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Lexicon
- A Novel
- Narrated by: Heather Corrigan, Zach Appelman
- Length: 12 hrs and 36 mins
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Publisher's summary
At an exclusive school somewhere outside of Arlington, Virginia, students aren't taught history, geography, or mathematics - at least not in the usual ways. Instead, they are taught to persuade. Here the art of coercion has been raised to a science. Students harness the hidden power of language to manipulate the mind and learn to break down individuals by psychographic markers in order to take control of their thoughts. The very best will graduate as "poets": adept wielders of language who belong to a nameless organization that is as influential as it is secretive.
Whip-smart orphan Emily Ruff is making a living running a three-card Monte game on the streets of San Francisco when she attracts the attention of the organization's recruiters. She is flown across the country for the school's strange and rigorous entrance exams, where, once admitted, she will be taught the fundamentals of persuasion by Brontë, Eliot, and Lowell - who have adopted the names of famous poets to conceal their true identities. For in the organization, nothing is more dangerous than revealing who you are: Poets must never expose their feelings lest they be manipulated. Emily becomes the school's most talented prodigy until she makes a catastrophic mistake: She falls in love.
Meanwhile, a seemingly innocent man named Wil Jamieson is brutally ambushed by two strange men in an airport bathroom. Although he has no recollection of anything they claim he's done, it turns out Wil is the key to a secret war between rival factions of poets and is quickly caught in their increasingly deadly crossfire. As the two narratives converge, the shocking work of the poets is fully revealed, the body count rises, and the world crashes toward a Tower of Babel event which would leave all language meaningless.
Critic reviews
"A dark, dystopic grabber in which words are treated as weapons, and the villainous types have literary figures’ names. Plath, Yeats, Eliot and Woolf all figure in this ambitious, linguistics-minded work of futurism." (Janet Maslin, New York Times)
"Imagine, if you will, a secret group of people called Poets who have the power to control others simply by speaking to them. Barry has, and the result is an extraordinarily fast, funny, cerebral thriller." (Time Magazine)
"An extremely slick and readable thriller." (Washington Post)
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The only sign of life for miles is an empty BMW. Inside the expensive car he finds clothes that fit perfectly, shoes for his tattered feet, a Rolex, and an auto registration in the name of Daniel Hayes, resident of Malibu, California. None of it is familiar. How did he get here? Who is he? Who was he? While he searches for answers, the world searches for him - beginning with the cops that kick in the door of his dingy motel with guns drawn. Lost and alone, the man who might be Daniel Hayes flees into the night. All he remembers is a woman’s face, so he sets off for the only place he might find her.
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A Never Ending Soap Opera
- By Lu on 06-20-11
By: Marcus Sakey
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Learning to Swear in America
- By: Katie Kennedy
- Narrated by: Aaron Landon
- Length: 8 hrs and 58 mins
- Unabridged
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Overall
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Performance
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An asteroid is hurtling toward Earth. A big, bad one. Maybe not kill-all-the-dinosaurs bad but at least kill-everyone-in-California-and-wipe-out-Japan-with-a-tsunami bad. Yuri, a physicist prodigy from Russia, has been recruited to aid NASA as they calculate a plan to avoid disaster. The good news is Yuri knows how to stop the asteroid - his research in antimatter will probably win him a Nobel Prize if there's ever another Nobel Prize awarded. But the trouble is, even though NASA asked for his help, no one there will listen to him.
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An Absolute gem of an audiobook. Well worth buying
- By Amiesbookreviews on 03-30-17
By: Katie Kennedy
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Kiss Her Goodbye
- A Fourth Dimension Thriller
- By: Robert Gregory Browne
- Narrated by: Scott Brick
- Length: 10 hrs and 27 mins
- Unabridged
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All ATF Agent Jack Donovan wants out of life is to do his job and work on his strained relationship with his daughter Jessie after a nasty divorce. But in a ruthless act of revenge by a charismatic madman, Jessie is kidnapped and buried alive, with barely enough oxygen to sustain her. Now the only man who can save her, the only man who knows where to find her, has just been shot dead - and the clock is ticking... So what's a father to do?
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Super supernatural thriller
- By shelley on 02-02-14
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The Drowning Game
- A Novel
- By: LS Hawker
- Narrated by: Amanda Dolan, Paul Woodson
- Length: 9 hrs and 55 mins
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Overall
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Performance
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They said she was armed. They said she was dangerous. They were right. Petty Moshen spent 18 years of her life as a prisoner in her own home, training with military precision for everything, ready for anything. She can disarm, dismember, and kill - and now, for the first time ever, she is free.
