Audie Award Finalist, Mystery, 2014
"What do you think happened to your husband, Mrs. Keller?"
The Sunday morning starts like any other, aside from the slight hangover. Dani Keller wakes up on her Seattle houseboat, a headache building behind her eyes from the wine she drank at a party the night before. But on this particular Sunday morning, she's surprised to see that her husband, Ian, is not home. As the hours pass, Dani fills her day with small things. But still, Ian does not return. Irritation shifts to worry, worry slides almost imperceptibly into panic. And then, like a relentless blackness, the terrible realization hits Dani: He's gone.
As the police work methodically through all the logical explanations - he's hurt, he's run off, he's been killed - Dani searches frantically for a clue as to whether Ian is in fact dead or alive. And, slowly, she unpacks their relationship, holding each moment up to the light: from its intense, adulterous beginning, to the grandeur of their new love, to the difficulties of forever. She examines all the sins she can - and cannot - remember.
As the days pass, Dani will plumb the depths of her conscience, turning over and revealing the darkest of her secrets in order to discover the hard truth - about herself, her husband, and their lives together.
©2013 Deb Caletti (P)2013 Tantor
Dani Keller wakes up to find her husband missing... Gone. As the story unravels, Dani goes through the history of their relationship from how it began with an affair to how it is no longer a story book romance. Her telling of their past corresponds to her emotions. She is frustrated and she tells of the small frustrations, she misses him and she tells about the good parts, she becomes afraid and she tells about the larger missing pieces of their relationship and eventually she comes to accept the reality. No matter how perfect their beginning, in the end, the Keller's became just like everyone else with the same fears and fights. All relationships are basically the same when you look at them closely.
I thoroughly enjoyed this book and was gripped from the first few minutes!
I felt like I was listening to the main character tell "her story".
I was moved into near-high blood pressure from the first chapter!
This is a quiet, slow moving mystery that felt like more of a deconstruction of a marriage than a mystery. I kept waiting for a Gone Girl Twist that never happened. After Dani’s husband goes missing she goes through every minute their relationship and realizes it wasn’t the great love story she thought it was. And honestly the more she reveals about who Ian is I can’t help thinking why the hell would you want him back anyway! Plus Dani’s self-deprecation and whining got on my nerves, she wasn’t a very likable character either.
I’m not sure I liked this book, but I didn’t hate it I just didn’t feel like it was a mystery. Yes there is the mystery of what happened to Ian but that feels almost secondary to Dani going through their entire relationship with a fine toothed comb.
Cassandra Campbell’s narration was really good, she had just the right amount of emotions in her voice and when Dani is feeling overwhelmed and frantic the narration conveys this superbly. As always Cassandra’s narration is very well done.
I’m sorry but this book was forgettable and the reveal of what happened to Ian felt rushed and didn’t have any impact on me at all. I wanted to be shocked or even the least bit interested and it just didn’t happen.
2 ½ star book
4 ½ star narration
Say something about yourself!
I've listened to hundreds of audiobooks over the years, and I've enjoyed most of them--probably because I read reviews carefully, and I have a pretty clear idea of what I'm going to like. I was torn about purchasing He's Gone for a couple of reasons, including Caletti's reputation as an author of novels primarily aimed at a young adult audience and Pegeen's foregoing "chick lit" and "soap opera" comments.
Ironically, what clinched it for me was Pegeen's impassioned call for less "self-introspection." Character-driven books are the ones I most enjoy, and I consider self-reflection a positive rather than a negative. In the case of He's Gone, I couldn't disagree more regarding the chick lit and soap opera judgments; Caletti is a superb observer of human nature and behavior, and on nearly every page I encountered something that resonated for me in my own life. I am hugely impressed at how Caletti was able to capture universal (and even commonplace) thoughts and emotions in original ways. I love this book so much that I ordered a hard copy from Amazon so that I can go back and highlight particular passages for re-reading and journaling later. "Chacun à son goȗt," as the French say.
Cassandra Campbell understands Dani Keller absolutely, and her narration (which is always good) is spot on.
I loved this book. It is well written, well paced and the mystery aspect intriguing. Narration good. I highly recommend this book.
Right up there with "A Prayer for Owen Meany" and "The Prince of Tides" for depth and complexity of an intriguing plot that grabbed me right away. The skillful weaving of past and present kept me guessing (and riveted) until the end. Along with Cassandra Campbell's inspired performance, I could not stop listening until I found out what happened. Then I did it again, slower, savoring the ingenious way this story was told. Such beautiful prose...
Professional woman, reading constantly
I was a bit dubious about purchasing this book since it sounded like the story line was going to be similar to "Gone Girl". I didn't like "Gone Girl" because of all the nutsy behaviour between the husband and wife and I had a difficult time finishing that book.
However, a friend had read "He's Gone" and recommended it highly, so I took the chance. Glad I did. A fast read and entertaining. Wonderful narration as well.
reading is pure joy
less self introspection and sighing and guilt. Stop being so sorry about all the harm you keep doing and stop inspecting your sad self in excruciating detail -- change and forgive yourself and move on -- please!!! VERY good writing wasted on self indulgent self guilt ideas / philosophy drove me crazy. Soap opera -ish IMHO. .
yes -- but I did not know going in this was such a self-romance; chick lit at its worst. Not a fan of this type of story. That said -- this IS well-written.
almost all -- wanted more of a mystery or noir book.
not a mystery, the place he had gone to was obvious; if you like self examination and guilt driven relationships -- this is a well written book. maybe it is a Romance novel not a mystery? (I don't read Romance. )
I really enjoyed this book, but sometimes felt I was being condescended to. Maybe it's because this is a YA fiction writer, and she feels the need to spell it out too much. Still, the atmosphere, with its combination of frustrated, historical longing, along with an undercurrent of "better off without him" was very compelling.
I felt that some characters were well-developed, and others were left without realizing their potential. The mother is good, the best friend is a face-less nonentity, for example.
I was looking forward to this since it was supposed to be LIKE Gillian Flynn's Gone Girl. It's not. You know how Gone Girl was great to read/listen to the second time to get how awesomely screwed up those unreliable narrators are? Well, that moment of thinking "wow!.. COOOOOOooL.!" never comes with this book, it fizzles out like a lame firecracker. Don't waste the credit.
There are no listener reviews for this title yet.
Report Inappropriate Content