As an archaeologist, Callie Dunbrook knows a lot about the past. But her own past is about to be called into question. Recruited for her expertise on the Antietam Creek dig, she encounters danger - as a cloud of death and misfortune hangs over the project, and rumors fly that the site is cursed.
She finds a passion that feels equally dangerous, as she joins forces in her work with her irritating, but irresistible, ex-husband, Jake. And when a strange woman approaches her, claiming to know a secret about Callie's privileged Boston childhood, some startling and unsettling questions are raised about her very identity.
Searching for answers, trying to rebuild, Callie finds that there are deceptions and sorrows that refuse to stay buried. And as she struggles to put the pieces back together, she discovers that the healing process comes with consequences - and that there are people who will do anything to make sure the truth is never revealed.
©2004 Nora Roberts; (P)2004 Brilliance Audio
"As in other delectable entertainments by Roberts, it is not the wild denouement but the pursuit itself - studded with scrumptious romantic encounters - that is the real dessert." (Publishers Weekly)
Wow. If I were Nora, I would make sure all future contracts included a clause that Ms. Quigley never, ever, ever was within a mile of her novels. I'm sure she is a perfectly lovely woman, but Ms. Quigley has chosen the wrong profession. Her readings have. Periods in the wrong. Places. It is nearly impossible to discern the subject of a sentence because of the poor emphasis. In addition, all the male characters sound alike. She has totally ruined a quality novel. Harsh, I know, but true. Spend your credit on Tribute instead. I wish I did.
I have read the book and enjoyed it. It's fluff, pure and simple. Not one of the best Nora Roberts books, but it could be worse.
The narrator totally ruins this book. I would never download this or waste the money on the audio because the narrator speaks like this, "Callie went to the kitchen (7 second pause) to get a glass of water." She also makes each character sound like a moron. I am very disappointed in the narration.
It's a Nora Roberts book. When they're good, they're good. But when they're bad, they're called Birthright. Add the horrible narrator to the story and there you have it - Birthwrong.
I found this book very entertaining. It held my interest, I enjoyed the different people in the story. would recommend it.
I have never felt so irritated when listening to a novel. Just read the story. Every character sounded like a moron. I gave up by Chapter 3 and went to Copperfields and bought the book which I thourougly enjoyed.
This is a warning to all who want to read this book. Bernadette Quigley's voice is like nails on a chalk board. The book itself is good but the narrator is exceptionally BAD. I ended up buying the book on kindle and physically reading it, as opposed to listening to nails on a chalk board.
Terrible narrator!! I only started listening to the book and I am already not sure I want to continue listening. It sounds as if this lady does not think it necessary to use any punctuation in her reading...it's all wrong! She reads 4 words and pauses and all done with this awe in her voice...I have been a member of audible for about 6 years and this is one of the worse narrators; Sorry Bernadette.
This is an intreguing premise that falls flat. The story has holes which defy logic and the reader was very bad as well. The only other I had read was Witness, which was much better. I was expecting much more. Lots of sex scenes, which also really don't help.
I was totally wrapped up in this book. The story grabbed my attention right from the beginning. Nora Roberts characters come alive for me. She's my favorite novelist for developing her characters.
Nora Roberts does her homework. I felt a couple of her books had more detail than feeling but this book was a perfect balance, and very believable. I actually cried at the end. I don't usually do that.
There were a few scenes that were my favorites. I loved the letters that Suzanne wrote to Jessie, her missing daughter. They were right from the heart and read very well. I also loved the scene when Callie was playing the theme from Jaws to irritate her ex.
Just couldn't 'put my phone down' woke up at 06.30 and got up 18.00 with the occasional break. Really well written with good plot, so enjoyable.
Unlike a lot of 'whodunnits' you really didn't know who was the culprit and why and anyone could be next! Plus a good healthy bit of steamy romance always helps a story ;-)
Similar to others written by Nora Roberts but liked the challenge of trying to marry to 'nice' families together - in many of her others the main protagonists family is usually the problem!
I make things for a living and unless I could listen to a story I would never have a chance to read. The narrator can make or break a story and Bernadette was excellent.
"Loved the story, but the performance ..."
I don't think I would listen to Birthright again, only because I didn't like the performance very much. I listened through it because of the story itself, but I was very tempted numerous times to go and find a hard /Kindle copy and read it myself. The story itself is really beautiful, but I think no justice was done to the characters by the narrator. I got to dread the long s sounds at the end of the words, some abrupt pauses like every word is the last. Eventually, I got used to it, but I think I would listened to it much faster and in longer chunks if it was someone else narrating.
The story itself is really good, but what else to expect from Nora Roberts. It had me smile, it had me feel sad and everything in between. I would be glad to recommend it to someone else- to read!
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