David Baldacci's novels have been called "sizzling" (USA Today) and "superior" (Houston Chronicle). Now Baldacci is back, with the story of a death row inmate, a Supreme Court clerk, and a crime that is costing people their lives.
Michael Fiske broke the law when he took Rufus Harms's prison letter from the Supreme Court. But he also sealed his own fate. Now Michael's brother, a cop turned attorney, is coming to Washington to find out why his brother was murdered - and what it had to do with a crime that Rufus Harms committed 25 years before.
In his new novel of corruption, romance, family, and justice at the heart of the American republic, David Baldacci takes us on a journey of harrowing conspiracy - and proves once again that in the realm of suspense, he is in a league of his own. The simple truth... it's never what it seems.
©2001 David Baldacci (P)2011 Hachette
I couldn't get past the first few chapters because the narration was so monotone and dull. Love this author, I guess I'll read the book.
Don't know what I want to be when I grow up. Trip's cool though. Use Audible to make gym-training sane... And rip my imagination.
As a plotter, Baldacci seems to be among the most playful thriller writers. And in the Simple Truth we all get to play his game. The point is that the book goes from point A to point END as if it's supposed to go that way. Too many authors in this genre seem to turn their endings into the last two minutes of an NBA game. You know, where all heel explodes and the preceding stuff was just there to get the fans through their beers and back-slapping. In the Simple Truth the entire story arc's got game. And you aren't left wanting another stopping place or wondering why there were so many parts left over as you pull the plot apart in backward glances. The simple truth is that the characters, feelings, and plot all work. Cool!
A good narrator enhances a good book. A great narrator can even make so-so book better.
Jonathan Marosz has wonderful diction and a pleasant voice but, he has a fault that if corrected would make him a much better narrator. At the beginning of each sentence he vocally sits on the first and sometimes second word which becomes very annoying. I feel certain that he is unaware of this habit and, if advised, it could easily be rectified. While distracting it does not detract from a very interesting story.
I love David Baldacci's books but this reader should never be allowed close to one! His reading of prose was miserable - stabbed each sentence at the top of the octave regardless of its comtent and ended at the bottom! His dialog was marginally better. I almost ditched it before I finished the first chapter but my curiosity got the better of me! I am used to Ron McLarty's excellent rendition but Jonathan Marosz has got to go!
I very rarely write reviews but it took me about half the book to get past the narration and actually start to enjoy the story. Great story in the typical Baldacci fashion but they have had much better narrators.
I could not get through 5 chapters before shutting the book off. Absolute worst narration I have ever heard.
Like action, adventures, war stories, militay happenings, historical readings-fiction, & mysteries. Unabridged only! Reader IMPORT!
The story was very, very GOOD! The only thing lacking was a good reader!
It was very hard to discern when it was a female person talking or just the readers monotone voice just reading on as usual. However it is still a GREAT listen!!!!
This is one of Baldacci's worst; the characters are put in hard to imagine places and keep doing incredibly stupid things.
The narrator sounds like a 50's detective with all characters; young, old, male, female, like Joe Friday on a particularly monotone day.
There's an audible pop at the start of about 15% of the sentences in the book, but concentrated, like 10 sentences in a row, so it gets irritating. Not quite sure how the audio engineer missed it, but it's distracting.
I finished the book, so it's not terrible overall, but a definite 2 stars max.
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