©1975 by Dick Frances; (P)1995 by Blackstone Audiobooks
"[Francis] has the uncanny ability to turn out simply plotted yet charmingly addictive mysteries." (The Wall Street Journal)
I am convinced Dick Francis cannot write a poor book. Each of his tomes are works of art-somehow getting your blood boiling in the first chapter until the pain is exquisite as the ending slowly , teasingly begins to unfold. The real mystery is how he does this without repeating characters or plots or points of view- it seems each book has a freshness to it-an emphasised emotion, a clever paradox, a turn of events that make it unexpected yet somehow believable. High Stakes keeps you rooting for the hero all the way and nervous as a fresh colt looking at his first gate.
I have read and/or heard all of Dick Francis' books and have enjoyed all of them. That?s my story and I?m sticking to it.
Francis' books are thematic, although each book (save one) has a different -- always male -- protagonist. Like most good 'thematic' writers, one can pick up any Francis book and thoroughly enjoy it. However, if one reads his books more-or-less in sequence, you see an interesting progression of writing style, broadening horizons, and more diversity of plot lines.
Francis' first career was as a championship English jockey. His first books were steeped in the English racing scene as intimately experienced by jockeys, trainers, owners, and other insiders. An integral element in each book is an episode where the bad guy(s) do something horrid to the hero - frequently involving his being confined in some manner (e.g., tied to a remotely located tree while naked, rendered unconscious in the stall of a high-spirited racing stallion), being assaulted, or put in peril of experiencing a ghastly incident rife with danger of serious injury or death.
During the incident or afterwards, his protagonists all have the ability to ?think through? a situation, eventually coming up with the identity of the bad guy(s), their motive, and - most deliciously - a way to structure a revenge scenario that often turns the tables on the villains, and - if needed - achieves restitution (or rehabilitation) for those who were harmed during the preceding chapters.
Francis? later books concentrate less on the inner-sanctum of racing - though there is always a touchstone to the sport - with his protagonists having a wide variety of careers; sometimes at the top, sometimes not. In ?High Stakes,? our hero is a successful children?s toy inventor, other hero?s careers include: photographer, movie (strike that . . . cinema) actor, expeditor, glass blowing artist, spirits store owner, travel book author, and so on.
Having said the above, know this: ?High Stakes? is a good one!
High Stakes is an excellent book. Though the context of every Dick Francis book involves horses and horse racing, this story can be found anywhere in the world in any field. A naive man trusts his employee to do right. Instead the employee uses that naivete to rob the owner blind. When the owner discovers the extensive theft, instead of being contrite, the discovered employee goes on the warpath trying to destroy the owner.
Think Lance Armstrong and his sordid tale.
Howard does an excellent job narrating this book. An excellent British voice with an enjoyable accent. Portrays the stereotypical British "stiff upper lip" that the main character exhibits. Very much enjoyed it.
Yes, Great story keeps you interested through out the plot and it is an attention grabber
Good narator speaks clearly and easy to follow.
High Stakes is another wonderful story from Dick Francis that shouldn't be missed. Geoffrey Howard does a very good job with the narration and makes the audible experience an enjoyable 5+ hours of storytelling.
I might listen to High Stakes again, but some parts of the performance are less than ideal.
No. The narrator seems unable to pair an American accent with a feminine voice. Every time the story turned to the romance his performance ruined the mood.
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