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Errors and Omissions | [Paul Goldstein]

Errors and Omissions

Meet Michael Seeley, defender of artists' rights, take-no-prisoners intellectual property litigator, and a man on the brink of personal and career collapse. So when United Pictures virtually demands that he fly out to Hollywood to confirm legally that they own the rights to their corporate cash-cow franchise of Spykiller films, he has little choice but to comply.
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Publisher's Summary

Meet Michael Seeley, defender of artists' rights, take-no-prisoners intellectual property litigator, and a man on the brink of personal and career collapse. So when United Pictures virtually demands that he fly out to Hollywood to confirm legally that they own the rights to their corporate cash-cow franchise of Spykiller films, he has little choice but to comply.

What Michael Seeley discovers in these gilded precincts will plunge him headfirst into the tangle of politics of the blacklisting era and then into the even darker world of Nazi-occupied Poland. He'll encounter Mayer Bermann, the steely Polish emigre who founded United Pictures, and who may lose control of it to a ruthless conglomerate; Bert Cobb, the putative author of the original Spykiller screenplay; Harry Devlin, the flamboyant defender of Hollywood writers who has his own secrets; and Julia Walsh, an alluring young USC film scholar whose research may hold the key to the mystery of Spykiller's true authorship. As the pressure mounts for Seeley to confirm United Pictures' ownership of the franchise, Seeley must face down his own demons and finally travel to Munich to confront the reclusive novelist Max Kanarek, who fled Hollywood decades before and whose boyhood link to Mayer Bermann is the tantalizing missing piece of the puzzle.

In Errors and Omissions, Paul Goldstein has crafted a masterful novel of legal and moral suspense that draws on historical fact and legal scholarship for its unmistakable authenticity. A worldly thriller for grown-ups, it introduces an exciting new talent.

©2006 Paul Goldstein; (P)2006 Books on Tape

What the Critics Say

"Spins out a fresh, sharp-witted drama about Hollywood's blacklist....Goldstein, who does a fine job of breaking down complicated moral, ethical, and historical issues to understandable nuggets, has laid the foundation for what could be a strong franchise." (Publishers Weekly)

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    D Jay Hidden Hills, CA, USA 03-17-08
    D Jay Hidden Hills, CA, USA 03-17-08 Member Since 2007
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    "Big Disappointment"

    This book suffers from two fatal defects. First, the plot is incomprehensible -- not that you can't follow it, just that the characters' motivations for the choices they make are simply unfathomable. At each plot fork, the author seems to have his characters choose the least likely, most ill-conceived choice possible. At first, I thought maybe this was some sophisticated post-modernist riff on the legal thriller. But, and this leads me to the second defect, the language itself is so stilted and cliched, that I was left to conclude that this book is just awful. Save yourself.

    0 of 0 people found this review helpful
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    Rob Auburn Hills, MI, USA 08-31-06
    Rob Auburn Hills, MI, USA 08-31-06 Member Since 2006
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    "Fell asleep"

    I tried real hard to listen to this and give it a chance. but I just couldn't take it anymore. I was so bored. I gave up after an hour.

    0 of 1 people found this review helpful
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