Audie Award Nominee, Science Fiction, 2013
Padlocked doors. Strange light fixtures. Mutant cockroaches.
There are some odd things about Nate’s new apartment. Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much. At least, not until he meets Mandy, his neighbor across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything....
©2012 Peter Clines and Permuted Press (P)2012 Audible, Inc.
"A riveting apocalyptic mystery in the style of LOST." (Craig DiLouie, author of The Infection and The Killing Floor)
"A wholly original story that weaves together mystery and the apocalypse like a finely tuned band." (Evan Roy, Bricks of the Dead)
On Audible since the late 1990s, mostly science fiction, fantasy, history & science. I rarely review 1-2 star books that I can't get through
The first 2/3 of this novel are pure fun. There are mysteries in an strange apartment complex to be unraveled, a winning cast of characters to do so, and a great reader to narrate the whole thing. The pacing is such that you are always listening for a few more minutes, just to see what the tenants will learn next about their mysterious building. There is lots of original ideas, and some old science fiction and horror concepts reused in fun ways.
Sadly, as the mysteries are finally revealed, much of the fun drains away, and the last 1/3 of the book, while by no means bad, just can't keep up the excitement and pace. The twists are more cliched, and the revelations surprisingly unsatisfying.
Despite that, this is still a fun novel, and a solid read, especially those into modern Lovecraftian horror (Atrocity Archives, for example)
This thing was listed under Sci-fi & Fantasy and was recommended to me after purchasing an epic fantasy Scott Lynch's, 2nd book (Red Seas Under Red Skies) WHICH WAS AWESOME. I put it in my wish list after seeing the HUGE positive ratings.
This book is fiction, sci-fi slightly... fantasy... barely. I would have some mature high school students read/listen to this book due to its easy going pace and somewhat interesting story-line. This book is NOT for epic fantasy fans or even hard core sci-fi fans. The narrator was good which is how I was able to get through this book.
Great reading. Characters had distinct voices and brought the story to life.
I loved the suspense and the science of the first half of the book. It was mature and I enjoyed the theory and the intellectual approach. I couldn't wait to get back to listen to more. THEN...Somewhere near the last 1/4th of the book when the characters actually discovered "the answer" and the "monsters came out of the closet" so to speak, all the suspense flew out the window and it became a silly, contrived action adventure and I was glad when it was finally over. I actually felt a little anger at this book. How could it have been so good to start off and then end in such pure cheese?
I like Jack Reacher style characters regardless of setting. Put them in outer space, in modern America, in a military setting, on an alien planet... no worries. Book has non moralistic vigilante-justice? Sign me up! (oh, I read urban fantasy, soft and hard sci-fi, trashy vampire and zombie novels too)
What on earth is this book about? At 2/3 of the way through nothing had really happened, and nobody had really done anything, but I still kept reading because I wanted to know (probably as badly as the characters wanted to know): what is up with this building? And why is it titled 14? And why has it sometimes been tagged as "horror"?
That makes it sound like the first 2/3 dragged... it did not. For some reason the story kinda grabs you and pulls you in, even if it spends a lot of time keeping you in suspense as to what the story is actually about.
When I (and the characters) finally discovered what was going on, the story picked up the pace, and perhaps got a bit far-fetched... and it ended up not being at all what I thought it had to be. Of course, you have to suspend disbelief when reading. If you can do that, you should enjoy this book. It has a nice sense of foreboding and suspense and you're never really sure what's really going on.
I even liked the ending, pat though it might have been. I'd read more by this author. It is mostly sci-fi-ish, not really horror at all... There is a bit of violence, but it's not graphic or over-done. There is no sex and I don't think there was much in the way of swearing. The narration was very good.
Tell us about yourself!
First, this is mild in terms of sci-fi or fantasy.
Second, in my opinion, this belongs in the young adult category. Some hand holding, kissing, reference to spending the night together, but nothing graphic.
I was engaged for about two thirds of the book. Then it got lame, like the author lost his muse. I was vested in the characters, but many just withered away.
When I am really into a book I can listen for up to 6 hours per day. When it took me 4 days to listen to the last three hours, I knew it was really bad.
The narrator did an admirable job with the material. In fact, he's probably the reason I trudged through to the end.
Busy mom who loves to read but doesn't always have the time. I enjoy YA, Romance and the occasional Best Seller.
Although I typically read Romance Books I just loved 14! After reading so many good reviews I decided to give this one a try for something different. WOW!
I don't want to give any of the plot points away so I will just say this book is funny, scary, mysterious, creepy and a little weird. It's Dean Koontz meets Lost. Just the right blend of sci-fi and horror.
The narration is outstanding. Ray Porter did an excellent job of bringing all the characters to life (even the evil ones).
Definitely a credit worthy listen.