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Gripping Thriller!
- By NH on 08-05-16
By: LS Hawker
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John Dies at the End
- By: David Wong
- Narrated by: Stephen R. Thorne
- Length: 14 hrs and 17 mins
- Unabridged
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STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why?
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Vulgar Funny. 4.95 Sale Win.
- By C Yohe on 11-19-12
By: David Wong
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Au Revoir, Crazy European Chick
- By: Joe Schreiber
- Narrated by: Steven Boyer
- Length: 5 hrs and 4 mins
- Unabridged
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New York Times best-selling author Joe Schreiber pens a funny, action-packed novel that is equal parts Ferris Bueller’s Day Off and La Femme Nikita. It’s prom night, and Perry is looking forward to playing a gig with his band in New York City. But when his mother makes him take their quiet and geeky Lithuanian exchange student to the dance, he finds himself on a reckless ride through Manhattan—in his dad’s red Jaguar—with a trained assassin.
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A teen novel for older teens (58 in this case)
- By Milo on 08-13-12
By: Joe Schreiber
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The Boy in the Suitcase
- A Nina Borg Mystery
- By: Lene Kaaberbøl - author/translator, Agnete Friis
- Narrated by: Katherine Kellgren
- Length: 8 hrs and 40 mins
- Unabridged
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Overall
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Story
Nina Borg, a Red Cross nurse, wife, and mother of two, is trying to live a quiet life. The last thing her husband wants is for her to go running off on another dangerous mission to help illegal refugees. But when Nina's estranged friend, Karin, leaves her a key to a public locker in the Copenhagen train station, and begs her to take care of its contents, Nina gets suckered into her most dangerous case yet.
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Not recommended
- By Sarah C on 06-18-12
By: Lene Kaaberbøl - author/translator, and others
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Past Crimes
- A Van Shaw Novel
- By: Glen Erik Hamilton
- Narrated by: Jeff Harding
- Length: 10 hrs and 42 mins
- Unabridged
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Overall
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Performance
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Story
From the time he was six years old, Van Shaw was raised by his Irish immigrant grandfather, Donovan, to be a thief - to boost cars, beat security alarms, crack safes, and burglarize businesses. But at 18 Dono's namesake and protégé suddenly broke all ties to that life and the people in it. Van escaped into the military, serving as an elite army ranger in Iraq and Afghanistan. Now, after ten years of silence, Dono has asked his grandson to come home to Seattle.
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15 Stars! Okay?
- By Ted on 03-06-16
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A Nail Through The Heart
- A Poke Rafferty Thriller
- By: Timothy Hallinan
- Narrated by: Victor Bevine
- Length: 10 hrs and 49 mins
- Unabridged
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Overall
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Performance
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Story
Poke Rafferty was writing offbeat travel guides for the young and terminally bored when Bangkok stole his heart. Now the American expat is assembling a new family with Rose, the former go-go dancer he wants to marry, and Miaow, the tiny, streetwise urchin he wants to adopt. But trouble in the guise of good intentions comes calling just when everything is beginning to work out.
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Ever been to Bangkok?
- By Richard Delman on 12-11-11
By: Timothy Hallinan
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The Right Side
- By: Spencer Quinn
- Narrated by: Susan Bennett
- Length: 11 hrs and 8 mins
- Unabridged
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Overall
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Performance
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Story
LeAnne Hogan went to Afghanistan as a rising star in the military and came back a much lesser person, mentally and physically. Now missing an eye and with half her face badly scarred, she can barely remember the disastrous desert operation that almost killed her. She is confused, angry, and suspects the fault is hers, even though nobody will come out and say it. Shattered by one last blow - the sudden death of her hospital roommate, Marci - LeAnne finds herself on a fateful drive across the country, reflecting on her past and seeing no future.
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Congratulations to Spencer Quinn
- By cherry patrick jamison on 07-14-17
By: Spencer Quinn
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The Talisman
- By: Stephen King, Peter Straub
- Narrated by: Frank Muller
- Length: 28 hrs
- Unabridged
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Overall
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Performance
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Story
On a brisk autumn day, a 13-year-old boy stands on the shores of the gray Atlantic, near a silent amusement park and a fading ocean resort called the Alhambra. The past has driven Jack Sawyer here: His father is gone, his mother is dying, and the world no longer makes sense. But for Jack everything is about to change. For he has been chosen to make a journey back across America - and into another realm. One of the most influential and heralded works of fantasy ever written, The Talisman is an extraordinary novel of loyalty, awakening, terror, and mystery.
