Now a Major Motion Picture
With the publication of his groundbreaking novels The Da Vinci Code, The Lost Symbol, and Angels & Demons, Dan Brown has become an international best-selling sensation, seamlessly fusing codes, symbols, art, and history into riveting thrillers that have captivated hundreds of millions of fans around the world. Now Dan Brown takes listeners deep into the heart of Italy, guiding them through a landscape that inspired one of history's most ominous literary classics.
"The darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis."
Harvard professor of symbology Robert Langdon awakens in a hospital in the middle of the night. Disoriented and suffering from a head wound, he recalls nothing of the last 36 hours, including how he got there...or the origin of the macabre object that his doctors discover hidden in his belongings.
Langdon's world soon erupts into chaos, and he finds himself on the run in Florence with a stoic young woman, Sienna Brooks, whose clever maneuvering saves his life. Langdon quickly realizes that he is in possession of a series of disturbing codes created by a brilliant scientist - a genius whose obsession with the end of the world is matched only by his passion for one of the most influential masterpieces ever written: Dante Alighieri's dark epic poem The Inferno.
Racing through such timeless locations as the Palazzo Vecchio, the Boboli Gardens, and the Duomo, Langdon and Brooks discover a network of hidden passageways and ancient secrets as well as a terrifying new scientific paradigm that will be used either to vastly improve the quality of life on earth...or to devastate it.
In his most riveting and thought-provoking novel to date, Dan Brown has raised the bar yet again. Inferno is a sumptuously entertaining listen - a novel that will captivate listeners with the beauty of classical Italian art, history, and literature while also posing provocative questions about the role of cutting-edge science in our future.
©2013 Dan Brown (P)2013 Random House Audio
Da Vinci Code was fun. This isn't.
No. He seems to be a one-hit wonder. And he writes very badly.
That it kept me guessing, I didn't figure everything out right away.
I think Bertrand Zobrist, because he was so complex
His voices and accents were good.
Avid audible listener for over 10 years.
I agree with many of the other reviews. Mr Brown has gone to the well once to many times with this theme. Although set in different places than last books (Florence vs. Rome) other than the travel guide aspects to this book, it was the same old same old. Hidden meanings in paintings, clues that only the Professor can decipher. We have been here before.
One eye opening aspect about the book is the central theme of overpopulation. The description of what the world is heading for is depressingly quite accurate and one of the reasons you want to put the book down. On the positive side, the book is really fast paced so moves right along and keep you engaged. It's just that you get a deja Vu feeling to the whole thing. As long as Dan Brown's books make the best seller list, however, the more we can expect the same.
I have read all of Dan Brown's Robert Langdon series. This book did not get my emotional involvement as much as his other books.
I felt like they were playing the game "Where in the world is Carmen San Diego". Lots of art facts and locations which I love. But, overall this book was not that great in light of better books available
NOTE: If you have not read his earlier books of the series, read them first. They are much better.
I write for myself, for my own pleasure. And I want to be left alone to do it. - Salinger ^(;,;)^
I'm not sure why I volunteered to jump into another D@mned Dan Brown novel. What Circle of Dante's Inferno was designed for a cynical, but weak reader who keeps returning to those crappy, popular authors (D@mn Brown Brown, Orson Scott Card, Tom Clancy) of their youth hoping to drink from the waters of Bimini? What circle do you consign the novel's author?
1. Limbo? Look, the novel isn't THAT horrible. D@mned Dan Brown can be tolerably entertaining if you SIMPLY ignore his actual writing. He IS (as everyone keeps telling me) the master of page-turning historical mysteries, but I'm just not sure if that says MORE about page-turning historical mysteries, Damned Dan Brown, or us as readers.
2. Lust? To be fair, while I despise D@mned Dan Brown's actual words, his style, and his in-artful language -- his plotting does somehow turn me on (occasionally) as a reader. While I am now convinced he hit his low-brow/high water mark with The Da Vinci Code (Yes, it's all down hill from Leonardo D@mned Dan Brown), this novel is slightly better than the The Lost Symbol so --- I can't absolutely pan it (thus 2 stars).
