Germany, 1659: When a dying boy is pulled from the river with a mark crudely tattooed on his shoulder, hangman Jakob Kuisl is called upon to investigate whether witchcraft is at play in his small Bavarian town. Whispers and dark memories of witch trials and the women burned at the stake just 70 years earlier still haunt the streets of Schongau. When more children disappear and an orphan boy is found dead - marked by the same tattoo - the mounting hysteria threatens to erupt into chaos.
Before the unrest forces him to torture and execute the very woman who aided in the birth of his children, Jakob must unravel the truth. With the help of his clever daughter, Magdelena, and Simon, the university-educated son of the town’s physician, Jakob discovers that a devil is indeed loose in Schongau. But it may be too late to prevent bloodshed.
©2011 Oliver Pötzsch, Lee Chadeayne (translation) (P)2011 Brilliance Audio, Inc.
Loved the characters! Every one of them seems to come alive in this book and the following book which I've started. Who wouldn't like it, history, witchcraft, mystery, detective... has just about everything!
The story felt a bit long and drawn out at times, especially considering these are not very complex characters ... Overall, not bad if you enjoy this particular genre. But don't expect to be blown away.
Yes I liked the paradigm shift to criminal justice in the Renaissance when one civil functionary performed many criminal justice roles
The hangman he had a cool analytical mind
The book provides a engaging tale in early Reformation Bavaria. The mystery plot is reasonably well done, though there is no shocking surprises at the end. While there is an overall predictability to how things would end up, there are enough plot twists to keep it interesting. The descriptions of the witch-hunt mentality, from the aristocracy to the peasantry, appear authentic. The characters have believable and varied personalities that make them enjoyable, although one does not become deeply attached. I found it a very intriguing window into an area I knew only tangentially, and it made for most engaging listening.
Very well read.
Good details of life of a hangman and how they lived on the fringe of society.
After having heard Mr. Gardner's performance, even when I read other books from the series I hear his voice in my head!
The narrator helps to bring the period to life and you get a sense of the lives of the characters.
A great read and listen. The series is wonderful.
If one cannot enjoy reading a book over and over again there is no use in reading it at all. Oscar Wilde
The Hangmans daughter was an excellent story I think it was 5 stars. I would have to say it was right up there with guernsey literary and potato peel society . Definatly worth the credit.
No I have not listened to any of Grover Gardner's performances but I do think that he was very good.
Life went on dispite all the dying.
It gave me a vivid picture of life in a 17th century village..
He got the German accent right..
Yes - and I did..
A really thrilling story that I couldn't see the ending and was really surprised at who the villain was.. LOVED IT!!
I was looking for a book and got an e-mail from Audible suggesting that if I enjoyed Robert McCammon's Mister Slaughter series (the Providence Rider et al), I would certainly enjoy this. I can only surmise after laboriously listening to the first half of this, that whoever came up with that has not listened to either one or both of these authors. I enjoyed every minute of Robert McCammon's novels. The mysteries were riveting and the author kept you completely immersed in the period. Everything was accurate - the language, the history, the descriptions of the locals, clothing, etc. And the narration was also superb. The accents, pronunciation, different voices were all in keeping with the narrative and the time period. So . . . that's what I was expecting. It is certainly not what I got.
It started with the narration, which sounds more like someone doing a documentary than recording a historical piece and things went rapidly downhill from there. I don't know if it is perhaps the result of careless translation or if the translator was trying to make things sound up to date but there are many, many instances of words or phrases that are out of place in Anno Domini 1660. In once instance there is a fire and people hear the sound of
"all the breaking glass in the windows". This is Europe in the 1660's! Glass in windows was reserved for the very, very rich. At another point, after referring to a group of children who were running away from him as 'the little bastards' a character them refers to them as those 'kids'. Again, not a commonly used phrase for the time. I find this sort of thing so off putting that it's pretty hard to even concentrate on the plot.
I will most probably struggle through to the end just because it's hard for me not to finish what I start. But it is also probably the first book that I will use to take advantage of the new 'return' policy that Amazon has started.
I'm not sure yet.
Yikes! A lot! I don't think I've actually ever listened to one of his recordings in the past and I'll listen to the sample very carefully before I do so again. The characters sound so much the same. I feel like someone is reading me a book he doesn't really care for. And notice I said reading, not performing.
most of them
surprising, suspense thriller
It was different from other stories I've been listening to due to the change in setting (time period).
I liked how his voice was nice to listen to and changed when necessary.
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