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Still Good
- By Bill S. on 03-24-10
By: Stephen King, and others
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Metzger's Dog
- A Novel
- By: Thomas Perry
- Narrated by: Michael Kramer
- Length: 8 hrs and 3 mins
- Unabridged
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Overall
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Performance
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Story
When Leroy "Chinese" Gordon breaks into a professor's lab at the University of Los Angeles, he's after some pharmaceutical cocaine, worth plenty of money. Instead, he finds the papers the professor has compiled for the CIA, which include a blueprint for throwing a large city into chaos. But how is the CIA to be persuaded to pay a suitable ransom, unless of course someone actually uses the plan to throw a large city into chaos - Los Angeles, for instance?
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Messrs. Perry and Kramer should get six stars.
- By Richard Delman on 03-22-12
By: Thomas Perry
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Borders of the Heart
- By: Chris Fabry
- Narrated by: Chris Fabry
- Length: 9 hrs and 28 mins
- Unabridged
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Overall
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Performance
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Story
J. D. Jessup finds his line in the desert near Tucson, as far from his home as the moon. He’s traded his guitar and the songs in his head for the daily grind of an organic farm - a mind-numbing existence that dulls the pain of his memories. His boss has one rule: if J. D. sees an illegal, call Border Patrol. But when an early morning ride along the fence line leads him to Maria, a beautiful young woman near death, J. D.’s heart pushes him toward another choice.
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Good Christian Fiction
- By Kathleen Yamauchi on 05-06-15
By: Chris Fabry
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When the obituary of legendary computer game architect Matthew Sobol appears online, a previously dormant daemon activates, initiating a chain of events that begins to unravel our interconnected world. This daemon reads news headlines, recruits human followers, and orders assassinations. With Sobol’s secrets buried with him, and as new layers of his daemon are unleashed, it’s up to Detective Peter Sebeck to stop a self-replicating virtual killer before it achieves its ultimate purpose - one that goes far beyond anything Sebeck could have imagined.
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At first, it looks like a disease. An epidemic that spreads through no known means, driving its victims mad with memories of a life they never lived. But the force that’s sweeping the world is no pathogen. It’s just the first shock wave, unleashed by a stunning discovery - and what’s in jeopardy is not our minds but the very fabric of time itself. In New York City, Detective Barry Sutton is closing in on the truth - and in a remote laboratory, neuroscientist Helena Smith is unaware that she alone holds the key to this mystery...and the tools for fighting back.
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What listeners say about Lexicon
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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- Tango
- 06-22-13
Fasten your seat belt...
You are in for a wild ride with this near future science fiction thriller. One thing that defines this novel is movement and the pace in Lexicon is always brisk. The novel shifts quickly between time periods, locations, and points of view with many twists in the road. That almost breathless pace is a double-edged sword. It makes for a story that is exciting and there is never a dull moment. But the pace doesn't allow for the science fiction side of the tale to develop as much as I would have liked to see. The premise of using words as psychological triggers to control others has been used before, but Max Barry does have some nice new twists on the idea like the hypothesis that there might be a "machine language" for human beings - a base language that every brain uses to communicate internally and would therefore respond to if you could find those "bare words". But Barry doesn't ever quite slow the pace enough to really develop the concepts; just as one of these ideas starts to flower, we cut to an action sequence. So the sci-fi aspect of the story is relegated to mostly a plot device.
Most of the shifts between point of view were nicely done, but the plot does not unfold totally linearly and I found the shifts in time a bit confusing. In addition, there are some gaps in the plot (like a guy who can't be compromised until he is and you don't really know why) - some things don't quite jibe, but I have to admit those things didn't really hit me until after I finished the book and thought about it because while listening I was so caught up in the story.
Heather Corrigan and Zach Appelman were both good narrators on the whole. My only criticism of the performances being that neither of them did a good Australian accent. I also want to note for anyone else this may happen to - when I bought this audio book, it showed up in My Library with Part 1 and Part 2 in reverse order of the way every other book has shown up. Part 2 was first under the title and then Part 1. So, I accidentally downloaded Part 2 first and had a little bit of the middle of the book's "secrets" spoiled for me before I figured out what happened.
This is a "page turner" kind of book (a great one if you are looking for something to keep you alert on a long drive) with some good characters, action oriented plot with some cool twists, interesting settings, and competent narrators. Not classic science fiction, but a very entertaining listen.
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- mindusq
- 07-06-13
Super, creepy fun
I stopped listening only long enough to run to the Ace hardware store where they wouldn't let me have a discount unless I gave them my phone number. Gave my work phone number and voilà, all my personal details showed up on the screen. This story hits so close to home that I want to pull down the shades, throw my cell phone away, get off of the Facebooks, store up enough water and vittles, grab a shovel and get off the grid. Today.
