In the first book of the acclaimed Henry Rios series, a lawyer doggedly pursues a murder investigation into the lions' den of San Francisco's moneyed elite
A burnt-out public defender battling alcoholism, Henry Rios has reached a crossroads in his life. While interviewing his former lover Hugh Paris in jail, Rios goes through the motions, but notices that Paris is far more polished and well off than the usual suspects arrested for drug possession. Paris is mysteriously bailed out - but a few weeks later, he turns up on Rios's doorstep. Skittish and paranoid, he admits to using heroin and says he's afraid that his wealthy grandfather wants to murder him.
Rios tries to help Paris get clean, but when Paris is found dead of an apparent heroin overdose, Rios is the only one who considers foul play. Determined to find Paris' killer, Rios knocks on San Francisco's most gilded doors, where he discovers a family tainted by jealousy, greed, and hate. They've been warped by a fortune someone's willing to kill - and kill again - to possess.
At once an atmospheric noir mystery and a scathing indictment of a legal system caught in the maws of escalating corruption, The Little Death chronicles one man's struggle to achieve true justice for all.
The Little Death is the first book in the Henry Rios mystery series, which also includes Goldenboy and Howtown.
©1986 Michael Nava (P)2013 Audible, Inc.
I've wanted to read Nava's Henry Rios mysteries for a long time and was thrilled to see them (at least the first four of them) in audio format - and am hoping the last three are forthcoming. I'm a little shocked that this is the first review. The Little Death is the first of the series, in which Rios starts out as a burned-out public defender in, essentially, Palo Alto. It takes place in roughly the early 1980s (and was written in about 1985), but though in some ways it is clearly the product of its time, in other ways it transcends its setting and doesn't feel at all dated.
The story begins with him interviewing inmate Hugh Paris in jail. (Hugh, contrary to what the blurb says, is not his former lover; this is their first meeting.) Hugh declines his PD services but shows up on his doorstep a few weeks later, presumably having sensed a connection between them, but also convinced someone is out to kill him. Rios doesn't believe him, but when Hugh is later found dead of an apparent heroin overdose, Rios is the only one interested in seeking justice or finding the killer, and his search leads him into the twisty hidden world of San Francisco's Old Money families.
The mystery is convoluted but subtle and intelligent, without the pat and predictable twists often found in today's mystery-thrillers. No blood and gore, no graphic sex, but I didn't miss them. The plot moves along at a good pace and kept me thoroughly engaged even as it was expertly interspersed with Henry Rios's own introspection as he contemplates turbulent changes in both his professional and personal life, and his emotional journey, or start thereof, as this is just the beginning of a 7-book series. (His personal issues, and in particular the fact that he is gay, are certainly important, but they are not defining, either of the plot or of Rios himself.) It might be possible to feel somewhat detached or disengaged by the very precise and cool tone of the writing, but I found the tone actually emphasizes the emotions Rios feels in a way a more impassioned tone might not have.
And this book left me wanting to know a lot more about him.
One of the things that distinguishes this mystery (besides the relatively rare gay protagonist) is the exquisite writing. The prose is spare but elegant, and the smooth, cultured voice of the narrator, Gregory St. John (with whom I was not familiar), though perhaps arguable how well it is suited to the nature and ethnicity of the protagonist, is absolutely perfect for the tone and tenor of the writing. Listening to him turned out to be an ideal way to appreciate the author's remarkable craftsmanship: his understated but genius turns of phrase (so many phrases I wanted to write down to remember later!), his control of the plot, the flow and seeming effortlessness of the writing.
Highly recommended. I'm ready for the next one.
St. John breathed life into Nava's characters. He gave each one a distinctive voice that rang true from Rios bff perennial bachelor, loud-mouthed and slightly homophobic Aaron Gold to soft-spoken, paranoid, drug-addicted upper-upper-class Hugh Paris to the cigarette rasp of the Public Defender's supervising attorney, Frances Kelley and on and on. I just don't think I could have imagined it quite as vividly. I can still taste the bitterness of Hugh's mother when she spoke to Rios of her marriage.
I listened to the book as I drove from Portland, ME to Gettysburg, PA or vice versa. The trips are so often it's hard to tell anymore. ;) What's important is that I hardly noticed the hours as they slipped by. I laughed at some of the ridiculous situations Rios got himself into and felt his sadness at the loss of Hugh Paris, despite the shortness of their time together. Perhaps because it was so short and had never had any real chance? I felt anxious at every twist and turn and every time I thought it was over, I was just as surprised as he was to find it wasn't!
Though I thought the story itself had somewhat of a slow beginning, once it picked up, the pacing was excellent. The characters were realistic for the 80's. They aren't beautiful, plastic people. They aren't stereo-types. The descriptions of the setting were sometimes so gorgeous, I hit rewind to listen to them again.
"A perfect marriage of story and narrator"
This is a new series to me, not having read these books, and I found this first one absolutely excellent. The story is good, a well written mystery, with a lead character I liked and lots of interesting supporting ones, some of whom I hope show up again. The narrator Gregory St. John is absolutely excellent. His voice is beautifully clear and melodious. He gets great intensity into the emotional moments. I will definitely be continuing the series.
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