3. Gluttony? This is the most likely circle 'Inferno' belongs to. I think D@mned Dan Brown's major issue is his self-indulgence. DDB's style is inflated, but doesn't actually inform. His metaphors are swollen. His descriptions are possessed of a majority gristle with very little actual literary meat. Half of the book reminds me of some obscure teenager's fan fiction site cribbing a Lonely Planet Publication's guide to write about Florence, Venice, and Istanbul.
4. Greed? It is obvious why D@mned Dan Brown writes this way... because we (myself included) still buy it. It reminds me of why I hate it when directors in Hollywood become successful. They stop being interesting and instead become hacks. The reading public, much like the movie going public, demands mediocrity if the writer/director is going to be successful. Real art is not usually bought, real literature is most often ignored (I know that is a cliche, but it IS true). The amazing thing is that DDB started (in the beginning) as a hack and has just perfected hackery to a point where he will certainly be able to print money in 20 years by just publishing an Italian phone book.
5. Anger? No, not really. It is more like regret. If I am angry (Notice how I shifted from the circles being about DDB to the circles being about me? If you aren't comfortable with those kind of style abortions/grammar shifts, you should probably not read D@mned Dan Brown) it is an anger of what now passes as novel entertainment.
6. Heresy? No, D@mned Dan Brown definitely doesn't belong here. This is certainly a circle the Catholic church would have like to place him for The Da Vinci Code but 'Inferno' is mainly heretical to scholars of Dante, lonely Transhumanists, and perhaps the odd weekend, Malthusian alarmist.
7. Violence? Again, because D@mned Dan Brown is aiming for the center-mass of the pulp, paperback purchasing world, he isn't going to make his novel THAT graphic (plus DDB doesn't have the Cormac McCarthy writing chops to paste together a single sentence that would actually scare the beJesus out of anyone). He made 'Inferno' grim in parts, he made it painful to read cover-to-cover, but violent? Meh.
8. Fraud? 'Inferno' is simple and obvious rip-off of every dystopian SF novel about eugenics + a whole shelf of discount guide books + cheap James Bond knockoffs + a little bit of the 'Girl with the Dragon Tattoo'. But, since all writing is a crib, a rip-off, I can't really condemn D@mned Dan Brown to Hell, at least to this circle for doing what everyone does, but he just does poorly. If DDB is condemned to the 8th circle it will be more for The Da Vinci Code, which I believe is a boring, watered-down and mediocre version of Foucault's Pendulum.
9. Treachery? The further down into Hell you go, the more you realize it actually takes a lot of work to earn a place at these lower levels. That alone would discount D@mned Dan Brown. It would also probably discount my review, since I just couldn't bring myself to spend an inordinate amount of time reviewing a book I wasn't all that impressed by.
If DB's first two novels seemed similar, but had an engaging variation in their background research, this one manages to copy the formula, without enough historic research to compensate for the terrible re-use of plot.
Does a main character, whisked away to help solve a potentially world-rocking crisis, paired with a single, attractive, unavailable, and surprisingly key player in the drama, with lots of running from historic location to historic location sound familiar?
The core story of this third iteration has enough content to fill a very short novella. The number of times the same information is repeated by different characters to stretch the story, or the poorly built suspense that is limply carried long after the surprise is obvious, makes for tedious listening, despite the skilled reader.
If you're a one trick pony, phoning it in seems doubly unfair to the audience.
I focus on fiction, sci-fi, fantasy, science, history, politics and read a lot. I try to review everything I read.
I liked this more than Angles and Demons but less than The Da Vinci Code. This has some familiar patterns but his is no more formulaic than most mystery writers and is more stimulating than most. There are some pretty far fetched story elements which I found weakened this story. The characters are all pretty enjoyable, but there was less deep development than The Da Vinci Code. I enjoyed the art and literary history and the story was fast moving and exciting with some unexpected twists. This is not a great book, but it was definitely worth the time. The narration was excellent.
there are more "ah ha" moments in this book than chapters, and it gets to be annoying and predictable. The end is just the beginning of something new, with pretty much no resolution. can't believe I expected something different from Dan Brown than another 48 hr story where you're lead to believe a catastrophe is going to happen only to end up being nothing.
This is another DaVinci Code - a completely believable, history infused, unpredictable, exciting story of Robert Langdon saving the world.
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