The sensational new novel from "one of the most talented crime writers alive". (The Washington Post)
The photo on the card shows a boy who was found murdered, a year ago, in the grounds of a girls' boarding school in the leafy suburbs of Dublin. The caption says I know who killed him.
Detective Stephen Moran has been waiting for his chance to get a foot in the door of Dublin's Murder Squad - and one morning, 16-year-old Holly Mackey brings him this photo. "The Secret Place", a board where the girls at St Kilda's School can pin up their secrets anonymously, is normally a mishmash of gossip and covert cruelty, but today someone has used it to reignite the stalled investigation into the murder of handsome, popular Chris Harper. Stephen joins forces with the abrasive Detective Antoinette Conway to find out who and why.
©2014 Tana French (P)2014 Penguin Audio
What in the world caused Ms French to think that anyone would enjoy having every other chapter in a 20 hour book comprised of the simpering, sniping of a group of adolescent Irish Valley Girl wannabes? Even the hard-to-understand breathy, little-girl voice of Lara Hutchinson couldn’t damage the grating dialogue further.
Don’t get me wrong. The structure of this book is a beautiful thing. Having all the players trapped in a confined area while the detective weeds through the witnesses and suspects in an unsolved murder case, playing them against each other even as the detective is being played, is a tried and true device and was worth the effort. Fifty percent of the chapters show off Ms French’s well known talent for interpersonal interaction and dialogue, as prickly and unpopular (i.e., won’t play along with the sexual hazing game) female Detective Antoinette Conway with chip on her shoulder, and murder squad aspirant, Detective Stephen Moran are thrown together for one intense day of frustrating interrogation at an exclusive private girls’ school.
For all I know, aping Valley Girl behavior is what Irish school girls are into right now. But in my opinion, it was an unfortunate distraction from what should have been and could have been (if severely edited) an important part of this story—the interaction between the students. I’m sure it will ruin the book for many. Also bogging down the story were a few irrelevant sidetracks. The mystical touches, (the lights, the spinning bottle caps) which seemed to me most likely meant to reflect psychedelic drug experiences, were neither integrated well, nor explained at all, so who really knows what they were about and should have been left out altogether.
I didn’t have any trouble finishing the book, but by the end I was ready to pull out my hair. The use of the irritating dialogue might have been cute in “Clueless”, but it just trivialized French’s considerable talent. I’m hoping she does better on the next one. Totally.
Tana French was a favorite of mine. I can recommend all the books leading up to this one. The Secret Place was quite a departure from those previous works.
The book starts and nearly concludes with eight suspects who are so similar it took hours of listening to differentiate them. If you love solving mysteries, have a pencil and paper next to you and organize the clues. Determine quickly who is in each clique, the color of each character's hair, eyes, and cellphones (yes, cellphones), and who is involved with the murder victim (more like, who wasn't). I did not do that and as a result could find no logical way to narrow down the suspects. This Secret Place reminded me of one of those old Reader's Digest puzzles: "Tim lives in a blue house and Tammy lives in a green one. The murderer lives in a Yellow house. Who is the murderer?" Forget traditional motives like love, revenge, or money. You won't figure it out that way.
I recommended that you buy the Kindle edition and read it rather than listen. More than one-half of the story deals with a group of English girls who speak in a very poor version of Valley Girl vernacular. Everything is OMG and text language. The narrator, Lara Hutchinson, has a pleasant voice but reading the girls' use of language made the narrator sound like a simpering idiot. The sound was so grating I found myself tuning out.
Had the book been centered on the male detective instead of the girls, it would have been pretty good. The Stephen Hogan, who narrated the two detectives, was excellent. Those portions of the book were a reprieve from the inanity of the girls.Unfortunately, Conway, the female detective, seemed to be an adult version of the St. Kilda girls.
Don't overlook Tana French's other books or her next one. I hope I don't have to wait another year for that.
Wow...bad on so many levels. Hours and hours of 8 teenage girls. Dumb dialog - does anyone really say totes adorbs? And if that wasn't bad enough, the girls' characters just are not well enough developed to differentiate and 3 names start with the J sound. Twee narration. I love long books but this couldn't end soon enough. A bad surprise from an author I've enjoyed in the past. Pick any other of her books.
Does the title of my review make you feel like some of your brain cells are dying? Well, be prepared for 20 hours worth of that kind of scintillating conversation in "The Secret Place." (By the way "totes" is short for "totally" in case you aren't up on high school girl vernacular.)