Highly recommend this intriguing, modern story about how They control us. Also curious what "type" I am (both a cat *and* a dog person).....
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- Brian PDX
- 06-22-13
Mind Blowing Plot-Excellent Narration
Having never really paid a lot of attention to the insidious ways information is collected on me-(I even volunteer to participate in studies for which I am rewarded with $25.00 gift cards for Target)-I at first thought this novel was a conspiracy theorists kind of thing. Plus this is my first Max Barry Novel, I wasn't prepared for all the ideas that the story brought to my attention. Even our reviews here can become part of data gathering, all our online purchases are recorded, our purchases via credit card, store "Loyal Customer" input is collected volunteered by us to get minor discounts on purchases.
Other reviewers have already detailed the story arc so I won't repeat it here...I just suggest that even readers who aren't interested in the conspiracy theorists ideas listen to this book...and I suspect it translates better in the audio form than in the paper.
I found the audiobook enlightening, sort of scary, relevant and entertaining. Heather Corrigan and Zach Appelman are excellent narrators and the story is one that responds well to having 2 different narrators....Basically Corrigan is Emily and Appelman is most of the male voices. He brings off Harrys Aussie accent ok and it's pretty easy to figure out who is talking in 1st person from the sound of Appelmans voice. Corrigan is a popular narrator for a reason---she brings so much to the person she's being in any audiobook I've heard her narrate.
As a primary protagonist, Emily isn't always someone you'd identify with-even as a homeless 16 year old hustler. She grew on me.
The story has an unexpected ending - I wasn't at all prepared for it. It's tempting to go into more detail, but I just can't do it without spoiling so I'll just leave my review here.
Worth a credit? You bet. One of the best I've heard on Audible by far.
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- Lynne
- 08-26-14
Linguistic Impossibilities...or Not?
This book attracted me because of my linguistics background. You have to read the book to "get" the title, but it doesn't require an understanding of linguistics nor even of the word "lexicon" to understand the plot.
I wanted to see what Barry would do with the language. The answer is "nothing much." It's just background for yet another world-domination-by-elitist-group-gone-rogue story and is overall rather predictable. I don't want to spoil the ending, but let me just say that it left me yawning. That's not to say that I didn't listen avidly to the whole thing--after all, Barry has a way of keeping you plugged in with his twists and turns of the story. The problem, though, is that in this book, the twists and turns are unexpected mainly because they are improbable.
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- Brett
- 07-16-15
Are you a dog person or a cat person?
Human kind is divided into personality types and each personality type responds to certain key words. Once a person knows your personality type (e.g., by asking you questions like, "are you a dog person or a cat person") they can open your mind with the proper words. These words are ancient and have been wielded throughout history. A small secret society of "poets" know these words and seem to spend a lot of time in word-education and word-research when not trying to rule the world.
I won't go into the details because they are surprisingly complicated. Rather, I will tell you what I liked and didn't like about this novel.
First what I didn't like. To accept the story, you must buy into a premise. A few times, I felt the author changed the rules of the premise, or revealed new rules about the premise to fit the plot. Next, I felt that the story jumped around in time, while also jumping around in perspective. This style lead to many cliff hangers and kept action very lively but was a little confusing and gave the story a disjointed feel.
Now what I liked. I felt that the author did an excellent job creating a world around this word-triggered-mind-control premise. The world felt real. It had a history. It operated in and around the regular world but in a secret way. This was compelling.
Creating believable world where "magic" words can control humans was ambitious, but I feel that the author pulls it off without becoming a joke and without becoming a book about wizards. Lexicon was original and entertaining.
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- H Walker
- 06-19-13
Where is the glamour of grammar?!
What would have made Lexicon better?
Sadly, for a book about wordsmithing, the author could not choose a word other than "F*ck" 50 times in the first 3 chapters. like listening to a 15 yr old curse because they think it is cool.
So much for this being his "most mature" writing.
Would you ever listen to anything by Max Barry again?
Nope
How could the performance have been better?
if they had better material to read.
You didn’t love this book... but did it have any redeeming qualities?
great premise.
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- Mike
- 09-08-14
Innovative, clever, exciting, violent, SF
Max Barry is now one of my "I think I'll read everything he's written" authors.
I've been reading science fiction for decades, so I know how rare it is to come across a book like "Lexicon" which has not just a new ideas, but a clever, well-thought through plot, written by someone who is skilled at dialogue, characterisation and action scenes and who can unfold the story in a way that engages the reader's intellect and emotions.
