Regulars at Nadia’s nature lodge don’t ask what she does in the off-season. And that’s a good thing. If she told them, she’d have to kill them. She’s a hit woman for a Mafia family. Tough and self-sufficient, Nadia doesn’t owe anyone any explanations. But that doesn’t mean she always works alone. One of her contacts has recruited her in the hunt for a ruthlessly efficient serial killer cutting a swath of terror across the country. The assassin is far too skilled to be an amateur - and the precision of the killings is bringing the Feds much too close to the hit man community for comfort. To put an end to the murders, Nadia will have to turn herself from predator to prey as she employs every trick she knows to find the killer. Before the killer finds her….
©2007 KLA Fricke, Inc. (P)2013 Recorded Books
NYT writer of romantic suspense with a serious addiction to audiobooks.
Jennifer Ikeda does such an outstanding job on this that I can't imagine it without her voice. She does everyone so well, including the male characters, that I'm searching for more of her work.
When Jack makes Nadia hot chocolate.
She's the perfect voice for Nadia, helping you get into the complicated heart and soul and mind of a contract killer, plus her Irish brogue for Jack is downright sexy.
The scene when Jack's leaning over her and she begins to realize she's attracted to him. Plus the scene in the closet.
This is violent, fascinating, angst, funny, and the romance is so subtle it's deliciously addictive. Jennifer Ikeda does a great job of bringing out out a wonderful story, and Richard Ferrone's villain and victim POV are excellent as well.
Special thanks to my girls Stacy, Sash and Stef for sharing the Audible experience with me and for being there during my multiple recoveries
In the beginning I was thinking I'd found a great new author for my collection. A strong main character and a good plot line in the first few chapters soon devolved into an overly detailed mess. The constant back and forth inside the mind of the female protagonist soon became tiring. As did the moody non-communicative 'mentor' Jack. The protagonists patience with and submission to this character became tiresome as well. If three or four hours had been eliminated from this selection this might have been an excellent listen. As it was, it became a tiresome slog through the underbelly of criminal society. Ms. Armstrong is a talented writer and the book was well narrated. Hopefully her next mystery book will avoid the short comings of Exit Strategy.
Absolutely. It kept me bitting my nails start to finish. I like the characters and the focus on human emotions and non-verbal communication.
Jack I suppose. He's enigmatic and with his silences and grunts leaves a lot to be interpreted.
When Jack and Nadia go back to Evelyn's house and they are all pointing guns at each other.
I want to get the rest of the series!!!
I have read the book, years back, and liked it. Instead of re-reading, I bought the audible to listen to in the car.
I like Kelley Armstrongs writing, it is solid, and she is a master at suspense.
Kristine Hvam is one of my favourites
Reminder to myself: always listen to the complete audible sample: the narrator can really ruin a very good book, if she/he is not your cup of tea.
The breathy narration and melodramatic story line were just too much. Could not finish the book no matter how hard I tried. Conceptually the story has great potential but was lost is the soul searching of a professional assassin. Two mutually exclusive concepts..
Excellant finish to the series. Enjoyed the characters and their very human dilemmas in a very non traditional jobs.
This story flowed and kept my interest.
Excellant characterizations. Made the characters come alive.
Although the writing was quite good and intelligent, the story was not very original and dragged on. A serial killer is terrorizing the country, committing murders from state to state, getting more daring as he goes. Slowly, an unusual team is formed to put the guy away, but with the addition of some characters, the story line gets cumbersome and jerky.
The two narrators worked well, but the killer's persona (read by the male narrator) does not intrigue or create much emotion in this reader. And although J. Ikeda is a master storyteller, I thought a little more urgency and emotion in her reading - the main character's POV (Nadia)- may have raised the story a notch/star developing greater excitement level or "thrill."
Regarding the interaction between characters, what might be seen as a potential love interest and possibly a triangle was boring and not well developed.
Jack is interesting and getting to know him better is enticing. Nadia, however does not present well for a hit man, and so the story falls flat.
Would I read another by this author? It's doubtful I'll pursue another in this series. The ONE reson I may, is to see if Ms. Ikeda's reading pulls me into the story number two.
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