One summer weekend in 1949 - but not our 1949 - the well-connected "Farthing set", a group of upper-crust English families, enjoy a country retreat. Lucy is a minor daughter in one of those families; her parents were both leading figures in the group that overthrew Churchill and negotiated peace with Herr Hitler eight years before. Despite her parents' evident disapproval, Lucy is married - happily - to a London Jew. It was therefore quite a surprise to Lucy when she and her husband, David, found themselves invited to the retreat. It's even more startling when, on the retreat's first night, a major politician of the Farthing set is found gruesomely murdered, with abundant signs that the killing was ritualistic.
It quickly becomes clear to Lucy that she and David were brought to the retreat in order to pin the murder on him. Major political machinations are at stake, including an initiative in Parliament, supported by the Farthing set, to limit the right to vote to university graduates. But whoever's behind the murder, and the frame-up, didn't reckon on the principal investigator from Scotland Yard being a man with very private reasons for sympathizing with outcasts and looking beyond the obvious. As the trap slowly shuts on Lucy and David, they begin to see a way out - a way fraught with peril in a darkening world.
What if: listen to more in the Small Change trilogy.
©2006 Jo Walton (P)2011 Audible, Inc.
"If Le Carré scares you, try Jo Walton. Of course her brilliant story of a democracy selling itself out to fascism sixty years ago is just a mystery, just a thriller, just a fantasy--of course we know nothing like that could happen now. Don't we?" (Ursula K. Le Guin)
"Walton crosses genres without missing a beat with this stunningly powerful alternative history…. while the whodunit plot is compelling, it's the convincing portrait of a country's incremental slide into fascism that makes this novel a standout. Mainstream readers should be enthralled as well." (Publishers Weekly)
Mystery reader (especially series) and Austen lover
I wasn't sure about this book, not being a real fantasy fan, but it did have a mystery in it, and it was on sale. So I bought it, and am I glad I did! Jo Walton has crafted a mystery set in England in an alternate history, where a group called the "Farthing Set" deposed Churchill and negotiated a "peace with honor" with Hitler in 1941, in which Hitler stayed on the other side of the Channel and England remained "independent" by agreeing to measures which amount to a milder form of suppression of Jews and homosexuals than that in place in continental Europe.
The action takes place in 1948, when a vote of no confidence is scheduled in Parliament. At a house party at Farthing, the estate of some members of the Farthing Set, the man who is likely to be elected the next Prime Minister is murdered. Lucy, the daughter of Farthing's owners, and her husband David Kahn, a Jew, have come to the party at the insistence of Lucy's mother. It's not clear why they are invited until it becomes obvious that they were wanted there in order to pin the murder on David, the JEW.
The mystery story is quite good, but the real point of the book is the picture of an England which is sliding slowly and inexorably into Facsism through the machinations of the power elite (the Farthing Set) and the willingness of the public to believe the lies of the ruling politicians. Through the course of this book and the second book in this series, the suppression of Jews and homosexuals becomes more extreme, and many have been forced to flee or hide. And people in positions like police detectives are coerced into blaming the crimes of the powerful on the people with no power. Meanwhile, of course, Hitler is still Fuhrer of all of Europe, undesirables are still sent to work camps, and the war is still raging between Germany and Russia.
The story is greatly enhanced by the two narrators, John Keating and Bianca Amato. The book is written in chapters which alternate between the narration of Lucy Kahn and the third party narration of the investigation conducted by Inspector Carmichael of Scotland Yard, making the alternating narrators particularly appropriate. Both do a sterling job.
This is really a gripping tale, very complex and disquieting but definitely worth the money and the time to listen to it. Excellent!
An interesting What if.
What if Britain 'negotiated' peace with Hitler? In this novel; events take place several years after the war ends in Britain; but the battle still rages in Kursk and other regions. This novel is both a mystery and a social commentary. However the social commentary is much more matter of fact than preachy. The author delivers his/her message in a way that doesn't so much beat the reader about the head; but allows one to explore their own response to the message in and ponder how they would react in a similar situation.
Definitely a worth-while read and I'll be reading the other two books in the series soon.
a great yarn
The author's imaginative wielding of the fictitious storyline with the edges of fact.
The place that Britain nearly became.
I've already listened to the second part of the trilogy - it is just as good and I am about to listen to the third one. What a shame it's only a trilogy.
Long term book junkie only recently addicted to audio books. Now my iPod and I are inseparable.
In Walton’s alternate history , 1949 sees the ruling Conservative Party dominated by the “Farthing Set”, a clique of high Tories credited with negotiating “Peace with Honour” between the Third Reich and the British Empire in response to Hess’ overture on behalf of Hitler in 1941. On the eve of an important vote in Commons, the Farthing Set is gathered at the house after which it is named, the country seat of Viscount Eversley, when Sir James Thirkie, chief negotiator of the peace, is murdered.
From this premise Walton builds a story that uses the solidly-decent meme of an English Country House murder (à la Sayers or Christie) to expose the fascist underbelly of the British Empire, built on anti-Semitism, xenophobia, misogyny, homophobia and an entrenched class system that places the powerful above the law.
Walton tells the story through the eyes of two protagonists, Lucy Eversley Kahn, daughter of Viscount Eversley and Inspector Peter Carmichael of Scotland Yard. These characters are inspired choices that humanize what might have turned into a political rant, give an insight into the choices made by “decent” people confronted with Fascism at home, and make the world that Walton has drawn, much more chilling by being much more credible.
