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The Death of an Effendi  By  cover art

The Death of an Effendi

By: Michael Pearce
Narrated by: Nigel Carrington
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Publisher's summary

Cairo, 1909. The murder capital of the world, where deaths are two a piastre. But the death of an effendi? That is something different.

Effendis, the Egyptian elite, are important. Especially if, in a country ruled by foreigners, they happen to be foreign. Gareth Owen, the Mamur Zapt, is called in to investigate. But is he the right man to be investigating?

In some countries, if someone goes for a walk, or a boat ride with the head of the secret police and doesn't come back, it's best not to ask questions. And powerful people might have preferred Tvardovsky dead.

As the maverick financier said, before going on the shooting party, there were still crocodiles in Egypt. Of all kinds. And perhaps the place to look for them was Crocodilopolis, the ancient City of the Crocodiles, where the financiers were to hold their meeting. It is when the crocodiles start co-operating, said Tvardovsky, that you really have to watch out....

©1999 Michael Pearce (P)2014 Audible, Inc.

What listeners say about The Death of an Effendi

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One of the best of the British mystery writers

I've been reading Michael Pearce's Mamur Zapt books for years and have rarely been let down. They are always eagerly anticipated, and this one is right up there with his best. I have not liked Pearce's other series, but the Mamur Zapt is just plain beguiling. The atmosphere of Egypt at the beginning of the 20th century is portrayed beautifully. I wish I could have been there and seen it - Pearce clearly loves the place and the period and so will you. Oh, and good characters and a well thought out mystery - what's not to like?

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Lots of detail on foreign culture.

Michael Pearce's mysteries are interesting and appealing if you like to be immersed in historical fiction set in countries we don't read much about. I have read or listened to 3 of his novels and haven't become bored. To me they are at least as good as John Grisham. The narrator, Nigel Carrington can do many different characters plausibly; he is very good.

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