The remote resort town of Fjällbacka has seen more than its share of tragedies, but a little girl found in a fisherman's net may be the worst yet - especially when the postmortem reveals that this was a methodical murder, not an accidental drowning.
Local detective Patrik Hedstrom has just become a father, and it’s his grim task to discover who could have killed a child both he and his partner Erica knew well. He realizes that the solution lies with finding a motive for this terrible crime. Although Hedstrom is no stranger to the criminal mind, he couldn’t possibly predict how this case will reach into Fjällbacka’s darkest heart, spanning generations and ripping aside its idyllic façade, perhaps forever.
©2012 Camilla Lackberg (Pegasus Books Edition). Translation © 2009 Steven T. Murray. Recorded by arrangement with Pegasus Books. (P)2012 HighBridge Company
"A perfectly plotted and paced mystery bolstered by strong, realistic characters makes this a must-read for all followers of Scandinavian crime fiction." (Booklist)
"[Camilla Lackberg] strips conventional veneers from her achingly complex characters." (Publishers Weekly)
“The Stonecutter, by Camilla Läckberg . . . continues her excellent series . . . The main narrative is cleverly interspersed with flashbacks from the past, the relevance of which becomes apparent as the novel progresses. Läckberg is particularly good at portraying the claustrophobia of a small community in which everyone knows everyone else and the police may well be friends with killers.” (Marcel Berlins, The Times)
I love to read books set in interesting places or historical settings. I especially love mysteries and thrillers.
The writing is well done and the narration is great. I am struggling with this review because it just had too many characters. In addition, all the characters get a full back-story which made this story way too long. A significant editor's cut should have been done on this book.
This story is more of a psychological thriller as only about 20% of the book contained any actual police investigation by Patric (a favorite character of mine) and his crew. The actual "solve" of the mystery was more like the clues fell into the Patric's lap instead of actual crime solving. I wasn't surprised by the ending. The twist comes so late and after so much reveal of the characters, you just want to get on with it.
Yet, Camilla Lackberg can tell a story in a very interesting way. It just wasn't the story I wanted. Hopefully, the next book will be more of the crime solving genre that I crave.
I love books!
First time author, Camilla Lackberg, that audible suggested as a good Scandanavian author, this one being from Sweden. The book was a methodical police procedural and actaully reminded me of another Swedish author, Henning Mankell, in how the story was developed. It also reminded me a little bit of Canadian auhor, Louise Penny, who sets all of her stories in the same small town outside of Montreal, Lackberg in a small Swedish town, where everyone knows each other. At times it seemed to plod along as the author builds the story and the characters. It turned into a real "whodunit" novel where over the course of the book there seem to be several people that could have committed the crime and, of course, in the end none of them are it. In fact, the culprit turns out to be someone you wouldn't have guessed. But as the book moves along the story picks up its pace and it is easy to get through. I enjoyed the book and will give the author another go.
I read mysteries for three things: strong plot, complex character development, and evocation of place. This book fails on all three fronts. While it is an interesting exploration of the myriad ways that women crack and break under the stress of rigid patriarchal systems, the parallel plot lines--one from the past and the main one in the present--are not equal. The characters from the past are flat and stereotypical, while those in the present are better developed but unbelievably dense! Even our hero, the erstwhile detective Patric, "forgets" things that are essential to good police work and misses something in an interview he listens to again and again that the reader catches immediately. Worst to my thinking, is the failure to make Fjällbacka come alive, as Lackberg did with much better success in The Ice Princess. Except for a couple of brief scenes, this story could have happened anywhere (which may be Lackberg's point, but still, Fjällbacka is too colorful and interesting not to play a role in the story).
The reader is frankly terrible. Thorn would be fine if he would just read in a normal voice, but he gives all the characters fake British accents, randomly assigning Cockneyesque, Scottish, and even vaguely Australianesque accents to distinguish among the characters, which polishes off the tendency of the book (especially the storyline from the past) to caricature. The mystery is interesting enough to read as part of the growing body of Swedish mysteries (I finished it, grudgingly), but I would recommend reading this one in print, so you can skim over the slower parts and do your own "voices."
Only made it half way through. If I heard that woman complain one more time about her marriage, lot in life, and twin children I was going to harm the computer. This is an Oprah-Book-Club wanna-be. It is not a thriller, mystery, or police/medical murder story. Don't waste your time or money.
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