One summer weekend in 1949 - but not our 1949 - the well-connected "Farthing set", a group of upper-crust English families, enjoy a country retreat. Lucy is a minor daughter in one of those families; her parents were both leading figures in the group that overthrew Churchill and negotiated peace with Herr Hitler eight years before. Despite her parents' evident disapproval, Lucy is married - happily - to a London Jew. It was therefore quite a surprise to Lucy when she and her husband, David, found themselves invited to the retreat. It's even more startling when, on the retreat's first night, a major politician of the Farthing set is found gruesomely murdered, with abundant signs that the killing was ritualistic.
It quickly becomes clear to Lucy that she and David were brought to the retreat in order to pin the murder on him. Major political machinations are at stake, including an initiative in Parliament, supported by the Farthing set, to limit the right to vote to university graduates. But whoever's behind the murder, and the frame-up, didn't reckon on the principal investigator from Scotland Yard being a man with very private reasons for sympathizing with outcasts and looking beyond the obvious. As the trap slowly shuts on Lucy and David, they begin to see a way out - a way fraught with peril in a darkening world.
What if: listen to more in the Small Change trilogy.
©2006 Jo Walton (P)2011 Audible, Inc.
"If Le Carré scares you, try Jo Walton. Of course her brilliant story of a democracy selling itself out to fascism sixty years ago is just a mystery, just a thriller, just a fantasy--of course we know nothing like that could happen now. Don't we?" (Ursula K. Le Guin)
"Walton crosses genres without missing a beat with this stunningly powerful alternative history…. while the whodunit plot is compelling, it's the convincing portrait of a country's incremental slide into fascism that makes this novel a standout. Mainstream readers should be enthralled as well." (Publishers Weekly)
Mystery reader (especially series) and Austen lover
I wasn't sure about this book, not being a real fantasy fan, but it did have a mystery in it, and it was on sale. So I bought it, and am I glad I did! Jo Walton has crafted a mystery set in England in an alternate history, where a group called the "Farthing Set" deposed Churchill and negotiated a "peace with honor" with Hitler in 1941, in which Hitler stayed on the other side of the Channel and England remained "independent" by agreeing to measures which amount to a milder form of suppression of Jews and homosexuals than that in place in continental Europe.
The action takes place in 1948, when a vote of no confidence is scheduled in Parliament. At a house party at Farthing, the estate of some members of the Farthing Set, the man who is likely to be elected the next Prime Minister is murdered. Lucy, the daughter of Farthing's owners, and her husband David Kahn, a Jew, have come to the party at the insistence of Lucy's mother. It's not clear why they are invited until it becomes obvious that they were wanted there in order to pin the murder on David, the JEW.
The mystery story is quite good, but the real point of the book is the picture of an England which is sliding slowly and inexorably into Facsism through the machinations of the power elite (the Farthing Set) and the willingness of the public to believe the lies of the ruling politicians. Through the course of this book and the second book in this series, the suppression of Jews and homosexuals becomes more extreme, and many have been forced to flee or hide. And people in positions like police detectives are coerced into blaming the crimes of the powerful on the people with no power. Meanwhile, of course, Hitler is still Fuhrer of all of Europe, undesirables are still sent to work camps, and the war is still raging between Germany and Russia.
The story is greatly enhanced by the two narrators, John Keating and Bianca Amato. The book is written in chapters which alternate between the narration of Lucy Kahn and the third party narration of the investigation conducted by Inspector Carmichael of Scotland Yard, making the alternating narrators particularly appropriate. Both do a sterling job.
This is really a gripping tale, very complex and disquieting but definitely worth the money and the time to listen to it. Excellent!
Long term book junkie only recently addicted to audio books. Now my iPod and I are inseparable.
In Walton’s alternate history , 1949 sees the ruling Conservative Party dominated by the “Farthing Set”, a clique of high Tories credited with negotiating “Peace with Honour” between the Third Reich and the British Empire in response to Hess’ overture on behalf of Hitler in 1941. On the eve of an important vote in Commons, the Farthing Set is gathered at the house after which it is named, the country seat of Viscount Eversley, when Sir James Thirkie, chief negotiator of the peace, is murdered.
From this premise Walton builds a story that uses the solidly-decent meme of an English Country House murder (à la Sayers or Christie) to expose the fascist underbelly of the British Empire, built on anti-Semitism, xenophobia, misogyny, homophobia and an entrenched class system that places the powerful above the law.
