In Vengeance, a bizarre suicide leads to a scandal and then still more blood, as Benjamin Black reveals a world where money and sex trump everything.
It's a fine day for a sail, and Victor Delahaye, one of Ireland's most successful businessmen, takes his boat far out to sea. With him is his partner's son - who becomes the sole witness when Delahaye produces a pistol, points it at his own chest, and fires.
This mysterious death immediately engages the attention of Detective Inspector Hackett, who in turn calls upon the services of his sometime partner Quirke, consultant pathologist at the Hospital of the Holy Family. The stakes are high: Delahaye's prominence in business circles means that Hackett and Quirke must proceed very carefully. Among others, they interview Mona Delahaye, the dead man's young and very beautiful wife; James and Jonas Delahaye, his identical twin sons; and Jack Clancy, his ambitious, womanizing partner. But then a second death occurs, this one even more shocking than the first, and quickly it becomes apparent that a terrible secret threatens to destroy the lives and reputations of several members of Dublin's elite.
Why did Victor Delahaye kill himself, and who is intent upon wreaking vengeance on so many of those who knew him?
©2012 Benjamin Black (P)2012 Macmillan Audio
The line below comes from another reviewer for another book, however, I thought it was so true about Vengeance
'This book goes on and on with small details about things that just does not matter'.
I just couldn't finish it.
Benjamin Black is, of course, the name under which the high-literary writer John Banville indulges his love of genre, specifically of noir procedurals. He is a skillful and evocative descriptive writer: one beautiful image succeeds another, page after page, until an entire shimmering edifice of hardened men, weak sisters, femmes fatales, familial grudges and dogged investigators is conjured -- and then collapses, bloodlessly, in a silly plot. This book has it all: identical twins, crazy aunts, a variant on the locked room mystery. Everyone in it smokes and drinks like crazy. Perhaps the author suspected that the whole enterprise was more than a bit musty and therefore set it in the Dublin of the 1960s. It would have felt musty then, too.
Coincidentally, I followed this book with Tana French's "In The Woods", another procedural set in Dublin. French's novel is also skillfully written, but is kicking with life and clear-eyed observation: her hardened detective is not a romantic figure, for instance, and amid the general dark mayhem lurks a keen sense of humor. Everyone still smokes and drinks like crazy, though.
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