Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, New York Times best seller Gillian Flynn, takes that statement to its darkest place in this unpausable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work "draws you in and keeps you reading with the force of a pure but nasty addiction." Gone Girl's toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.
On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne's fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick's clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn't doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife's head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge.
Under mounting pressure from the police and the media - as well as Amy's fiercely doting parents - the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he's definitely bitter - but is he really a killer?
As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn't do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.
©2012 Gillian Flynn (P)2012 Random House Audio
"Flynn masterfully lets this tale of a marriage gone toxically wrong gradually emerge through alternating accounts by Nick and Amy, both unreliable narrators in their own ways. The reader comes to discover their layers of deceit through a process similar to that at work in the imploding relationship. Compulsively readable, creepily unforgettable, this is a must read for any fan of bad girls and good writing." (Publishers Weekly)
I'll start by saying I literally hated how often this author misused the word "literally". Add to that the fact that both protagonists (husband and wife) are ugly, hateful characters, though in different ways. Even the more benign characters, like "the girl"s parents, are willfully blind to their situation and passive aggressive in dealing with their daughter, so saying they're benign is not very high praise. I really didn't care much about what happened because I disliked the characters so much, and the best I can say is that the pathological protagonist was inventive and intelligent in creating cruel situations. I don't mean cruel in the physical sense (no scenes of torture, or anything), but in the emotional and psychological sense. Nasty. I won't bother with another of her books, but I knew that by the second time she misused "literally"
I completely trusted the reviews of a few people I follow and it paid off. I would have never looked for this book as it would never make my radar list.
This book is pretty course (meaning vulgar language and content), which I always enjoy if it represents reality and written into the story as a natural aspect of the story. In this case the author accomplished just that.
The story bounces back and forth from the perspectives of the husband and wife, respectively and follow different timelines, interestingly enough. The author pulls it off brilliantly as sometimes this can lead to confusion or a hard-to-follow story line.
In the end there are certainly a few hard-to-believe aspects of the story that could be interpreted as holes, but I simply decided to ignore and enjoy the story, and it worked.
The narrators did a great job and the production was good (as you probably know many multiple narrator efforts are butchered - but not this one).
Thinker Meets Explorer
I brought Gone Girl on a trip with me to London, and while I enjoyed the sights there, I also couldn't put this book down when I got back to my hotel each night. I didn't like the wife Amy's voice at first - she felt a little too self-absorbed and flippant - but as the mystery unfolded, I could see just why.
Like the couple at the center of this novel, you somehow get sucked into their dysfunctional marriage and cannot let go until the very (twisted) end.
This was my first time listening to Gillian Flynn, and it won't be the last--she has a fresh, eye-opening way of shedding insight into marriage and relationships. (Just listen to the "cool girl" passage--it's worth your credit alone.)
I had high hopes for this book given how highly it was rated by others. I was disappointed to find how negative and unlikable the characters were. I listen to fiction to escape and/or to learn, and I like when there is someone interesting to care about or pull for. This story felt to me like something written by a depressed writer in winter in Brooklyn - it just didn't capture my imagination or hold much heart or suspense for me.
This is one of those stories that, like most things that are bad for us, appeals to our baser instincts. Its only saving grace is the narration. Whelan and Heborne capture the paranoid delusions of the two main characters, their mean, selfish, petty, sickeningly narcissistic self-love, with amazing range and authenticity. You will get to the end and hate yourself for slogging through the mud with these two people with the hope that you will have earned or learned something of value. But in this story, no one pays the price of his or her immoral, unethical, and illegal actions. Moreover, Flynn's ending is cowardly. Along with the allegiance of her reader, she looses control of her characters. I was left begging for Nick and Amy simply to shut the hell up.
After this, a cleansing listen is in order. Perhaps Henry James.
Probably nothing by the author. I'd give the narrators a shot. They did their work well.
I know that the world is full of horrible people. I know that this book reflects that. This is just not what I enjoy, vindictive, selfish characters that never seem to have any redeeming value.
The lady cop. I can't remember her name. She's the only one who seemed likable. Margo, Nick's sister was ok, but she was snarky and mean in her own way. She was loyal, though.
I know art demands a reaction. I guess if that is what the author wants, she got it. But to go for a bad reaction just for reaction's sake seems cheap to me. I just really disliked the book. It never got better, either. I kept expecting some sort of turn that would redeem ... something. I would recommend not reading this. Some people loved it. Not me.
Just when you've settled into a fascinating story things happen that throw you--in a good way. The story lends itself to two narrators and they are first rate. Gillian Flynn is a talented "crafter" of a roller coaster tale that will hold your interest from start to finish. The Audible credit you spent on this book is well spent.
Fiction: I like Paranormal, Young Adult, Historical, Fantasy, Romance, Classics. Non-Fiction: I like Historical, Military, Memoirs.
I really wanted to give this five stars--I really did--but I wasn't happy with the way things ended and had to dock a star for that. Having said that, Gone Girl is the best book I've listened to and read in a long time. Great, great writing. This was the first Gillian Flynn book I've ever read, and she can turn a phrase like few others. And the twists and turns...my poor nerves! The narration was terrific as well. Both narrators were spot on. What an all-around great book.
One likeable character would be a great start.
Going to avoid spoilers, in case you choose to listen to this book, but my general opinion is as follows. Many people talked about the "many twists and turns," there were a few but I didn't find any that surprising, maybe I just read too many psychological thrillers but everything was pretty well laid out by the half way point, surprises over. Plus, you should always have at least one decent person in the story, even if it's an antihero that you root for despite their shortcomings, not in this one. Also, it was lengthy for the story and got boring at times. I kept waiting for things to get better, for the twists making the time worth while, for people in the book to at least get what was coming to them, but it didn't happen. I was so excited about this book after enjoying, "Dark Places," so much, but I was truly disappointed and would recommend that you skip this one entirely.
They did a great job with the characters, reading each so well. You could have known who was speaking without being told.
No, it ended so badly that I follow up would be torturous.
If you would like a great book with great characters and fantastic twists try anything by Lisa Gardner. "Love You More," was excellent.
This was a really captivating story. I didn't want to quit listening. I did however, guess the resolution but felt it ended abruptly. It was like the author thought , "well now it is tme to stop." I appears to me that maybe the author set this up for a sequel.
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