Boston, 1926. The ‘20s are roaring. Liquor is flowing, bullets are flying, and one man sets out to make his mark on the world.
Prohibition has given rise to an endless network of underground distilleries, speakeasies, gangsters, and corrupt cops. Joe Coughlin, the youngest son of a prominent Boston police captain, has long since turned his back on his strict and proper upbringing. Now having graduated from a childhood of petty theft to a career in the pay of the city's most fearsome mobsters, Joe enjoys the spoils, thrills, and notoriety of being an outlaw.
Joe embarks on a dizzying journey up the ladder of organized crime that takes him from the flash of Jazz Age Boston to the sensual shimmer of Tampa's Latin Quarter to the sizzling streets of Cuba. At once a sweeping love story and a compelling saga of revenge, it is a spellbinding tour de force of betrayal and redemption, music and murder, that brings fully to life a bygone era when sin was cause for celebration and vice was a national virtue.
©2012 Dennis Lehane (P)2012 HarperCollinsPublishers
Dennis Lehane knows how to write. I wish he knew when to stop. The first half of this book is the former; the second half the latter. In Part 1 he sets up a good plot among a bunch of gangsters and prison inmates and crime families. There is a cherche the femme aspect of the plot, of course. There is a guy who controls his empire from inside prison walls. So far, so good, However, Part 2 becomes a giant cliche, with the bad guys blasting each others' heads off, along with deathless dialogue. The plot bogs down and sinks into the mire. We begin to forget who is who, and we begin to not give a sh...
Lehane is capable of better than this. I think maybe the pressure to produce a "blockbuster" with each new book presses him to prove Mae West wrong: too much of a good thing is not
I am a co-author of The Cluetrain Manifesto, and author of Gonzo Marketing: Winning Through Worst Practices, and The Bombast Transcripts.
Maybe it's great writing, though I doubt it; some of the lines were so hackneyed they made me laugh. This wasn't helped by Jim Frangione's melodramatic lilt, which made it all sound like a very bad SNL sendup. Maybe I'd have been able to take it seriously with another narrator, but not with this one.
creative insightful wordsmith
I read all of his books because they are delightful to read.
Pick one - the prison uprising or the feet of clay
The devil drinks good rum
Horrible ending. Did he run out of words? Did the publisher say we gotta get this on the shelves?
Story had a good pace and was very well told. And really sucked me in.
I don't generally listen to a book more than once but if I were one to do that, this would certainly be one I would read again.
I can't wait for his next book.
I have read all of Dennis Lehane's books and this is by far the best one yet! The black sheep son who becomes a seasoned gangster with love and "demon rum" along the way.
Lehane elevates the story by taking it out of Boston and New York City and luring the reader to Tampa and Cuba where the unexpected await. I thought the narrator was very good...
I'm a designer (interiors and graphics) with an English degree. I recovered my love of reading after a disastrous bout with grad school.
I have been reading laudatory reviews of Mr. Lehane's work for years, and have enjoyed listening to interviews with him on NPR. And I love gangster movies and noir thrillers. But this was just not for me. This book traverses a queasy tightrope between the sentimental and the horrific, with not much in between. When I wasn't annoyed at the tough-guy codes (concealing deep and lardy emotions), I was dreading the next revolting description of physical torture. At about hour two, I decided I just wasn't enjoying it: not the plot, not the characters and not the writing.
I can think of 5 or 6, but to have one SO close to the end that was so unexpected, yet fitting was great.
I liked everything about Jim Frangione's performance. What I did not like was a review that complained about his performance. One of my key measures (of over 500 titles) is how much/often I simply don't notice someone is reading/performing and simply get lost in the story. If not for the cruel, stupid review I saw elsewhere, I'd never have noticed him at all. It was a masterful job considering the size and scope of the story and the myriad characters and accents involved. I may go listen to something else he did just to check him out more. As a first listen, I have to give him 4 out of 5 GuidallStars.
Many more than I expected. Probably 6 or 7 that would all be spoilers, I guess the first one was the near-opening scene of "feet in cement".
Dennis was close to having my "Prayer Review" One more like this and he gets it. (Yeah, I'm full of myself today but I have probably earned it.)
I'm not much of a period piece enthusiast but Lehane pulled it off here with a great story and an enjoyable story.
I would not receommend this book to anyone except someone who's already a Dennis Lehane fan. I found it long and not terribly engaging.
The narrator did a good job with the voices.
We got this book to listen to on a long drive from Chicago to Florida, thinking it would be compelling. Not. We were both waiting to get really drawn in, but that really never happened. We finished it only because we'd put so many hours into listening.
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