In this sequel to the acclaimed The World at Night, reluctant spy Jean Casson returns in another haunting and atmospheric thriller set in the shadows of occupied Paris.
In The World at Night, Alan Furst introduced film producer Jean Casson, who is forced by the German occupation of Paris to abandon his civilised lifestyle and falls into the world of espionage and double agents - until he is forced to flee the country.
In Red Gold, Jean Casson returns to Paris under a new identity. As a fugitive from the Gestapo, he must somehow struggle to survive in the shadows and back streets. He is determined to stay clear of trouble, yet as the war drags on, Casson begins, inevitably, to drift back into the dangerous world of resistance and sabotage.
©1999 Alan Furst (P)2005 Recorded Books, LLC
"This innovative and gripping novel eloquently transports us back to a different era and a different world." (Amazon.com review)
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
A decent follow-up to 'The World At Night', 'Red Gold' continues the saga of Jean Casson's struggle to survive both morally and physically in Nazi occupied and collaborating France.
I prefer Furst's novels that center on Eastern European characters ('the Polish Officer', 'Dark Star', 'Night Soldiers') instead of French, but it is hard to deny that even though it isn't a major Furst novel, it is still a highly readable one. Using Jean Casson allows Furst to explore the world of those French collaborators, profiteers, and elites of Pétain's France who refused to see the German occupiers for what they were. Furst clearly demarks the fragmented France that was left after Germany's invasion and the Vichy collaboration.
This novel should be read closely with 'A World at Night'. Like I wrote about that novel, even though I find this to be a minor Furst novel, it is context that matters. Most spy novelists don't approach the art or the skill of a minor Furst novel. So enjoy.
This latest Furst is another great, atmospheric story of Europe during World War II -- the ordinary and not-so-ordinary human beings who lived every day through terrible times, doing what they thought they had to do just to survive but also to make the world better. Furst takes the reader back into a world we can only imagine now, and brings it completely to life. The grubby details of daily life under totalitarian regimes (in this case, Paris during the Occupation)are very real in Furst's telling, as is the nature of heroism -- ordinary people impelled, for their own reasons, to brave acts of resistance, sabotage, and espionage. George Guidall's reading heightens the atmosphere and brings the characters to life -- his dry, wry, world-weary tone is just perfect for Furst's works, and his adept characterizations help us visualize these people.
Same lead character as book one, but the story just didn't grab me. Felt like too many different threads maybe, and not enough holding it all together? not sure, but just wasn't as good as previous.
Well, its about Nazi's crushing the human soul. I love George Guidall, but this story was depressing and kept on with a main character that had few redeeming qualities. For me, a very bad choice.
Better story and performance.
No. I've read other books by Alan Furst and enjoyed them. This one came up short.
It may have been an OK book, but I couldn't get interested in the characters. I know it was a grim time, but it was also an energetic time.
Wish I could........but no.
The story line was uncomfortable and I dropped it part way through. The first bad book I have listened to on Audible.
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