It is 1862, though not the 1862 it should be. Time has been altered, and Sir Richard Francis Burton, the king's agent, is one of the few people who know that the world is now careening along a very different course from that which Destiny intended. When a clockwork-powered man of brass is found abandoned in Trafalgar Square, Burton and his assistant, the wayward poet Algernon Swinburne, find themselves on the trail of the stolen Garnier Collection of black diamonds rumoured to be fragments of the Lemurian Eye of Naga, a meteorite that fell to Earth in prehistoric times.
His investigation leads to involvement with the media sensation of the age: the Tichborne Claimant, a man who insists that he's the long lost heir to the cursed Tichborne estate. Monstrous, bloated, and monosyllabic, he's not the aristocratic Sir Roger Tichborne known to everyone, yet the working classes come out in force to support him. They are soon rioting through the streets of London, as mysterious steam wraiths incite all-out class warfare. From a haunted mansion to the Bedlam madhouse, from South America to Australia, from séances to a secret labyrinth, Burton struggles with shadowy opponents and his own inner demons, meeting along the way the philosopher Herbert Spencer, Isambard Kingdom Brunel, Florence Nightingale, and Charles Doyle (father of Sir Arthur Conan Doyle).
Can the king's agent expose a plot that threatens to rip the British Empire apart, leading to an international conflict the like of which the world has never seen? And what part does the clockwork man have to play? Burton and Swinburne's second adventure, The Clockwork Man of Trafalgar Square is filled with eccentric steam-driven technology, grotesque characters, and a deepening mystery that pushes forward the three-volume story arc begun in The Strange Affair of Spring Heeled Jack.
©2011 Mark Hodder (P)2012 Audible Ltd
I will be listening to the story again. It is simply too good not to do just that.
Characters are fantastic, narration is just brilliant.
I have none. This series just stands out on its own.
You are quickly enveloped in this mystirous universe, with all it's weird cotraptions, inventions, characters.
The way Mark Hodder has used real people in a very different environment, and personalities just works wonders.
When I heard book one I was like "Damn, this will not be good". But he is Unique in his narration, and is able to do all the characters without overdoing them.
He brings depth, humour and makes the characters come alive. Especialle Swinburne is eminent.
Absolutely no clue.
Good story though the plot line is mostly transparent. Love the way historical figures are woven in and re-interpreted in the series.
Yes. It is a very particular type of book that, I think, would only appeal to fans of the genre but, saying that, it is an excellent representation of that genre.
It would have to be Burton himself. Complex, intelligent and unusual for his "time".
Gerard Doyle is excellent as a narrator. His performance is always exceptional.
The only reaction to this book was complete submergence in it. The story and story telling put you deep within the unfolding narrative
An excellent book. (To be read, of course, in sequence with the others from the series) :)
"This book is fantastic"
I have loved this book. The story swings along with a brilliant naration. The characters have depth and the story is inventive and funny. The only problem is I have started on book two so I will now have to get the first one and book three and start from the begining. There will be no trouble listening to this one again .
"A bit naff"
The story just tries a bit to hard to be 'original'. It's trying to pick up the Steam Punk vibe but just lacks flair and is quite complicated to follow. To be honest I've kind of given up halfway through.
I'd think twice about choosing this author again.
Disappointing book. Not funny enough, not fast-paced enough, not well enough thought out. It might still make an interesting movie with a good director and major surgery.
"Interesting take on what could have happened."
I really enjoyed this book but sometimes find that what is said in 1000 words could be said in 100!
Also the way the narrator says 'Alresford' is WRONG. I grew up here and it is one of those funny names where you have silent letters. Sounds petty but for me it ruined the book as cringed every time he said 'Al-res-ford'. It should be said 'Alsford'.
Otherwise I thought it was great :).
"To violent for me"
The narration was well done.
I loved the story and couldn't stop listening... until the last part.
There is a lot of graphic violence in the book and I couldn't stomach it. It would be fine for someone who doesn't mind that but I couldn't finish the story because of it. It is hard to enjoy a story when people are dying in horrible ways.
"FASCINATING STORY; A NOVEL BLEND OF FACT & FICTION"
Mark Hodder has a most fertile imagination and seamlessly blends Victorian fact and fiction. Gerald Doyle's narration is spot on and the listener is soon engrossed in the story. A must for people who enjoy an almost " Holmesian" blend of blurred realities with a cracking and pacey plot.
Mark Hodder has created an inventive world which has the background of Victorian London as it's starting point but quickly takes the listener into an inventive parallel world. The ideas put forward by the author give cause to ponder morals and ethics without detracting from the story line. Don't get me wrong the themes and ideas are not seamless, but they made me think, "How does that work then?" While the book is a stand alone story, there are references to the first in the series, others may prefer to listen to it first. An impulse buy that I will listen to again, in part, due to the voice characterisation of the narrator Gerard Doyle.
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