You finally forced me to take the time to review this book by continually shoving it in my face as one of the greats of the year. This book was awful! The narration was, at best, lackluster, and that was the best element. I, too, was sucked in by the plethora of glowing reviews. The first quarter or so of the book was promising. The story moved pretty slowly but was building up some interesting mystery. Beyond that point, though, everything began to read like it was written by a high school student who had seen too many episodes of "Scooby Doo". The fact that the characters eventually begin referring to themselves as Velma, Shaggy et al only makes it worse. As the story progresses we discover that this high school student author has read a few works by H.P. Lovecraft. This leads him to introduce mutant creatures including flying squid-whales and giant insects. Just to be sure we get the erudite literary reference (bonus points!) the writer includes Mr. Lovecraft himself in a tangential way. Not content with this, the author has to add poor Nikola Tesla as a conspirator. I could go on but why bother? The plot is absurd, the characters are two dimensional and literally cartoonish, and the narration is barely adequate - although to be fair you can't do an award winning job on lousy material. I feel like a chump for listening all the way through but it was like the proverbial train wreck you can't look away from .... A really bad train wreck. Please spare yourself and don't waste the credit.
The Path Between the Seas to The Great Bridge ~ Kagan's Peloponnesian War to Gaddis' Cold One ~ Mornings on Horseback to a River of Doubt ~ Tom to Huck ~ Lennie to Charley ~ Cadfael to Cross ~ Rhyme to Reacher ~ Blomkvist and Salander to Wallander and Wallander ~ Moving Cheese or Eating Frogs ~ On the Road and Into Thin Air ~ The End of History to A Short History of Everything to ... well ... everything else.
Well written, highly imaginative, apocalyptic thriller, ably narrated by Ray Porter. Listen, and you can expect several hours of entertaining diversion ... IF ...
You suspend disbelief in the fantastic. This plot moves from engaging mystery to wild apocalyptic fantasy. Let me repeat: WILD apocalyptic fantasy. You have to drink the Kool-Aid for this plot to work. AND
You also suspend logic and critical thinking. Here is the greatest flaw in this novel. Fantasy is not an excuse for sloppy plot development. And as well written as this novel is, it is bloated with illogical or unexplained plot elements, and not a few distracting contrivances.
If you think me overly harsh, consider just a few examples (minor spoilers follow):
~ Do we really believe that a government so concerned about a particular building that it would track public inquiries would not have more capable agents on site?
~ Do we really believe the same government would go to such extraordinary lengths to screen tenants and NOT track or arrest the cult whose actions it fears most?
~ And don't we find the explanation from the mysterious "owner" at the end to be a little too contrived, relying a bit too much on the "if I tell you, I'll have to kill you" contrivance.
Nonetheless, if you can, you should accept the world of 14, turn off that part of your brain that demands logic and internal consistency, and take this ride. It is a wild one.
When "14" first came out on Audible, I read the both the publishers blurbs and customer comments, and on the basis of that, put it on my wish list. I'd never heard of the author or the book, so I tend to rely mostly on customer reviews -- of which there weren't many, in the beginning. More to the point, there weren't any that said, openly and clearly, that this was a book of science fiction -- or maybe fantasy, a distinction I won't discuss any further for fear of spoiling the story for someone who does likes that sort of thing.
I don't. Or at least I haven't liked science fiction since I was about 9. I'd read ALL of the SF books in that impoverished little school library we had, and I loved them -- until I found myself totally blown away by the fact that I'd read a whole book -- an entire ADULT book -- about the dastardly doings in the world "Urth" without ever realizing, up to the very end, that it was EARTH they were talking about. Jeepers!
It's not nice to fool either me or Mother Nature about things like that, so I promptly dropped the genre.
The problem for me was, all the customer reviews referenced only a "mystery" behind that secret closed door. None of them hinted -- nor will I -- what actually lay behind it. Given that I'm totally consumed by detective fiction, my mental image focused on a room full of dead bodies, say, or maybe a few million in stolen loot. What actually WAS behind the green door -- no, wait, it wasn't really green, was it? -- was something very different, and not my cup of tea, so to speak.
When "14" appeared as a "Daily Deal" I didn't investigate it any more, I just snapped it up, which wasn't a bad thing at all. I loved the first three-quarters of the book. Peter Climes assembled a delightfully diverse and eccentric group of adventurers, people I greatly enjoyed reading about. The way Climes worked in their back stories, each of them in turn, was just great. Loved the early adventures, the run-ins with Oscar, the nasty building manager, Nate's story, the times and trials of being a data entry clerk at a magazine -- who knew? -- and about all the beer consumed on that scenic roof top. Sounded like fun, actually. I enjoyed it.
Then it went weird on me. I got to the heart of the book, and suddenly it wasn't about eccentric women who sunbathed in the nude -- in public -- a habit the lady tossed it off with "Oh for crying out loud. It's just BOOBIES! Haven't you ever seen any before?" which made me laugh out loud. "14" got serious, with lions and tigers and dragons and things, and my mind started to drift.
I quit an hour before the end -- tick tock, tick tock, tempus fugit and all that -- and I decided not to waste any more of it on this book, which had already gone way beyond my tolerance level for non-reality-based fiction. I quit.
