Now a Major Motion Picture
With the publication of his groundbreaking novels The Da Vinci Code, The Lost Symbol, and Angels & Demons, Dan Brown has become an international best-selling sensation, seamlessly fusing codes, symbols, art, and history into riveting thrillers that have captivated hundreds of millions of fans around the world. Now Dan Brown takes listeners deep into the heart of Italy, guiding them through a landscape that inspired one of history's most ominous literary classics.
"The darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis."
Harvard professor of symbology Robert Langdon awakens in a hospital in the middle of the night. Disoriented and suffering from a head wound, he recalls nothing of the last 36 hours, including how he got there...or the origin of the macabre object that his doctors discover hidden in his belongings.
Langdon's world soon erupts into chaos, and he finds himself on the run in Florence with a stoic young woman, Sienna Brooks, whose clever maneuvering saves his life. Langdon quickly realizes that he is in possession of a series of disturbing codes created by a brilliant scientist - a genius whose obsession with the end of the world is matched only by his passion for one of the most influential masterpieces ever written: Dante Alighieri's dark epic poem The Inferno.
Racing through such timeless locations as the Palazzo Vecchio, the Boboli Gardens, and the Duomo, Langdon and Brooks discover a network of hidden passageways and ancient secrets as well as a terrifying new scientific paradigm that will be used either to vastly improve the quality of life on earth...or to devastate it.
In his most riveting and thought-provoking novel to date, Dan Brown has raised the bar yet again. Inferno is a sumptuously entertaining listen - a novel that will captivate listeners with the beauty of classical Italian art, history, and literature while also posing provocative questions about the role of cutting-edge science in our future.
©2013 Dan Brown (P)2013 Random House Audio
It is a story that flows, but is so compact in time scale that the locations descriptions make the time scale irrelevant.
The twist, not quit at the end.
Not that I know of, but his interspersing voices make character identifiable.
Brown has a tendency, followed here, to take some of the impractical or impossible and turn it into a plot device. Here is is the juxtaposition of the primary operating agencies, and the lack of accountability that both have, right until the end. Relying on his "plague" here is almost identicle to his use of the free fall to the fountain in "Angels ..."Langdon as a character continues to grow, but is starting to get lost in his own thoughts and idiosyncrasies through the novel.
before I finished the first "book". I thouroughly enjoyed Dan Brown's previous three novels, and had trouble putting them down. This story is not based on history, with the exception references to objects and cities that exist. Too much of a reality stretch for me, and I found the narrator's female characterizations a turn off. Different strokes, so while I was disappointed, another listener could find it enjoyable; I simply did not.
I listened to almost all of the first half and had to stop. No drama. No tension. No character development. And so much detail about the buildings and paintings and hallways and floors and doorways in Florence.......you get the picture.
Worst of all I loved all of Dan Brown's other books, especially the last few. I was really looking forward to something great.
I was a fan of Dan Brown's before the Da Vinci Code took off and catapulted him to the literary stratosphere. Brown is an intelligent writer who is a master of intricate plot development. Inferno is perhaps his best novel yet.
The action takes place over a very short period of time and starts with Robert Langdon (Harvard symbologist and art history professor) waking up with amnesia in an Italian hospital and narrowly escaping an attempt on his life. Langdon soon finds himself fleeing with Dr. Sienna Brooks as he tries to unravel the mystery of why he is being chased, why he has retrograde amnesia, and why he is having visions of Dante's Inferno.
The people chasing Langdon are members of the shadowy Consortium, and it takes a while to determine why they are chasing him and what it is they are looking for.
Nothing is what it seems in Inferno and no one is what s/he seems.
One of the many joys of Dan Brown's works is his meticulous attention to detail and the wealth of knowledge he imparts about a subject area. His ability to bring Washington DC alive is paralleled in Inferno with all the information about Florence, and to a lesser degree, Venice. Brown's knowledge of Dante and all the art inspired by Dante's works is similarly encyclopedic, but he never conveys the information in a pedantic way. It took me about 4 hours of listening before I realized that the portrait on the book cover is Dante himself.