Walton tells the story through the eyes of two protagonists, Lucy Eversley Kahn, daughter of Viscount Eversley and Inspector Peter Carmichael of Scotland Yard. These characters are inspired choices that humanize what might have turned into a political rant, give an insight into the choices made by “decent” people confronted with Fascism at home, and make the world that Walton has drawn, much more chilling by being much more credible.
One cannot help but like Lucy. She is the acceptable face of the English aristocracy: a kind, intelligent, self-deprecating, independent woman, who loves her father and survived the disdain verging on hatred of her mother and who has sacrificed her privileged position in society to marry and English Jew. As the story unfolds and the true nature of the evil that is behind Thirkie’s death is understand, Lucy leads us from shock through revulsion and on to pragmatic action and a search for hope.
In another world, our world perhaps, Inspector Carmichael, with his sharp mind and his need to find the truth would be righting wrongs and improving the capabilities of the Metropolitan Police. In this world, it quickly becomes clear that he is more vulnerable than powerful and that “doing the right thing” may not be a choice that is available to him.
I admire Walton’s ability to show what Fascism really does to freedom by showing the damage it does to those who our laws and our democracy ought to make safe.
I find her alternate history very credible. In my view, modern Britain was fundamentally shaped by the decision of the British people in the “Khaki Election” of 1945, the first election in ten years, held on the heels of Victory in Europe Day, to put their trust in Labour Party, rather than the Conservatives, to rebuild Britain. By imagining a Britain in which this choice was never made and where Fascism in Europe was colluded with rather than challenged and defeated, Walton reminds us that the freedoms we enjoy today were hard-won and could be easily lost.
I listened to the audio version of this book. Bianca Amato, who reads the chapters written from Lucy’s point of view, does an excellent job. Her accent is perfect as is her finely nuanced use of emotion. John Keating reads the chapters written Peter Carmichael’s point of view. He does a fine job of the voices of most of the characters but I thought the voice he used for Peter was a little off. His accent was too working class for someone educated at a minor public school. Nevertheless he was easy to listen to and handled both emotion and factual exposition well.
I recommend this book both as a good read, it is an excellent murder mystery, and as a reminder of the sources of power Fascism draws upon.
Two great passions - dogs and books! Sci-fi/fantasy novels are my go-to favorites, but I love good writing across all genres.
Jo Walton's murder mystery set in an alternate history Post-WWII England is a little unsatisfying since there a couple of "loose threads" and true justice is at best postponed. I would also argue a bit with the alternative history. In this version of World War II, the US never enters the war and Britain negotiates a peace settlement with Hitler to avoid invasion by the Germans. The chances that the Japanese would not have pulled the US into the war with attacks on China and the Philippines even if they had not hit Pearl Harbor are slim. (There's a reason all that Navy might was amassed at Pearl Harbor in the first place!) And the isolationists in the US would not have been able to hold out against the military-industrial complex (hence the Lend/Lease Act) forever. Having read the whole trilogy, I felt like Jo Walton's view of a alternate history reflected a rather Euro-centric point of view throughout and she discounts countries with vast natural resources and large populations like China, the US, and Russia and doesn't even address the enormous change in the world economy that oil and natural gas created. World War II may have marked the end of colonialism and the shift in world power, but the war was only one element of that change. Leaving that aside, I think this book and the series truly does succeed as a cautionary tale and gives the listener much to ponder.
The ineffable slide into Fascism that comes with great fear and ignorance in the citizenry at large can be seen everywhere - witness the Patriot act (the fear of terrorism negates the rights of the individual), or Russia having freed itself of communism, but still mired in regional/ethnic conflicts is now quickly sliding back into totalitarianism. Jo Walton's trilogy beautifully illustrates the poem, "First They Came" by Pastor Martin Niemöller. And whether or not you buy into this possible alternative to history, it is abundantly clear that a world where Hitler wasn't stopped would be ugly.
Walton's prose is very nice and she uses setting extremely effectively to help drive the plot. The city of London, the surrounding countryside (and its denizens), as well as the very class-conscious society all play a part in the tale. In each of the 3 books in the series, Walton tells the story from a woman's POV in first person and a man's POV in third person. The woman changes in each of the books while Detective Carmichael is in all three. John Keating and Bianca Amato both do nice turns in narrating alternate chapters of this first book. Amato is much better here than I've heard her before - no breath sounds - and her voice is perfect for Lucy.
I'm not sure Farthing would satisfy the true murder mystery aficionado, but if you enjoy the what-ifs of alternate history, or have an interest in WWII, you will probably find this book and the whole series worthwhile. You should know going in that this first book isn't really meant to stand alone. It has a rather disconsolate conclusion and the real story spans all 3 books in the trilogy.
