The New Yorker, November 7th 2011 (James Wood, John Lahr, D. T. Max) Audiobook | James Wood, John Lahr, D. T. Max | Audible.com
We are currently making improvements to the Audible site. In an effort to enhance the accessibility experience for our customers, we have created a page to more easily navigate the new experience, available at the web address www.audible.com/access.
The New Yorker, November 7th 2011 (James Wood, John Lahr, D. T. Max) | [James Wood, John Lahr, D. T. Max]

The New Yorker, November 7th 2011 (James Wood, John Lahr, D. T. Max)

"Occupational Hazards", by Hendrik Hertzberg; "History Lesson", by Ian Frazier; "Turnpike", by Alec Wilkinson; "Shelf Life", by James Wood; "The Natural", by John Lahr; "Her Way", by D. T. Max; and "Home Movies", by Anthony Lane.
Regular Price:$5.95
  • Membership Details:
    • First book free with 30-day trial
    • $14.95/month thereafter for your choice of 1 new book each month
    • Cancel easily anytime
    • Exchange books you don't like
    • All selected books are yours to keep, even if you cancel
  • - or -

Your Likes make Audible better!

'Likes' are shared on Facebook and Audible.com. We use your 'likes' to improve Audible.com for all our listeners.

You can turn off Audible.com sharing from your Account Details page.

OK

Publisher's Summary

In this issue:

COMMENT
"Occupational Hazards", by Hendrik Hertzberg: Wall Street protestors and what lies ahead.

THE TALK OF THE TOWN
"History Lesson", by Ian Frazier: Clayton Patterson and Occupy Wall Street’s lineage.
"Turnpike", by Alec Wilkinson: Gillian Welch and David Rawlings on tour.

PERSONAL HISTORY
"Shelf Life", by James Wood: What do our libraries say about us?

BACKSTAGE CHRONICLES
"The Natural", by John Lahr: A Broadway star is born.

PROFILES
"Her Way", by D. T. Max: Helene Grimaud’s resolute musicianship.

THE CURRENT CINEMA
"Home Movies", by Anthony Lane: Reviews of Tower Heist and Melancholia.

Want more of The New Yorker?

  • Subscribe for one month or 12 months
  • Get the latest issue
  • Check out the complete archive.

    Also, listen to audio from The New Yorker Festival readings and panel discussions, recorded live in New York City.

    (P) and ©2011 The New Yorker

  • What Members Say

    Average Customer Rating

    4.4 (5 )
    5 star
     (3)
    4 star
     (1)
    3 star
     (1)
    2 star
     (0)
    1 star
     (0)
    Overall
    5.0 (1 )
    5 star
     (1)
    4 star
     (0)
    3 star
     (0)
    2 star
     (0)
    1 star
     (0)
    Story
    5.0 (1 )
    5 star
     (1)
    4 star
     (0)
    3 star
     (0)
    2 star
     (0)
    1 star
     (0)
    Performance


    There are no listener reviews for this title yet.

    Sort by:
    • Ian
      Dublin, Ireland
      11/9/11
      Overall
      "Wonderful insights"

      The analysis of the career of Hélène Grimaud really stuck out and gave me a thrilling insight into the subtle ripples in the classical world that some feel as tidal waves to some. Conservative musicians fascinate me and their religious instincts and guarded observance of their masters' works are amusing and at times worrying. Artists like Hélène Grimaud could bridge the gap for younger generations to explore the rich history of Western classical music and see the exciting creative opportunities inside an (at times) tightly wound musical framework.

      0 of 0 people found this review helpful
    • Showing: 1-1 of 1 results

      There are no listener reviews for this title yet.

    Report Inappropriate Content

    If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.

    CANCEL

    Thank You

    Your report has been received. It will be reviewed by Audible and we will take appropriate action.