Brown makes the reader (or listener) want to go out and explore in depth the things he's describing.
All of that is background to a taut thrilling story. The twists and turns in Inferno are incredible, and the reader / listener is often surprised by what is really going on. This is a many-layered masterpiece and has none of the preachiness of some of the earlier Langdon novels.
This is a well-crafted thriller with vaguely apocalyptic overtones. Langdon still comes across as a bit of a superhero, but the other characters are painted in shades of grey and are more multi-dimensional than in previous Brown novels.
Brown's philosophical musing in Inferno revolves around overpopulation and its effect on humanity. However, it's not heavy-handed.
I'd describe this as a literary thriller. It's a great blend of art, literature and a cracking adventure / mystery story. Hopefully this will win Brown back some of his earlier fans.
Paul Michael does an exceptional job narrating the story again.
Great story; great narration. Two thumbs up.
Life is too short to waste on bad authors.
After the Lost Symbol, I was hesitant to read another one of Brown's books but I thought since there was a large gap of time between Symbol and this one, I decided that maybe I'd give it a shot.
Nope. Brown's writing falls flat for me; sad to say. I just could not get into it.
I don't know but Paul Michael was okay.
I enjoyed this book. Easy to listen to and I really enjoy the tour guide through famous cities. I felt it was very similar to the DaVinci Code in style. Take the DaVinci Code, plop it into a different city with a different book other than the bible and you have this book. So it follows the same formula. However, it is highly enjoyable and a fast ride. I can see tour guides in a few more cities setting up tours based on this book!
Narration was great...will probably listen to this again with the hubby on a road trip.
Brown sticks to his formula - Langdon is running from diverse and dangerous adversaries in order to save the world from a pending disaster. A young, highly intelligent woman falls for him .... but of course. There are a few twists and turns, you can see them coming. Think this might be my last Dan Brown buy.
I love a good story. Audible allows me to be outside, hiking and walking and keeping up on great literature.
Not at this point. I enjoyed The DaVinci Code, but slogged through the Lost Symbol, and was dumb enough to try this one. If you've read one, you've read them all. He has relied too heavily on the success of one book to generate others, and it has become trite.
Pretty much as I said above, it's the same story over and over, and the writing is too predictable. Given the potential, I was hoping for more.
He was bland.
I couldn't get all the way through the book, it was too predictable and disappointing.
Avatar by The Domestic Goddess at allavatars
The Dan Brown enjoyment factor is in the not-so-subtle guide book quality. Seriously, I need to hit Istanbul and the JFK mile... He manages enough hard and good science to make it intriguing, plenty of excitement with the necessary twists and turns. A bit on the too convenient side in places within this plot, but not every work can be hit out of the park.
I've read and/or heard them and enjoyed them all.
I'm becoming a fan of the duo of voices in audiobooks and the background side effects. It is a bit difficult to continue to hear female voices torn to pieces by a male reader. They frequently manage one voice fine, two sometimes, and three or more? Not so much. They fall back on stereotypes...
That said, you'll note that the performance brought the book's total rating up to a four star, whereas I only gave the book itself a three star.
Parts simply dragged along with too much exposition and not enough dialog. Also the 'convenience' factor was a bit too heavy.
Audible has changed my life! Dry , itchy eyes were destroying one of my greatest pleasures - reading. Now I am experiencing books again!
but, what the "Hell", it's Dan Brown!
How to relate a literary classic about sin to the problem of population control? Ignore the fact that there is no real connection, supply non-stop action, and manipulate your readers til their minds boggle! That's the Dan Brown way, and he has returned more or less to form in "Inferno".
It's been pointed out by many (including me) that this author is not a stellar writer, improbabilities-to-impossibilities abound in all his books, and he pulls all kinds of unfair tricks on the reader. But here's a guy who knows how find an intriguing premise, then how to grab and hold your attention throughout a longish book.
If you like Brown in top form (as in "DaVinci Code" and "Angels and Demons"), then you will almost certainly like "Inferno". At times infuriating, this is still a fun and diverting ride! And Paul Michael delivers it with authority and enthusiasm.
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