I thought the book was a murder mystery, and the plot develops toward that end. However, I saw the ending as more of a social commentary on political structure of the " alternative England."
I have not but enjoyed their both of their performances.
This is not a " who done it " book.
a great yarn
The author's imaginative wielding of the fictitious storyline with the edges of fact.
The place that Britain nearly became.
I've already listened to the second part of the trilogy - it is just as good and I am about to listen to the third one. What a shame it's only a trilogy.
This was a very odd book. I enjoyed most of it, but it was very odd. It took a bit of mental calisthenics to adapt to a 1949 London in which "Old Adolph admired England and had no territorial ambitions across the channel". Because this world's Old Adolph most certainly had all sorts of ambitions across the channel; he was drooling to get into London and execute the entire royal family.
Rather than that straight-forward and outright horror, the horror in this book is … sneakier.
"In May of 1941, the war looked dark for Britain. We and our Empire stood alone, entirely without allies. The Luftwaffe and the RAF were fighting their deadly duel above our heads. Our allies France, Belgium, Holland, Poland, and Denmark had been utterly conquered. Our ventures to defy the Reich in Norway and Greece had come to nothing, The USSR was allied to the Reich, and the increasingly isolationist USA was sending us only grudging aid. We feared and prepared for invasion. In this dark time, the Fuhrer extended a tentative offer to us. Hess flew to Britain with a tentative offer of peace, each side to keep what they had. Churchill refused to consider it, but wiser heads prevailed…"
Wiser heads prevailed, and those damned isolationists in the US held sway, and Britain made a peace with Hitler, and now most if not all of Europe is under a blanket of fascism. Being Jewish is a very, very difficult thing, when it isn't outright life-threatening, wherever you are. And Orwell imagines his dystopia happening ten years earlier than in this world. (That is a lovely subtle touch.) And the United States is led by President Lindbergh – which … Heaven forbid.
And it is in this universe that Lucy and her Jewish husband David return to her family's estate for a house party, during which there is a good old-fashioned country house murder.
There were things I did not like; Lucy uses a verbal shorthand she had developed, but the reader is not clued into exactly what she's talking about until what seemed like a ridiculous ways in. (Page 96 – looked it up. So a third of the way through the book.) It's pretty clear through context what she means by "Athenian" and "Macedonian" and so on – but not totally clear, and a little baffling as to WHY she would be saying "Athenian" and "Macedonian" and so on.
I never warmed up to most of the characters. Heaven knows Lucy's family didn't deserve warming up to…they are snobs of the first water.
"How many servants do you get by with?"
"Just three," David said. "A cook, a housemaid, and a kitchen maid. …"
"You dress yourselves??"
- Goodness me. And here I thought that was something one was taught to do as a toddler.
And Lucy – one of the two point of view characters – began to grate on me. She says, often, that she isn't too bright, though the plan she comes up with is not terrible … but her speech and behavior thoroughly agrees with the "not too bright". Is it all a front? Does she really think she's stupid (perhaps because her mother has taught her so) when she's not so dumb after all? Who knows? She is rather flighty, and certainly fanciful: to avoid spoilers, I'll just say that she develops an unshakeable certainty of something about which she couldn't possibly have a clue, and proceeds from that first moment of certainty as if what she believes is rock solid truth. Is it? Who knows?
Speaking of servants … Things are a bit odd with them in the country house where the good old country house murder takes place. I mean … they're servants, when all's said and done, employees hired and paid to do specific jobs, in a class structure which requires them to show respect to their social "betters". But here the attitudes are extraordinary – and Mrs. Simons, the housekeeper, is outright offensive. Blatantly, intentionally, viciously rude. Lucy: "I didn't like how quickly I'd resorted to threatening to sack her" – WHY? My God, are you mad? Fire that nasty cow and eject her so hard and fast she bounces twice going down the drive.
The book alternates viewpoints between Lucy, on the scene of the murder, and Inspector Carmichael, in charge of investigating said murder. And it's all rather repetitive – not even just because of dual points of view, which is handled fairly well. "He might have committed suicide." "Why would he kill himself?" then a little while later "He might have killed himself." "Why would he commit suicide?" This happens over and over.
I gave this four stars to start with, but – after some time has passed, and having listened to the ensuing two books, and just looking at the notes I made while listening to this one – I bumped it down to three. Because on the whole I really, really hated this series – and, honestly, with the level of exasperation in what I wrote at the time I'm a little shocked that I did rate it higher.