Still -- good book, and I'm glad I listened to the first part. Special kudos to narrator Ray Porter. He mastered a strange assembly of characters of varying ethnicities -- listening to him, I could picture every one of them.
If you like well-written weird, this one's for you.
An excellent read in the vein of Steven King's Under the Dome or Duma Key. A great set of characters. And a fun collection of strange and quirky mysteries which all add up to one big thriller and a fun climax. I will read more from Clines.
"Finally - A fantastic narrator!"
I've had some hit and miss luck with narrators and was about to give up on audiobooks altogether...... Luckily I tried this book! This guy was spot on!
Every character had a unique accent and didn't distract from the story... even the female voices! I hope all future audible books have top narrators like this one.
Story - great story & not too long winded - snappy story telling. Fans of 'Fringe' would like this.
"REVIEW FOR 14, by Peter Clines, read by Ray Porter"
This book is one of my favourite books from Audible since I first got my iPad Mini 2 years ago. I am not sure why, it leans a little too much on the fantasy side of Sci-Fi. I am not really into Lovecraft horror/monster type normally but 14 is written with such gritty, ordinary, day to day characters, so well developed that it is very believable. And extremely intriguing and very thrilling.
It has a "Lost" kind of feeling. However, I don't mean that literally; Lost became so drawn out and complicated that I got totally bored and lost interest in any of the increasingly unbelievable characters after the first season. This book kept my interest as the puzzles unfolded and the characters developed.
Ray Porter, The guy who reads it, is wonderful, not too much accent or gender changes, and helps to give credence to the characters.
So, when it started to go off into the horror side I was too hooked to let it really bother me. It all fits together well in the end and I have listened to it over and over. It is weird, I bought one of his other books immediately because I enjoyed 14 so much but, sadly I did not like it at all.
But for me 14 remains up there with Solaris, which is a much deeper, more psychological story, (equally well read) and The Martian; which I don't think is as well written but also a really exciting, well read book.
"Zoinks don't open the door!"
This was a fun, entertaining listen. With lots of twists and turns to the story, all of which managed to keep me on the edge of my seat. And seriously I would never of guessed at that ending.The author created some very memorable characters particularly liked Veek and Tim.
Ray Porters narration really brought the book to life loved his characters,they were all top quality, he did a great job with the female characters and Roger was a joy. You could easily tell them all apart, only felt his third party narration was sometimes a little flat.
All in all this was a great listen wouldn't hesitate to recommend it,well worth the credit spent. And will definitely look for more from both the author and narrator.
"Modern Lovecraftian mystery"
The characters and the slowly developing mystery.
Occasionally fell into over analysis of the surroundings.
Great mystery that goes in a direction I did not expect. Comedy element was a little over done at times.
"Easy and surprising"
This was not the book I thought it would be. I thought/hoped I bought a mysterious thriller, but this was quite sci-fi. But I'm glad I read it. It is easy to follow and very much entertaining! A good break between my big heavy books...
"Good start rather unrealistic finish"
Enjoy listening enough variety to keep returning
Going into tunnel description of flats
"Scooby Doo meets Dr Who and saves the world"
I brought this book on the basis of the reviews. How anyone can say this is a "thrilling", "gripping" or "nerve wracking" listen is beyond me. I suppose if you like characters who repeat parrot fashion "language please" every time they say "dam" or "hell", then it would appeal. In fact Im sure I have seen a similar Scooby Doo show where they save the world from the evil mutants and/or discover a time machine. Maybe the time machine is Doctor Who, although the Tardis is truly wonderful. Personally thought it was just truly awful. In fact I didn't even finish it, I suddenly asked myself "why are you listening to this drivel"? and then decided to delete it. Heads up to the narrator who did his best with this nonsense.
"Still sitting in the car 10 minutes after arriving"
I listen to audio books while I drive and often measure the quality of the book by how much respect I give to stopping the playback upon arrival. Some books I'll just pause as soon as I stop, mid sentence, mid word, they tend not to be great. Others I'll wait until a paragraph end - these candidates consider themselves "a good read".
I found myself still sat in the car 10 minutes after reaching my destination with 14. Great characters, an enthraling story and some really great plot twists left me always wanting more. While not without some minor plot holes this book is just plain entertaining.
"Starts as a puzzle and ends as all out madness"
Just wonderfully mad, as if the author starts out to create a X files creepy thriller then gets all Lovecraft berserk and goes sailing into la la madness... Great fun.
"A Twist at Every Corner"
Gripping, Innovative, Surreal.
Hmm, there's not really anything I've read that compares, It's an original tale.
He reads the book well and conjours up the different characters with his voices.
Yes! Although I couldn't but I looked forward to each listening session to find out what was going to happen next. A real edge-of-the-seat ride, and you WILL NOT get the ultimate twist in the tale.
If you like science fiction and want something original, buy this audiobook.
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