The Maltese Falcon is the definitive masterpiece of the hard-boiled detective genre. Humphrey Bogart immortalized tough-guy Sam Spade in the classic 1941 film.
©1956, 1957 Dashiell Hammett; (P)2003 The Audio Partners Publishing Corp.
"Dashiell Hammett...is a master of the detective novel, yes, but also one hell of a writer." (The Boston Globe)
"The Maltese Falcon is not only probably the best detective story we have ever read, it is an exceedingly well written novel." (The Times Literary Supplement)
"Hammett's prose [is] clean and entirely unique. His characters [are] as sharply and economically defined as any in American fiction." (The New York Times)
"William Dufris is a one-man band, covering the entire cast of diverse characters with unbelievable ease....just short of amazing." (AudioFile)
Good book and great story. The narrator was good and the audio quality was good. Only one problem - the narrator REALLY overacted the women's parts. In fact, he carried on so much, I fast forwarded through a couple of sections because it got so nerve-rattling.
Most people have seen the movie (often more than once) and many have read the book, so what's new and worthwhile about this audio book? The narrator, for one. William Dufris does a fine job with this book. He doesn't try to make Sam Spade sound like Humphrey Bogart--a wise choice. After all, the Sam Spade in the book (blond hair, somewhat satanic smiling features) isn't like Bogart's character at all. At the same time, he does an excellent imitation of the film versions of Cairo and Gutman. All in all, it was fun to listen to. The story stands on its own merits: classic hard-boiled detective fiction. If you're looking for good entertainment, this is is.
The audiobook of the Maltese Falcon exceeded my expectations. It was richer, and more detailed than the movie (in which Bogie played Sam Spade). The femme fatale is wonderfully portrayed, as is the treacherous Joel Cairo. This is the first time I have heard an American reader carry off multiple voices and characters. Usually the 'dipthong drift' which characterises Amer-English makes the voices too whiney and insubstantial when compared, for example, with Richard Burton or Derek Jacobi. But this book is the exception. The voice of Cairo (Peter Lorrie in the movie) is delightful, as if the actor himself, dead all these years, had come back.
Listening to the audiobook also made me realise how much 'Who Framed Roger Rabbit ?' owed to the book, rather than the movie. The mental images created are very strong in this novel, the characters so stereotypical or 'characaturised' as to be almost cartoonish, but in an entertaining way, and in a style which reflected the 1940's I suppose.
This might be the best audiobook I have heard so far. Strongly recommended, but you do have to pay attention !
I had seen the movie (the 1941 remake, never the original) years ago but had vague recollections of the story. Being older now, I have a much higher respect for Mr. Hammett's writing style as well as a deeper understanding of the plot. The book was ever bit as good as the movie, if not better. I love the details and the way Sam Spade is portrayed -- stories nowadays are oftentimes too predictable with the good guys and bad guys clearly defined as if guised in white hats and black hats. Sam Spade is a gritty good guy who would probably wear a gray hat.
The reader is fantastic and enjoyable to hear. Other critics say he reflects too much the actors in the film but I didn't necessarily see that. Personally I think both the actors and Dufris merely captured the characters' personalities. He did an outstanding job that would make Mr. Hammett proud.
My interests run to psychology, popular science, history, world literature, and occasionally something fun like Jasper Fforde. It seems like the only free time I have for reading these days is when I'm in the car so I am extremely grateful for audio books. I started off reading just the contemporary stuff that I was determined not to clutter up my already stuffed bookcases with. And now audio is probably 90% of my "reading" matter.
Would Hammett be offended by that? I don't know. Was he trying to write Literature? I don't know. I do know this is a rollicking good yarn, and it doesn't hurt to have a slew of place names and landmarks from my favorite city thrown in. It's kind of amazing to think that this was published in 1930 just at the beginning of the Great Depression; and sad to think Hammett would abandon writing just a few years later. And if I think about how Hammett was treated in his later years, I'll get really bummed. But here he is at the height of his powers, writing with verve and elan, creating one of the most memorable detective novels of all time.
I had seen the movie many years ago, and was in the mood for a little mystery noir, so I bought this book. Having forgotten most of the plot, I was easily caught up in this complex story of lies, liars and treasure. The narrator did an absolutely fabulous job of differentiating the characters by voice, and his Joe Cairo actually sounded like Peter Lorre! (Sam Spade did not sound like Humphrey Bogart, which I think would have distracted me.) I enjoyed the book so much that I listened virtually nonstop until I finished it. A wonderful book for a long trip or a rainy day at home.
This is a fantastic story by Hamett. I think the narrator Dufris did a fantastic job bringing the characters to life. I had the image of this book in black and white in relation to the Bogart film. The narrator brings the characters to life with the Gutman role played in the film by Sydney Greenstreet and Cairo role played by Peter Loire. I felt the passion and lust for this historic bird that would do anything to acquire. I couldn't wait to hear Gutman speak in this book. The female parts were not done as well, well enough with the main female character though. It was short and very enjoyable, and it is done in San Francisco, where I live. If you like mystery and going to a play then you will enjoy this.
One of the other reviewers says "This is a wonderful adaptation from a great film." There's an excellent reason for that, even though the film was made eleven years after the novel was published: If you've seen the movie, it will play in your head as you listen. The actors and director must have read the book to the point of memorization. For example, all of Bogie's gestures and facial expressions are described almost cinematically in the novel. The same can be said of Lorre, Greenstreet and Astor. It is, of course, THE landmark in the genre. Every detective novel in the past eighty years has been influenced by this book. It is well worth a listen.
the story and the reading were great... film noir, lots of suspense, early 20th century style. those who feel the characters, especially the women, were overacted are not familiar w/the genre... all women in detective stories of this era were somewhat melodramatic by today's standards. lighten up... it's fun!
my only complaint is why weren't the "end of Disc 1; beginning of Disc 2" notices edited out?
I have read and re-read all of Dashiell Hammett's work, but this is the first time I've listened to it (though I've listened to several hundred unabridged books over the past 10 years). Hammett is the finest detective story writer ever, in my opinion and his descriptions of San Francisco are beyond wonderful. I rate the Maltese Falcon as highly as possible, but I am a bit put off by the reading. For the most part it is quite good, but I dislike the voice of Joel Cairo being an impersonation of Peter Lorre (who played him in John Huston's great film adaptation) and as with all male readers - I loathe the high pitched voice given to female characters. Those criticisms are insignificant though when placed against Dashiell Hammett's perfect canvas. If you can not read The Maltese Falcon or just want it in as many ways as you can get it, then download this. It is fantastic.
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