I love Tana French. I devoured her first four novels in this series. I loved each one and I recommended them to several people. This book was a complete disappointment.
The story is of a murder that happened a year ago near an girls' school, and two Dublin police-people get a reason to go back to try again to solve the case. The entire book is about eight high school girls--did one of them commit the murder, and why.
90% of the content of the book is conversations between the girls and the girls and detectives. It gets tedious to the point of annoying. It was filled with squealie "OMG!!" and "Totes Amaze-Balls!!" and "Duh!!" A major part of the detectives job is to determine who had a motive, so that leads to literally hours of discussion about who had a crush on whom, and which girl doesn't like the other girl because she said her thighs were fat.
There is also this underlying theme that some of the girls have slight magical powers, which just made zero sense, had no actual bearing on the story, and was never explained. I kept waiting for that to be explained, but it ended up just being another annoying distraction.
The story reads like a really bad novel written for tweens. The content and dialogue were shallow, overly-simple, and embarrassingly cliche. It was like listening to a 20 hr "Keeping up with the Kardashians" marathon.
Concerning the narrators--the female narrator was great. The male narrator had a terrible time with the high school girls voices, they were bad. Luckily, he didn't speak as them very often.
A LOT of people are still going to listen to this book no matter what I say in this review, because it's Tana French, I don't blame you, I would have too. But I feel burned by this book. I will now hesitate before I listen to another Tana French. I will certainly wait until it has been thoroughly reviewed.
Have loved all the other Tana French novels...outstanding, but unfortunately the female reader( half the book ) is almost unintelligable...trying for a teenager but can not understand most of the dialogue...too much work and after a while it becomes maddening...too bad because I was really looking foward to the book...Save your money and your ears...
female narrator AWFUL,,,,doesn't anyone "pre-screen" the narrators?? especially for the American ear???
tried to return the book,,,,not user friendly that feature, so just gave up in fustration..am really disappointed in Audible...
Tana French is by far my favorite author. I've read all her other books more times than I can count and could hardly wait any longer for her next one. Disappointed beyond belief. Lara Hutchison was simply horrible. I hated to give the performance rating two stars because Stephen Hogan was excellent, as he was in Broken Harbour. Each of French's books so far has been written in the first person and explored the narrating detective's life, thoughts, and psyche thoroughly and perfectly. Detective Moran did narrate in first person but you never got to know who he was or what he was about, and more time was spent on the ridiculous story of the girls. Although the story was bad, it was well written, as I don't think Tana French is capable of writing poorly. I hope she returns to the old theme of writing from the detective's perspective and crafting another amazing story. This wasn't it.
The Secret Place started slow, built up a good head of steam and then cruised to a quiet climax. I enjoyed the book because of Tana French's wonderful writing but found the setting of the girls school a bit jarring. I found myself longing for the characters of past Dublin Murder Squad books. All in all a decent read but lacking the verve of other Tana French books. Sadly it will probably be two more years before another will be forthcoming.
Different narrators. A different plot.
I love, love, LOVE, Tana French. That said, I am five hours into this listen, and I am not even going to finish this book. Lame teenage witch sub-plot, grating narration, and horribly inauthentic teen lingo.
The biggest problem is the narration: Stephen Hogan was the voice of Scorcher Kennedy in Broken Harbour so I can't form an independent idea of who Detective Stephen Moran is. Lara Hutchinson's voice is pitched way too high and I can't hear or decipher half of what she's narrating.
I love each and every Tana French novel I've listened to. Even those that I was unsure of at first, I've listened to again. This is the first to disappoint me, but I'm not finished with it yet so that may change.
Tana French's latest effort involves the murder of a teenaged male student at an exclusive private school. The companion girls' school has a Secret Place where students can express themselves by posting items they don't feel comfortable talking about. As the book begins, someone has posted a message in The Secret Place, claiming to know the identity of the killer.
After investing six hours in this book, I simply could not imagine investing 14 more...so I just gave up, something I almost never do. Although I did enjoy the detective-narrated chapters, I simply could not bring myself to care about what happened to any of the pseudo-Valley Girls attending the private school, nor was I getting a clear picture of the victim and why I should care about him, either. This may have been a function of the narration, which has a powerful impact on the manner in which a book is perceived, so perhaps I'll try reading it in text form on my Kindle.
I was so looking forward to this book, as I have enjoyed her previous books. I guess I will avoid pre-ordering and wait to read reviews when her next book is published.
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