When 007 turns up at a sleepy American backwoods motel, it doesn't take him long to realize that Vivienne Michel is in a tight spot, and that Sol Horror and Sluggsy Morant are hardened killers bent on destruction. Escaping from a past she doesn't want to relive, Viv turns to James Bond to save her.
This audiobook includes a bonus interview with Rosamund Pike.
Blackstone Audio, Inc. James Bond and 007 are registered trademarks of Danjaq LLC, used under license by Ian Fleming Publications Ltd
©1962 Ian Fleming Publications Ltd. (P)2014 Blackstone Audio
Say something about yourself!
After Fleming's cinematic ramp-up in Thunderball, Fleming does an about-face and gives as a small scale story that's almost completely different from a Bond novel we'd expect. I say almost because there are still all the descriptive hallmarks of food, drink, clothes, vehicles, and weapons. But in this case, Bond isn't the protagonist. In fact, he doesn't even show up until about 2/3rds of the way into the story, and even then, it's by complete happenstance. Our protagonist here is a young woman from Quebec, and we follow her journey to London, Europe, and finally the States, getting to know her in ways that feel realistic... to a noir novelist like Fleming. As always, the little details are there to make it lifelike, and you get the sense that Fleming saw such things in his world. But let's be honest, the entire reason to read a book like this is because Fleming's world is not the "real" world as we understand it, especially given the passage of time into a more socially conscious age.
On one hand, there are lines of narration here and there that will have feminists and most modernly-aware readers cringing. You'll know them when you hear them. On the other hand, the woman we get to know evolves into a strong person who just happens to be in over her head in circumstances that spiraled out of control. Wrong place, wrong time. Enter Fleming's off-white knight, 007, to the rescue. He can save the say, but a flat tire is beneath him. For the sake of our lady, that's probably a good thing. As a bonus, she does get to help him deal with the problem rather than being the too-typical damsel in distress. That should help take the edge off when Fleming has her refer to Bond as her shining knight who rode in to slay the dragons. You were, perhaps, expecting high prose in a Fleming novel?
The Spy Who Loved Me is one of those stories where its on-screen counterpart has virtually nothing in common. We get no megalomaniacal supervillains here, which is an anti-climax after getting Blofeld in the previous book. Instead, Bond is facing down a couple of thugs hired as part of an insurance scam. Interestingly, one of them has steel-capped teeth, clearly the prototype for the character who would appear in the movie that uses this book's title: the iconic henchman known as Jaws. Don't get your expectations up. Jaws is a completely different kind of monster. In fact, it's probably best to dismiss any expectations up front and let our heroine tell you her story, her way.
One of the nice touches I found in this book was that it had that early 60s vibe to it. Fleming makes mention of Jack Kennedy a couple of times, and you can tell that he's convinced the Cold War of the late 40s and 50s, and all of the politics that this engendered, is coming to an end, heralded with a new sense of hope. He couldn't know that such wasn't the case, and he couldn't know the events that would happen over the next few years.
For narrator, it's only right that a Bond girl should take up the microphone. Rosamund Pike's performance here is as varied and nuanced as you'd expect from an award-winning actress of her caliber. She tells you in the interview at the end that she found herself shifting her body postures to suit the characters in addition to changing her voice and accents, and all of her attention to detail comes across beautifully. The character of Vivienne Michel, our protagonist, is French Canadian who spent some time in London, and all of the subtleties of that accent are there. If you stop to notice, you won't be disappointed, otherwise it'll carry across naturally. As my reviews of these 007 Reloaded audios also carry the running gag of the pronunciation of "007," I'll simply point out that it's a non-issue here. After all, Pike's a professional Bond girl, a role that she and most of the others in that exclusive club carry with distinction and pride.
I think, aside from Fleming's obvious un-PC attitudes, the biggest weakness of this book is that it follows Thunderball. On it's own merits, it's actually a good little character drama if you can get past the obvious pitfalls of Fleming's ego.
This is a very different James Bond story. The novel has more depth and empathy for this three dimensional character. She appears to have a life before and after "Bonding" that give the reader a unique character arc to savor. For a 1962 story, this was WAY ahead of its time. Bravo for Vivian!
I had originally selected 3 stars for performance but upon further review decided four was sufficient. I didn't like Pike's Bond voice but if you think about a woman telling this story from her point of view rather than Bond's I think it might help. The plot is terrible though. Oddly, I think it is the most sensual Bond book too.
Doctor Who, James Bond, Alexandre Dumas, Jane Austen, Shakespeare, Elizabeth Gaskell, but mostly just Doctor Who.
I've listened to a few James Bond now and this one was not a favorite. It took me a while to figure out what was going on, and probably sixty percent of the story was just the girl's history and James Bond wasn't even in it. I actually fell asleep at the end and don't even know how it finished. It didn't connect real well with the other ones I'd read and just felt like a one-off.
Rosamund Pike wasn't difficult to listen to, though. She was probably the one redeeming quality of this book.
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