The basic premise of "Lexicon" is that words have the power to control how we think and behave and that this power can be shaped into a weapon by those with the right skills.
The characters constantly explain how influence and manipulation work: get someone to pay attention to the wrong thing, play on their emotions to shape their perception of good and evil, understand their personality and then pry their psyche apart. Despite this, it took me several chapters to realize that Max Barry had been manipulating me from the first page onwards.He did it by controlling the order in which I received information, who I received it from and the emotional terms used to convey it. At least twice in the novel I had to reset what I thought I knew to be true. Barry didn't cheat. All the information correctly to understand what is going on is there but my own assumptions make me see one thing and read another.
A book that is about weaponising words is likely to appeal to those of us with a recreational addiction to fiction. We KNOW words have power, so we are ripe for the ideas in this novel. If, like me, you've been trained in NLP (Neuro Linguistic Programming), public speaking, influencing skills, psychometric assessment and you read tarot cards and palms as a party trick, then the early parts of this book are frighteningly familiar. The book takes what I know I can do and then asks me to imagine what a motivated person, with REAL talent, no social ties, no inhibitions and the support of an organization with generations of research at their disposal, could achieve.
"Lexicon" is filled with coercion, violence and killing from the first page. Max Barry doesn't pull his punches but he doesn't turn the violence into pornography either. He makes it too real and too repulsive for that.
His main evil-incarnate character is suitably chilling but I could write that off as stereo-type. Elliot and Emily I got to know and like and care about, so what they did, to others, to each other and to themselves had much more impact.
My only niggle with the book is the last chapter. It's not where I would have gone with this. It felt like the kind of thing Hollywood might have changed in the movie version to ensure they stayed firmly in the summer blockbuster segment. But then, I'd never have thought up something as clever and powerful as "Lexicon" in the first place, so I'll go with Barry's judgement.
I listened to "Lexicon" as an audiobook, which, I think, made the book even more exciting. Zach Appleman did a splendid job as the rugged, world-weary, Elliot. His American accents are perfect and he at least managed to sound like he'd been to Australia. Heather Corrigan was marvellous at evoking Emily's vulnerability and her strength but her attempts at Australian accents ranged from unconvincing to inappropriately hilarious. Nevertheless, both narrators kept me listening, often on the edge of my seat.
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- A reader
- 08-05-13
Terrific SF thriller, with more below the surface
Max Barry writes a very unusual type of science fiction: they appear to be, from blurbs and a plot summary, thrillers set in the world of today, with a SF twist, along with a bit of farce and horror. This isn't wrong, of course, but it misses part of what makes the author so interesting. Barry somehow manages to combine propulsive plots with science fiction tropes in a way that is both really fun, but also offers insightful commentary on contemporary social issues. Jennifer Government pushed past the standard cyberpunk to satirize globalization and libertarianism, The Company goes beyond an Office Space-style parody of big business in interesting ways, and so on. I liked these, but I think Lexicon is his best book.
In this case, the less revealed about the actual plot, the better (though Google "Langford's Parrot" to get in the properly paranoid mood). However, the twists on the power of language are interesting, both for plotting and in thinking about our world in a time of Big Data, online personalization, and targeted advertising. It is hard to not come away from the book without thinking more about how language causes individuals to take action. The book also manages to throw in a bit of Harry Potter (if the Muggles were treated by Wizards in the way that you would expect) and a new take on the zombie apocalypse for good measure.
I loved the reading, though, even as a non-Australian, I could tell that the female narrator was having some issues with the accent, though these didn't bother me. Ultimately, I found myself coming up with reasons to listen, since it was that compelling. I would definitely recommend this, especially to those who like near future and thoughtful science fiction (Charlie Stross, Neal Stephenson).
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- Freeman
- 04-19-14
this book really hooks you and then ...
... and then it seems the editor took a break halfway through. i really liked the ideas in this book and it had some very creative ideas, but then it becomes hard to follow because it jumps around a bit too much. this made the book lose some of its steam. still, it's definitely worth a listen despite this.
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- cristina
- 09-17-13
Sorry to disagree with the five-star reviewers
The premise was excellent. The writing simply didn't live up to it.
The parts where the protagonist is young and "innocent" are way too simplistic. The effort to build suspense is too painstaking and heavy handed. The language that the author creates to show the power of words is almost ridiculous. Most of the characters are one-dimensional, even the ones who supposedly 'change' do so in very predictable ways.
Maybe this is a novel for teens and I missed that. It was certainly not for me. I could not make myself finish it.
The male narrator is not bad. The female narrator is grating.
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