Lifeless bodies sprawl in a dance-club parking lot after a brutal L.A. drive-by. Of the four seemingly random victims, one stands out: a girl with pink shoes who cannot be identified, and who, days later, remains a Jane Doe. With zero leads and no apparent motive, it's another case destined for the cold file, until Petra decides to follow her instincts and descends into a world of traveling grifters and bloodthirsty killers, pursuing a possible eyewitness whose life is in mortal danger.
Finding her elusive quarry alive isn't all Petra has on her plate: departmental politics threatens to sabotage her case, and her personal life isn't doing much better. If all that wasn't enough, Isaac Gomez, a whiz-kid grad student researching homicide statistics at the station house, is convinced he's stumbled upon a bizarre connection between several unsolved murders. The victims had nothing in common, yet each died by the same method, on the same date, a date that's rapidly approaching again. And that leaves Petra with little time to unravel the twisted logic of a cunning predator who's evaded detection for years, and whose terrible hour is once more at hand.
©2004 Jonathan Kellerman; (P)2004 Random House, Inc. Random House Audio, a divison of Random House, Inc.
Another great Kellerman novel--fascinating plot, excellent character development, a psychological masterpiece. Although I thought I would, I didn't even miss Alex Delaware, who was mentioned only in passing once or twice but never actually appeared in this novel.
Hopefully, we will see more of Petra Conner, Eric Stoll and, yes, Isaac Gomez! They are as captivating a team as Milo Sturgis and Alex Delaware.
I love mysteries, and am not a very hard critic, But the reader of this novel brings this story down. She reads every line as if we are at a point of dramatic alarm -- this gets old by the end of the first 2 minutes and accentuates how much filler this story has.
This reader is awful! I'll make sure I don't pick another book that she narrates. Once past that, and it took awhile, the book was good. I liked the Petra Conner character.
I have to say right off that I loved the character of Petra Connor in "Billy Straight", and I'm thrilled that she's the main focus for this book. Yes, the narrator is rather annoying, and if there is a god, she won't read anymore books worth hearing. BUT, this is still a pretty good Kellerman book.
Overall, some of his other books have kept me more on the edge of my seat, but as far as mystery novels go, I'd say this one holds up. I've always liked Kellerman's style, and I would rank him above some of his peers like James Patterson (who I do like, btw). If you want a change of pace with this seldom used character, I would highly recommend this book to you. Just try to get past the narrator and concentrate on the story. It can be done. Trust me.
Nothing personal against the narrator but she is THE most boring speaker I've ever listened to. The story might actually be pretty good but it's torture listening to this person. I still have 5 hrs. to go and I will finish it but I will definitely check to make sure I never get another audiobook with this narrator.
I just really couldn't get into this book. The reader lulls you to sleep and that's just not fair to Jonathan Kellerman!
I also have to say that I don't view myself as a hard critic but I might have enjoyed this book alot more if it hadn't been for the narrator. Whew.. I'm not even done yet and I'm just not sure I can stomach the rest. UGH!
I really enjoy both the Kellermans, but what is it with drawing out a story to the point of aching at the prolonged "prose". As the book goes on, he employs more tricks and writing devices (my least favorite being the "Sunday, January 5th, 2:30 PM; Los Angeles hospital; 5th floor; the pediatrics ward" -- what does one call this little goodie --uchhh).
His good plot, subplots and great characters save the story, but I wish he would listen to the critics or get an editor with a heavier hand.
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