One cannot help but like Lucy. She is the acceptable face of the English aristocracy: a kind, intelligent, self-deprecating, independent woman, who loves her father and survived the disdain verging on hatred of her mother and who has sacrificed her privileged position in society to marry and English Jew. As the story unfolds and the true nature of the evil that is behind Thirkie’s death is understand, Lucy leads us from shock through revulsion and on to pragmatic action and a search for hope.
In another world, our world perhaps, Inspector Carmichael, with his sharp mind and his need to find the truth would be righting wrongs and improving the capabilities of the Metropolitan Police. In this world, it quickly becomes clear that he is more vulnerable than powerful and that “doing the right thing” may not be a choice that is available to him.
I admire Walton’s ability to show what Fascism really does to freedom by showing the damage it does to those who our laws and our democracy ought to make safe.
I find her alternate history very credible. In my view, modern Britain was fundamentally shaped by the decision of the British people in the “Khaki Election” of 1945, the first election in ten years, held on the heels of Victory in Europe Day, to put their trust in Labour Party, rather than the Conservatives, to rebuild Britain. By imagining a Britain in which this choice was never made and where Fascism in Europe was colluded with rather than challenged and defeated, Walton reminds us that the freedoms we enjoy today were hard-won and could be easily lost.
I listened to the audio version of this book. Bianca Amato, who reads the chapters written from Lucy’s point of view, does an excellent job. Her accent is perfect as is her finely nuanced use of emotion. John Keating reads the chapters written Peter Carmichael’s point of view. He does a fine job of the voices of most of the characters but I thought the voice he used for Peter was a little off. His accent was too working class for someone educated at a minor public school. Nevertheless he was easy to listen to and handled both emotion and factual exposition well.
I recommend this book both as a good read, it is an excellent murder mystery, and as a reminder of the sources of power Fascism draws upon.
Farthing was intriguing and complex. At times the plot was hard to follow, and there was a long list of characters to keep track of, but the characters were interesting and easy to sympathise with.
I love British murder mysteries, and this one was very satisfying with the additional twist of taking place in an alternate reality.
I did have trouble turning off the i-pod with this one - I listened to it all in three days!
I can't wait to listen to the next two books in the series.
This book had a great premise, the alternate history was well thought out and the politics were believable without being too complicated to follow. The mystery aspect was interesting although not as mysterious as the author might like it to have been. I had two problems with the book. The first was how it was told part in first person and part in third person, it just didn't really work for me. More importantly, the book ended rather abruptly and left me really unfulfilled. I know that in real life everything doesn't wrap up all nice and tidy, but these are books. I took a peak at the review for the next book, and it doesn't seem to pick up on the same story. The ending was disappointing. Other than that it was great.
Farthing seems at first to be a comfortable English country house mystery. It quickly becomes unusually candid about toxic relationships, however. Our heroine, Lucy, heiress to all the money of a very large and historic English estate, hates her mother, and it becomes apparent that she is right to do so. She also has married a Jew, and this in an England twisted out of the shape it has in our world by an early peace settlement in 1941. The war did not last five years and Hitler was not defeated. Instead, the Rudolf Hess flight to Scotland in May 1941, widely believed by many to this day, including me, to have been a separate peace offer from Hitler (it is, after all, what Hess claimed at the time!) was in that alternative reality taken up by a clique called the "Farthing set" which out-maneuvered Winston Churchill, who intended to fight on and would have squelched the initiative and jailed Hess as a madman as in our reality. The best alternative histories have that one tiny change that is plausible: England ended the war early, in 1941, with the Farthing slogan "Peace With Honor" after a short negotiation with Hitler. The resonances with the earlier real-time appeasement by Chamberlain in Munich are obvious, and add to the plausibility.
The war continues in Russia for many years and Jews are persecuted all over central and eastern Europe, and are losing ground in England, which had a substantial Fascist constituency before WWII and does again, since that was never defeated. An apparent murder at Farthing by Jews and a terrorist attack on Farthing by Bolsheviks puts Lucy's husband David right in the crosshairs, where he is intended to be. Can they escape? The chapters alternate between Lucy's narration and that of Inspector Carmichael, and so the producers have used two readers, a woman and a man. The woman reader uses the sad, falling-voice technique that I felt was a problem in the reading of Hillary Mantel's "Wolf Hall," too. After all, much of the life of Thomas Cromwell went very well. And Lucy Kahn is a more resolute than sad heroine. The male reader is excellent and the female one is quite good except for that one habit. This novel is sexually complex, but there is no explicit sexual description whatsoever; it's mainly characterization. I think this novel would be very suitable for late teens and any age after that.
Lucy Eversley married David Kahn partly as adolescent rebellion at the stultified, restricted life she leads in the ultra-upper-class: even she realizes there is a component of rebellion. However, it's a real marriage: they fill out each other's lacks and they are extremely supportive of each other. She wants children and believes she is pregnant and is very happy about that. Therefore, the reader is both aghast and amused at the surprise she gets in the end: Lucy is definitely going to be paying her dues now and having an interesting life.
I recommend Farthing strongly and plan to listen to the other two "Small Change" novels in the series.
Jo Walton is an excellent author, and this first book of her Small Change trilogy was great. It is well narrated with two narrators (male and female). If you like alternate political histories and murders, you will like this book. There is both political and religious tension, and I certainly wouldn't like to live in this alternate Britain.
"Farthing" starts like a tea cozy. As it continues, World political influences come into play as Hitler, fear of Jews and Bolsheviks play out on the British upper class potentates. As it ends, Farthing becomes a commentary on all of us, on morality, on the tradeoffs we make- while still retaining the book's character as a period mystery. It is so much more. And so beautifully transitioned
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