The Day of the Locust meets The Devil in the White City and Midnight in the Garden of Good and Evil in this juicy, untold Hollywood story: an addictive true account of ambition, scandal, intrigue, murder, and the creation of the modern film industry.
By 1920, the movies had suddenly become America's new favorite pastime and one of the nation's largest industries. Never before had a medium possessed such power to influence; yet Hollywood's glittering ascendancy was threatened by a string of headline-grabbing tragedies - including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.
In a fiendishly involving narrative, best-selling Hollywood chronicler William J. Mann draws on a rich host of sources, including recently released FBI files, to uncover the story of the enigmatic Taylor and the diverse group of people who surrounded him - including three beautiful, ambitious actresses; a grasping stage mother; a devoted valet; and a gang of two-bit thugs, any of whom might have fired the fatal bullet. And overseeing this entire landscape of intrigue was Adolph Zukor, the brilliant and ruthless founder of Paramount Pictures, locked in a struggle for control of the industry and desperate to conceal the truth about the crime. Along the way, Mann brings to life Los Angeles in the Roaring Twenties: a sparkling yet schizophrenic town filled with party girls, drug dealers, religious zealots, newly minted legends, and starlets already past their prime - a dangerous place where the powerful could still run afoul of the desperate.
A true story recreated with the suspense of a novel, Tinseltown is the work of a storyteller at the peak of his powers - and the solution to a crime that has stumped detectives and historians for nearly a century.
©2014 William J. Mann (P)2014 Blackstone Audiobooks
...and everybody's a star. So the Kinks song goes, so does this book. Excellent history of Hollywoodland and the movie business circa early 20s via a cross-section of the lives of a variety of movie folk, both high status and lowly. And there is a murder mystery to boot. The has-beens and never-weres-and-never-gonna-bes live, work, and walk among the elites and other successful players and this is the tension William Mann excellently illustrates. He makes great use of the vernacular of the times via the letters, diaries, newspapers and other contemporaneous sources. It's like reading/listening to "Day of the Locusts" by Nathaniel West. Highly recommend to fans of early Hollywood and early 20th century US history and for murder mystery buffs.
Absolutely! It gives us a glimpse into a different era and how the heavy fisted hand of Hollywood controlled the are that is today Los Angeles, just as they did back then.
Probably Taylor himself. He remade himself and reinvented himself and was a success but who killed him will forever remain a mystery
Mary Miles Minter
"How little things change". Many of the things described in this book, drug abuse, abortions, suicides etc etc are still par for the course in Hollywood. Things change but stay the same.
No but it is a good book and if you are unfamiliar with the Taylor/Tanner case, it is an excellent story and one worth listening to.
Absolutely! What did I miss? Before Tinseltown I had no real knowledge of the Silent Film Era or it's stars. What a fascinating time. The book is detail filled with a glimpse inside the lives of of the earliest movie stars.
The sadness and desperation of a career that didn't quite reach the expected heights and the elderly years of a forgotten star. It's sobering to learn of the later lives of the early screen stars that could not or did not transition to talkies. If we aren't able to adept, progress passes us by and we are forgotten.
The book was not only about a real life murder mystery but to me also a cautionary tale about change and adaptability.
An avid audiobook reader favoring hard boiled fiction, and biographies and memoirs.
If you are a devotee of Hollywood history, then you will appreciate this meticulously researched and engaging examination of the murder of director William Desmond Taylor and the era in which it took place.
I knew the story of the murder of William Desmond Taylor, but the other stories of the obscure but no less interesting characters made for an entertaining listen.
The Osborn/Madsen angle to the Taylor murder. I always believed it was Charlotte Shelby with daughter Mary Miles Minter present.
Peavey proving he was not another "scared brotha."
No extreme reaction, just shook my head at the stories of the hypocrisy of the moral religious movements
I have a new appreciation for Will Hayes and what he was up against in performing his duties as the censorship czar.
I really enjoyed hearing about the actors and actresses who pioneered the film industry. I loved doing more research or putting a face to the names in the story. The early Hollywood days have more in common with the modern day than I imagined! The story has a lot of interesting history in it. I think the murder case itself is a little unsatisfying simply because it was never REALLY solved, so you don't fully get a feeling of resolution. That doesn't mean it's not interesting.
Hearing some of the rags-to-riches stories of the actors and actresses. While still very rare and uncommon in those days, it makes you smile to think such things were ever possible.
Yes, I think he did a great job.
Yes! I would love to see some of these people portrayed on film!
British ex-pat living in NC. Have more personalities than Sybil which is reflected in my choice of books! Frustrated writer at heart.
This book is filled with well researched facts from cover to cover.
There is always an intriguing woman behind every great mystery! Did you know about William Desmond Taylor? What really happened behind the bedroom doors of poor Roscoe Arbuckle? The murder and corruption of early Hollywood. How a young girl can be used and manipulated and NOT by some loathsome man but by a Mother whose personal dreams and goals that she had failed to achieve. This Mother decided to live 'her' dreams vicariously. Her daughter being the innocent victim.
This is a very interesting read. Christopher Lane does, as ever, give a superb performance.
This book paints a fascinating portrait of Hollywood in the 1920s and of the unsolved murder of William Desmond Taylor, a Hollywood character with dark secrets of his own. I found particularly interesting the moral arguments made against the negative influence of Hollywood pictures; arguments you hear today used against rap music, video games and television drama.
I bought the book because it was a Deal of the Day, and I consider the book totally worth the$3.95 (or whatever I paid). I doubt I would have used a precious book credit on it, though, and for that reason I'm grateful for the Deal of the Day program.
Retired Political Science professor from a community college. Especially like Legal Thrillers.
This book covers some history with which I was not very familiar. Although I could not see the footnotes, it seems to be very well researched. After listening to the book, I have been wondering how Hollywood has changed since its earlier days. I enjoyed the book enough that I plan to listen to the author's biography of Elizabeth Taylor.
Jumps on his bed while licking the bottom of one foot. He persists in this life affirming act despite interference from the head nurse.
I thoroughly enjoyed this book while being wary of its total accuracy. Some events—in the very first chapter, notching up Robert Herron's death as suicide for instance—have alternate explanations with evidence backing them up; Mr. Mann never acknowledges alternatives. In addition, the author "speaks" what his characters are thinking, and forefronts his own take on their personalities (albeit with historical justification). Truthfully, I didn't find such quirks a problem as long as I was aware of them. They made for a smooth, flowing narrative with few historical gaps or breaks, and a fun read. The book's originality is its in-depth description of William Desmond Taylor's murder as a blackmail shakedown gone wrong. As the narrative unwinds, Mann biographizes the presumed perpetrators recently come to light. I bought this book cheap for some reason but it deserves better than to lay on the bargain table. If not already acquainted with dog-eat-dog early Hollywood this serves as a good eye-opener. Mr. Mann catches the atmosphere of wide-spread vice and personal desperation masterfully. I say, buy it.
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