characters after the first season. This book kept my interest as the puzzles unfolded and the characters developed.
Ray Porter, The guy who reads it, is wonderful, not too much accent or gender changes, and helps to give credence to the characters.
So, when it started to go off into the horror side I was too hooked to let it really bother me. It all fits together well in the end and I have listened to it over and over. It is weird, I bought one of his other books immediately because I enjoyed 14 so much but, sadly I did not like it at all.
But for me 14 remains up there with Solaris, which is a much deeper, more psychological story, (equally well read) and The Martian; which I don't think is as well written but also a really exciting, well read book.
"Zoinks don't open the door!"
This was a fun, entertaining listen. With lots of twists and turns to the story, all of which managed to keep me on the edge of my seat. And seriously I would never of guessed at that ending.The author created some very memorable characters particularly liked Veek and Tim.
Ray Porters narration really brought the book to life loved his characters,they were all top quality, he did a great job with the female characters and Roger was a joy. You could easily tell them all apart, only felt his third party narration was sometimes a little flat.
All in all this was a great listen wouldn't hesitate to recommend it,well worth the credit spent. And will definitely look for more from both the author and narrator.
"Good start rather unrealistic finish"
Enjoy listening enough variety to keep returning
Going into tunnel description of flats
"Modern Lovecraftian mystery"
The characters and the slowly developing mystery.
Occasionally fell into over analysis of the surroundings.
Great mystery that goes in a direction I did not expect. Comedy element was a little over done at times.
"The reviews don't lie!"
Crackerjack cosmic mystery-adventure for X-Files/Lost/Buffy/Fringe/etc fans, with witty dialogue, fun well-drawn characters, and swift excellently-judged pacing. Great performance in an edge-of-the-seat style from the reader. Couldn't turn it off!
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