When an unsuspecting American tourist stumbles upon this secret, he sets in motion a CIA investigation that will reveal horrifying police state savagery and superpower treachery.
©1999 Nelson DeMille; (P)2009 Hachette
"Riveting." (Publishers Weekly)
I have listened to all of Nelson DeMille's books that audible has and I've read others in print. I have to say, this book had real potential and then went absolutely nowhere. This is the first book I've actually fast forwarded through. Also, I used to love listening to Scott Brick but he's really wearing on me. Far too dramatic. There were times where he may have been reading a non-dramatic sentence but read it with such thrust and drama that I was becoming annoyed.
This book could have been cut in half and it might have been better. The xenophobia was over the top in this one. Bad, bad Russia -- enough already! We get it! Overall, I was very disappointed.
The story is excellent. The performance, however, is of a low standard. The reader mispronounces even common Russian names, such as Gogol. Most disconcerting is that everyone in the story, even Russians, have some kind of New York/New Jersey intonation, where the last part of the sentence rises in pitch. This is distracting, to the point where this listener had to laugh out loud at times.
I am a blind lawyer and aspiring writer, trying to read a little bit of everything but partial to sci-fi and military fiction.
In his interview with Scott Brick at the end of The Lion, DeMille notes that one of the perils of writing ripped from the headlines fiction is that the headlines can change in the time it takes between outline and publication. Specifically, he says many authors were caught with partially completed Cold War thrillers as the Soviet Union rather suddenly ceased to exist. He dodged that particular bullet though and the result is that we are lucky to have this wonderful little tale combining many of the Cold War thriller tropes including abandoned POWs, horrid conditions in the USSR, morally ambiguous or downright bad actors within US intelligence, and the choice between doing the right thing and preserving the peace, into a sort of time capsule.
Readers familiar with DeMille's work will recognize the basic cast of characters: the guy and girl at the center of it all who are in over their heads by varying degrees, the CIA contact with questionable motives, the government mouthpiece only interested in preserving the status quo, and the bad guy who skulks around the shadows for a while before revealing himself and becoming a real pain to our heroes. What is different is that the attractive and plucky female lead this time around is far more ill-equipped to deal with the running and gunning than examples in later DeMille works. The hero of the story is to type though, ready to fling sarcastic asides and bullets in the bad guys' faces at a moment's notice.
The plot launches with satisfying swiftness, perhaps jarringly so, but may ware on people later as many later sequences involve a cycle of action and reporting to others that can get repetitive. There also quite a few, "but do they know that we know X" moments rehashing things in the characters' minds perhaps realistically, but not always enjoyably.
The tone of the book is classic DeMille, with plenty of atmospheric details that really help put the reader in late 1980's Moscow. The flow is also very engaging, and can go from absurdly ffunny to utterly depressing in the same breath. And even those scenes in which characters discuss their plight and speculate incessantly on what to do next are full of colorful little details, like eavesdropping countermeasures or the unique social dynamics of an American embassy in a communist state.
All in all, this story holds up now not as a tale of what could be but what might have been, with the end of the Cold War far from certain even in 1988, and people asking themselves "What would THEY do to avoid World War III?"
I love Nelson DeMille, but I'd have probably never read him again if I'd picked this book up in the late 80s, when it was written. The writing, as always, is good, and the basic plotting and layout of the story is solid. But the premise is an odd mixture of banal and unbelievable, the characters are two dimensional at their best, and the whole thing is so one-sided it could have been written by the Reagan State Department.
The book is set in Soviet Russia, and starts out well, recreating the constant tensions of a police state masterfully. The plotting and scene development is good. But the book gets mushy as it goes along. Relationships seem inexplicable and out-of-character, actions make no real sense, and the constant repetition of the "evil Soviet/perfect America" motif would have even Reagan shaking his head and muttering "come on!" Don't get me wrong, I'm not defending the Soviet Union, but the book never meets an idealist Communist, never meets a non-virtuous peasant, or a smart peasant, etc. They are all simplistic caricatures, and that weakens the story.
The hero murders people, then never sees an irony as he condemns the Soviet bad guys for killing people with pretty much the same justification. The heroine continually touts her own superior morality, but justifies anything she wants to, nonetheless. She has a deep religious belief that comes and goes as the story requires. The inconsistency, not the belief, is distracting.
Even so, DeMille's storytelling works well enough to overcome these flaws through the first half of the book. At some point, though, it just starts losing believability, devolving into the cliche of politicians working against soldiers and spies, and the story gets mechanical. Great ethical questions are asked, then forgotten. It just fatally loses focus, despite the promise at the beginning.
I liked it at the beginning, but by the end I wished I had skipped it. It was unfulfilling by DeMille standards.
I liked this book. Went into it unsure but found myself not wanting to get out of the car. Will look for another Nelson DeMille book now.
The title is misleading, but when reading the story you will know why it is named as such. I liked the book! The author took me to Russia with his words. I liked the descriptions and details. I could visualize each character and the story pulls you in as the plot thickens. I enjoyed the interaction of the characters in the book. A good guy versus bad guy story. Nelson DeMille is a very talented writer and Scott Brick is a very talented narrator (as always)!
My title says it all. His books start fast and stay fast. This one will keep you on the edge of your seat for sure. What amazes me is that all his books are different, not just similar plots warmed over.
This book was scary and very conceivable
This is Scott Brick at his best
Yes - when they thought that they were to leave the country by plane.
It was a bit dated, but so what? It took place during a time in history like any other. I really and truely thought that the depth of this story was amazing. I had read some of Mr. DeMille's newer work and that lead me to his older books. I went from this right to Up Country and was amazed yet again. I'm amazed at what an insight he has into the human element, how he understands people, predjudices, and desires. I've come to realize that Mr. DeMille is truely a Great American, as well as a great Author. This Country could use more, many more, men(and women) like him. This book is long, quite indepth and couldn't be any other way. 5 Stars.
A rich American who isn't too bright (drives an expensive American car into Soviet Russia) kicks off the plot. Information he provides to the CIA kicks off a search for "The Charm School" where it is believed many Americans are being held. A solid listen if you are interested in Cold War era Russia and the mystery/thriller genre.
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