British writer Charles Cumming’s latest thriller, The Trinity Six, postulates that there was a sixth man involved in the sensational Cambridge Five spy ring. The real Cambridge Five were recruited by Russia in the 1930s and continued to pass on information into the ‘50s. In modern day London, professor Sam Gaddis is tipped off by a journalist friend that a sixth spy is alive and well and being protected by the Russian government and the UK’s intelligence office, MI6. Gaddis, a noted Russian history scholar, decides to write a book about the case to make a quick buck to pay alimony and child support, but when the journalist and her sources turn up dead, Gaddis is pulled into the international intrigue that hops the globe from London and Moscow to Austria and New Zealand.
While The Trinity Six is set in the 21st century, John Lee’s narration recalls those old BBC radio plays from another era. Lee’s clipped English accent is muscular, maybe a little too rushed at times, but it fits the breakneck speed at which Gaddis is subsumed by the action unfolding around him. There’s often a note of incredulity in Lee’s voicing of Gaddis, which fits perfectly with an ordinary professor forced into becoming an often-reckless detective. Gaddis is in way over his head, but he’s also smart and can charm his way out situations that might otherwise get him killed. Lee hits the right notes of curiosity, anger, and fear as the thriller hurdles toward its twist conclusion.
When Gaddis goes to Russia, Hungary, and Vienna to continue his investigation, Lee gets to trot out an impressive series of accents. Since Gaddis is fluent in Russian and deals with a number of Soviet agents, Lee’s accent is realistically heavy on the consonants. The same goes for the Austrian characters, who help Gaddis escape pursuing Russian agents in an elaborate Hitchcockian thrill ride through Vienna. The female characters, including MI6 deep cover agent Tanya Acocella, come off as either too breathy or masculine, but Lee manages to give each one a distinct personality. That’s a bonus to the listener, since one of the shortcomings of Cumming’s book is that, while integral to the plot, the female characters are thinly written. But that’s a minor quibble. Sit back, have a cup of tea, and get lost in this adventure. Collin Kelley
The most closely guarded secret of the Cold War is about to be exposed – the identity of a SIXTH member of the infamous Cambridge spy ring. And people are killing for it....
London, 1992. Late one night, Edward Crane, 76, is declared dead at a London hospital. An obituary describes him only as a 'resourceful career diplomat'. But Crane was much more than that – and the circumstances surrounding his death are far from what they seem. Fifteen years later, academic Sam Gaddis needs money. When a journalist friend asks for his help researching a possible sixth member of the notorious Trinity spy ring, Gaddis knows that she's onto a story that could turn his fortunes around. But within hours the journalist is dead, apparently from a heart attack.
Taking over her investigation, Gaddis trails a man who claims to know the truth about Edward Crane. Europe still echoes with decades of deadly disinformation on both sides of the Iron Curtain. And as Gaddis follows a series of leads across the continent, he approaches a shocking revelation – one which will rock the foundations of politics from London to Moscow.
©2011 Charles Cumming (P)2011 Macmillan
The book has everything you could want from a spy novel and is well worth a credit (or the 20 bucks).
The story line is entertaining and believable enough to transport you into the story and keep you up till late.
Although there are some definitely moments where you could get bored, John Lee as always is able to get you through those with the sheer pleasure of listening to his voice.
Overall this book is fun, exciting and very pleasant to listen to.
Paul Giamatti as James Bond, or The Hardy Boys verses Putin; I can't decide which description fits best. The verbiage comes through as well-written, but the plot is very thin and senseless. Character development surface only. Odd combination of constant action with nothing tangible happening. All sorts of chaos only to arrive at the same starting point, like riding a kiddie-sized roller coaster and coming to a stop. The protagonist is pretty much a dweeb and towards the end of the book I found myself hoping he would get shot so it could all be over. Side note on John Lee, whom I've heard narrate quite a few books and normally love....although Mr. Lee calms down by the middle of the book, at the beginning he is entirely too wound up, hyper-enuciating each syllable and super-inflecting each phrase; like a machine gun chattering. Made it hard to get into the flow. Normally on books like this that I review I point out a few flaws but usually say go ahead and give it a try. In this case no, spend your time elsewhere.
trying to see the world with my ears
I had been eagerly waiting the North American release of this book, and from the Britsh reviews, had been expecting a work of literary espionage as good as Greene or LeCarre at their best. It is good, a better than average spy novel of the traditional school, updated for today's world, but not THAT great.
I respect John Lee's narration talent, but I think he is definitely the wrong reader for this novel. It needs a "sutbler" touch. Lee can sometimes make bad prose palatable, but here (I think) he makes good prose choppy.
That said, if you enjoy novels by LeCarre, Greene, Steinhauer, or espionage without a superman protagonist pitted against a black-hatted villian, or even a fast-paced trot around Europe, this is definitely worth the credit. If you want another Ken Follet potboiler, you might want to skip this.
Maybe Cummings' next novel will be great.
The novel was sluggish and a bit boring. The author spends a lot of time inside the head of the very flat main character. In a novel with very little action, character development is critical, yet Cumming squanders just about every opportunity his main character has to grow through meaningful relationships with others. There wasn't a single character in the box that was fully flushed out or endearing. Even the "shocking revelation [which] will rock the foundations of politics from London to Moscow" left me saying, "Is that all?" Overall, just a ho-hum of a book. My advice would be to skip this one.
I enjoyed this book in contrast to some other who felt it was boring, I found it quite engaging and enjoyed the twists and turns in the plot. I would have given it a FIVE rating but I thought that John Lee's reading was a little stiff. I usually like him very much but for some reason, his delivery of the language of this author seemed not to gel for me. Otherwise a good book and I think I'll try another of Cumming's works soon.
I liked the listen. It kept me entertained and that is the goal, right? It didn't have me on the edge of my seat. John Lee is good. Worth a credit.
The Trinity Six offers a unique twist on the speculative historical fiction genre that has become increasingly popular. In this case, the story posits a previously unknown, "sixth" undercover agent that spied for the former Soviet Union. As a history professor becomes a budding secret agent, people around him start dying as he puts together a secret remnant of the Cold War. What drives the story is the fact that both sides are intent of preventing him from learning the truth.
The action is fast paced and the story rings with a sense of reality that makes the plot quite believable. Well written and well read.
This book was pretty good and it's on a subject that's a magnet for the spy groupies. But I can't give it the top rating because I expected more. I was looking forward to listening to it but it didn't live up to expectations. It wasn't great but it was worth the listen. The narration was fine.
Just an old retired guy, eyesight not as good as it was, so really enjoy listening to these books. Been listening for about 6 years.
Book just seemed to drag along, Probably represents the actual way these things develop, Just seemed we were never going to get through it.
It is formulaic, but enjoyable in spite of this.
I would recommend the audio book to friends, as I find John Lee's narration to always be enjoyable. However, most of my friends do not enjoy spy fiction.
All of them. I simply love his voice.
Yes - if the director had a good sense of the pacing of spy novel adaptations.
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