Enjoying one good listen after the next!
This is a great story -- a fictional alternate history in the time of Hitler -- that I am so glad I didn't miss! It is an alternate history -- a story in which Great Britain and Germany negotiate a separate peace from the rest of Europe; yet in which persecution of Jews and homosexuals becomes a precipice of Great Britain's government. This happens due to the mayhem of murder in elite circles; if you can take out the right person, the dominoes will fall; the wealthy will reap the benefit; and a few can erect the government of their choice.
I like the story telling within this book. The author used two voices; a male voice telling/describing the procedures of the police as they tried to solve murders and assaults; and a second female voice -- the disowned daughter of members of the Farthing set who told about her plight after marrying a Jew.
It is the alternate history that will stay with you -- especially in light of the hostility, racism, discord and loud bullying voices that are already heard daily as the 2016 Presidential election nears. Could we be writing an alternate history for the US democracy? Could such a thing as "Farthing" happen here? What we must ask ourselves is whether a "farthing" -- one-quarter of a cent -- ( something of similar value) will buy our ethical duty to what is moral and truthful.
I like this book a lot! It is a real thought provoking listen that was well written and well narrated.
An interesting What if.
What if Britain 'negotiated' peace with Hitler? In this novel; events take place several years after the war ends in Britain; but the battle still rages in Kursk and other regions. This novel is both a mystery and a social commentary. However the social commentary is much more matter of fact than preachy. The author delivers his/her message in a way that doesn't so much beat the reader about the head; but allows one to explore their own response to the message in and ponder how they would react in a similar situation.
Definitely a worth-while read and I'll be reading the other two books in the series soon.
Farthing was intriguing and complex. At times the plot was hard to follow, and there was a long list of characters to keep track of, but the characters were interesting and easy to sympathise with.
I love British murder mysteries, and this one was very satisfying with the additional twist of taking place in an alternate reality.
I did have trouble turning off the i-pod with this one - I listened to it all in three days!
I can't wait to listen to the next two books in the series.
"Clumsy, stereotypical, dreadful narrators"
Nothing...it seems very amateur...poor characterization, anachronistic speech, badly researched, badly read.
Only by this author
Anyone who naturally spoke British English ...jarring accents, wrong emphasis, words mispronounced...irritating.
All of them...stereotypes with nothing interesting to offer.
Interesting premise but excecuted badly. Pebbles of 'historical' facts dropped in to a puddle of stereotypes. The readers leave a lot to be desired, accents slip, constantly jarring.
An exploration of a possible Britain and wider British Empire that had not been devastated by WWII would be a fascinating subject for an alternate history novel. Sadly this book is not that. It is eye rolling nonsense. Preposterous English aristocrats plot against the Jews in England, whilst they're still being rounded up and gassed by the Nazis in 1949. Not a very good alternate history by any measure. To be fair despite the awful story the readers do a perfectly good job, and can't be faulted. I would not recommend this book to anyone, and certainly won't be wasting a penny on the other books in this series.
"Downton + Christie meet alternate WWII history."
The dual narrators were both superb! Bianca Amato's ever so, ever so posh reading of the posh country "gal", Lucy, who is in love with the wrong man, is great. I was rooting for Lucy and her decent husband from the start. But its equally matched by John Keating's reading of Inspector Carmichael the intelligent inspector who is sent to solve the murder at the country house Farthing. He's a believable character who is tasked into delving into other people's secrets when he has secret's of his own.
The obvious comparisons would be SS-GB by Len Deighton and Dominion by CJ Sansom as both these books are set during WWII but in an alternate time. However these two books deal with a Nazi invasion and this book is set in a world where the 'Farthing Peace" stalled the Nazi's at The English Channel. Please don't be
There isn't really a stand out scene but its great to see how both narrators begin to piece together the facts together and they realise the daunting truth.
Once again there isn't a particular scene but you can't help be moved by Lucy's love for David. How she chose to leave the stifling world of the upper classes to marry a man that her peers felt was a lesser man for being Jewish. The casual anti semitism and David's stoic refusal to be bowed by it, show him to be a far better person than the blue bloods of the "Farthing" set.
Please don't be put off by the term "Alternative History" this book is grounded in a very real and cruel world. If Churchill hadn't decided to carry on the fight in WWII, this could have easily been the course our country's history could have taken. The first part of book could be any closed room murder mystery written in the 20's or 30's its only later in the book that the book begins to resemble a 70's conspiracy thriller. Its excellent please give it a whirl!
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