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The Girl Who Played with Fire  By  cover art

The Girl Who Played with Fire

By: Stieg Larsson, Reg Keeland - translator
Narrated by: Simon Vance
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Editorial reviews

Stieg Larsson was a crusading Swedish journalist, committed to the fight against political extremism and racism in his home country. In his spare time he completed a trilogy of striking crime novels, which he delivered to his publishers just before his untimely death in 2004. The first novel, The Girl with the Dragon Tattoo, centred on Mikhail Blomkvist, a crusading journalist with a social conscience; its sequel, The Girl Who Played with Fire, shifts focus onto the socially awkward computer hacker Lisbeth Salander, who becomes entangled in an investigation into sex trafficking, murder, and establishment corruption. This unusual central character is the story's main strength, allowing it to stand apart from the raft of contemporary and classic crime novels which Larsson fondly draws on. An expert hacker and mathematics-obsessive, Salander is a clenched fist of a character; difficult, psychologically traumatised, and capable of extreme violence.

Simon Vance endows her with the accent of an East London street urchin, a fitting voice for this embattled woman. While his narration is crisp, Vance's other characters range from working-class Northern English accents for Blomkvist, assorted police, and journalists, while others are given accents somewhere between Scandinavian and Bela Lugosi. However, as the plot thickens, such incongruities are forgotten, and a compelling social reality is created by Vance's skilled performance, which includes a sensitive rendition of a stroke victim's voice. Vance's cool delivery also suits the reportage feel of much of the writing; characters are introduced through their occupation, address, and educational background, while a mass of tiny observations (such as coffee mugs decorated with the logo of the civil service union) at times convey the tone of a police report. It is a tribute to Vance's delivery that the narrative thrust carries the accumulation of detail effortlessly from one action-packed set-piece to the next.

Larsson's published books have been a European phenomenon, due less, perhaps, to any narrative or thematic innovations as to the author's visceral anger at social injustice and the mistreatment of the vulnerable, particularly women. Violence against women is the work's central motif: the Swedish title of the first book in the series translates as Men Who Hate Women, and Salander is "the woman who hates men who hate women". In fact, there is an element of salacious revenge fantasy to much of her actions as she fights fire with fire; the story treads a fine line between condemning sadism and revelling in sadistic imagery. The real enemy of the tale is institutionalised machismo: policemen are loutish, rape is endemic, and villains enjoy guns, motorbikes, and magazines about motorbikes. Everyone, meanwhile, summers in wood shacks in the Swedish countryside.

While very much part of a larger whole (there are numerous references to events that occurred in the first part of the trilogy), The Girl Who Played with Fire stands alone as a highly enjoyable, if not always smooth - and often disquieting - mixture of classic crime tropes, searing violence, and vivid characterization. Dafydd Phillips

Publisher's summary

The electrifying follow-up to the phenomenal best seller The Girl with the Dragon Tattoo ("An intelligent, ingeniously plotted, utterly engrossing thriller" The Washington Post), and this time it is Lisbeth Salander, the troubled, wise-beyond-her-years genius hacker, who is the focus and fierce heart of the story.

Mikael Blomkvist, crusading journalist and publisher of the magazine Millennium, has decided to publish a story exposing an extensive sex trafficking operation between Eastern Europe and Sweden, implicating well-known and highly placed members of Swedish society, business, and government.

On the eve of publication, the two reporters responsible for the story are brutally murdered. But perhaps more shocking for Blomkvist: the fingerprints found on the murder weapon belong to Lisbeth Salander.

Now, as Blomkvist, alone in his belief in her innocence, plunges into his own investigation of the slayings, Salander is drawn into a murderous hunt in which she is the prey, and which compels her to revisit her dark past in an effort to settle with it once and for all.

Listen to the rest of The Millennium Trilogy.
©2009 Stieg Larsson (P)2009 Random House

Critic reviews

“Boasts an intricate, puzzle-like story line . . . even as it accelerates toward its startling and violent conclusion.” (Michiko Kakutani, The New York Times)
“[A] gripping, stay-up-all-night read.” ( Entertainment Weekly)
“Gripping stuff. . . . A nail-biting tale of murder and cover-ups.” ( People)

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What listeners say about The Girl Who Played with Fire

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Great Series

Where does The Girl Who Played with Fire rank among all the audiobooks you’ve listened to so far?

I loved all thee Stieg Larsson titles. The narrator Simon Vance was brilliant! His different voices for the characters was superb.

Did the plot keep you on the edge of your seat? How?

I was entertained during the entire book and couldn't wait to find out what happened next during the whole book.

Have you listened to any of Simon Vance’s other performances before? How does this one compare?

This was a great continuation of The Girl With The Dragon Tattoo.

Was this a book you wanted to listen to all in one sitting?

I listened to this book and all 3 in the series as often as I could. Wishing I could keep going without interruption.

Any additional comments?

I immensely enjoyed this series especially the narrator who made it a wonderful thrilling experience.

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    5 out of 5 stars
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Enjoyable suspense in

Good book to pass time on a holiday weekend followed by a snow day. Peace out.

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  • Overall
    5 out of 5 stars
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awesome!

Awesome sequel. wait for it....might start a bit slow like the first one but...yeah....wait for it...

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  • Overall
    5 out of 5 stars
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Absolutely amazing.

One of the best and most gripping audiobooks I've ever heard. And a masterful performance of the reader. I can only recommend it.

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  • Overall
    5 out of 5 stars

Couldn't stop listening

Like the other reviewers, I agree it was torture to take the ear buds out of my ears and stop listening to this book. I am anxiously waiting for the third book to come out, and already sad their won't be a fourth. The characters are wonderfully developed, interesting, and Simon Vance does a wonderful job with a whole slew of accents.

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a thriller with unexpected turns!

easy to lose yourself in. great narration. as good as the first in the series.

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Best series ever

The first book starts out slow, but then hold on
for a wild ride. If you read the second book, you must read the third.

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Simon Vance's performance is outstanding

Any additional comments?

The book itself is exceptional, as so many people already know, so I want to add that Simon Vance's performance is absolutely stellar. I was amazed at how he, just one person, succeeded in making so many different characters come to life with such richness and distinction. What an incredible talent. Thank you for your wonderful work, Mr. Larsson, Mr. Vance, and all who worked on this production.

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  • j
  • 11-05-09

as good as the the first!

what more can i say other than i can not wait for the last installment!

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Captivatiting

I didn't want the books to end. Both were great.
The narrator was the best and he made all the characters fit their parts! Very sad about the auther though!

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