Hardly knowing where to turn or whom to trust, Smith assembles a ragtag private team to aid him in his search for the truth behind the deadly virus - a quest that will lead them to the highest levels and darkest corners of the globe.
©2000 by Myn Pyn LLC; (P)2000 by Audio Renaissance, an Imprint of Renaissance Media, Inc.
As I was listening to this I was under the misapprehension that Dean Koontz had written it. He didn't and that explains the failings of this book. The basic premise is imaginative but mostly the story follows a blue print cops and robbers type story line. The super heroes are usually super but often incredibly stupid. It got annoying.
Mr. Ludlum may have a poor opinion of humanity. Read this and you might think there are thousands of wealthy and productive men and women out there willing to kill millions of innocents just to make a few billions.
Anyway, I still enjoyed the book. The characters are fun and interesting and the book flows nicely. The narrator, Paul Michael does a nice job and I rarely thought about the narration, just the story.
I love John Grisham- but have also been taken by Brian Haig, and Gregg Hurwitz- I love an intelligent Psychological Thriller- and I truly enjoy Scott Brick as one of my favorite narrators
I think that the book has the essence of any great book, in that it is spellbinding. I love Psychological thrillers so this hit its mark
A classic medical thriller where the plot is a race against time in subduing the villain before he could hold the civilized world hostage by a threat of spreading a lethal virus. To me, this theme has been re-written a few times but the unique part -- the literary flair of Gayle Lynds in style of Mr. Ludlum. There is a touch of personal drama here when Col. Smith lost his fiancee in the most painful way (having contracted the virus, what else?)Thus, he is all out to search and destroy the perpetrators. The narrator added much desired life to this Ludlum series.
The story is interesting but the barrage of banal expressions and dime store sentimentality erodes the telling. And there is the modicum of turgid prose thrown in. Even though I did not expect literature, the writing was woeful enough that I found myself yelling "hack" periodically (or other phrases). The usual superman hero is present who appears to not require much sleep, is not phased by an occasional wound, etc. that's not much different than the flat characters we've become accustomed to on TV. If you want a more reality based portrayal of clandestine operations (CIA), I recommend The Company (Robert Littell). With Hades it is too often difficult to suspend disbelief and get into the tale because of Ludlum's overwrought prose.
Typical larger-than-life hero in a spy-type thriller.
Report Inappropriate Content