When an elderly woman is found brutally slain in her home, Chief Inspector Banks wonders if the voyeur has increased the awful intensity of his criminal activities. But whether related or not, perverse local acts and murderous ones are combining to profoundly touch Banks's suddenly vulnerable personal life, forcing a dedicated law officer to make hard choices he'd dearly hoped would never be necessary.
©2009 Peter Robinson; (P)2009 Tantor
"An extremely well-fashioned police procedural." (The New York Times Book Review)
I've read most all of Peter Robinson's books and this being the first in the series it is not his best. That being said, the real problem with ths audio book is the narration. It portrays Banks with low brow accent, unsophisticated and bumbling. Not at all giving justice to Mr. Robinson's witty character, Inspector Banks.
DCI Banks is a great character. I am always disturbed by the fact that his physical description does not at all fit the actor who portrayed him in the BBC versions, but nonetheless, he is an engaging character whose personal and inner life provide a good counterpoint to the stories of crime and detection. I found the narrator's super deep voice not the best choice for Banks, and he does not do well on reading many of the other characters, especially the female ones. I found these issues detracted from the overall impression, but still I enjoyed listening to the book.
Always on the lookout for a writer who can really grab my attention. Watched some of the DCI Banks episodes on Public Television so thought I would try one of the books. Of course it makes sense to start with the first one, even though one must also be prepared for the possibility that the writer has not quite got into his stride. Actually, while Robinson's dialog for the most part creaks and he seems to be a little overenthusiastic in describing the bits where people take their clothes off, there is no doubt he has a way with words. This comes out especially in his descriptions of the surrounding countryside, which verge on the poetic. And while the sub-plots are not sophisticated, nor are they deficient to the point of interfering with one's overall enjoyment. So that doesn't sound so bad.
Well, it is. Because the reading is frankly horrendous. It's not just that Mr. Honan has some difficulties handling the considerable number of regional accents involved, and he does have some difficulties - I don't think I heard anything that passed for genuine Yorkshire in the whole book (watch the Herriot stories on Public Television and you'll get the idea). It is the consistent over emphasis that appears to imbue every action, every event, every line of dialog, every descriptive pasage with a sense of critical importance, not unlike television news reporters who seem to think no-one will listen to them unless they shout. Now it is not clear as to whether Mr. Honan's delivery is his own idea or whether he is being directed. No matter which, it effectively destroys the story, hence my low rating. What Mr. Honan fails to appreciate, even though it is stated explicitly at least twice, is that our hero has come up to Yorkshire expecting a quiet, mondane life. The author provides a quiet small Yorkshire town with a market place and people going about their unexciting lives as a backdrop against which the unaccustomed criminal activity should stand out in sharp relief. Mr. Honan takes the entire book, no matter what is happening, like the Ride of the Valkyries. How much nuance I have lost as a result I cannot say. After a while I was punch-drunk, though I saw it through to the end. Fortunately I note that the remaining Banks books are read by James Langton and Simon Prebble. Prebble I know from the Dick Francis books and am thoroughly at home with. Langton has read around 130 books and must be doing something right. Either one will surely be a relief from Mr. Honan's non-stop histrionics.
This was my first encounter with DCI Banks from Peter Robinson. It found the plot interesting, and the movement from one set of characters to another was smooth. The performance wasn't the best I have heard, and the female characters were sometimes a bit difficult.
Overall, I would recommend this to a fan of the British contemporary crime novel.
I had already read this book some years ago, but thought I would get it on audible for the winter months - it's excellent. Peter Robinson is one good story writer! Keep 'em coming!
The very best of a very good British thriller. This first introduction was masterful and so well written.
I would not have chosen Mark Honan to narrate this story. His attempts at accents are dreadful; quite often changing the character of a character because his accents are not consistent and so confusing the listener as to who is 'talking'. Good story by Peter Robinson though.
Only my opinion..
"Really, truly awful narration"
I've no idea what the story's like - I had to abandon it because of the dreadful narration.
Comically bad - I found myself actually pulling faces and wincing as the narrator attempted another character beyond his ability.
I dont usually write reviews but I was so disappointed with this book. Ive never read this author before and dont think I will again. The story line was dull, the script was corny and the police procedure aspect very poorly researched and unbelievable. I gave up completely at the point the main character confronted a dilemma of going to his wife who'd been held and stripped by knifepoint and had killed him and he lay in the house and being called to a suspect who demanded his attendance at a hostage situation....he chose the hostage situation.....sorry but this is just ssoooooo bad
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