Set in 1540, this beguiling tale of murder and mayhem is set against a rich backdrop of medieval London. Here, hunchbacked Matthew Shardlake is called upon to investigate the peculiar case of a young woman accused of murder.
©2004 C. J. Sansom; (P)2008 Recorded Books, LLC
If you've read Dissolution, you'll know C.J. Sansom is a great mystery and character writer. His books are quite long so I decided to start listening to the audiobooks and I enjoyed the narrator for this one. He does good comical accents for people the listener is supposed to dislike/be suspicious of. I also like the book for the introduction of a new sidekick for Shardlake.
Mathew Shardlake is at it again! Working for Cromwell he tries to solve a mystery that turns out to be a mystery within a mystery! As an aside there is a young woman accused of child murder. This side story turns down a dark, dark lane. While some of the moves are predictable, they are satisfying. I appreciate an author who plays fair with me!
The Shardlake books are the most enjoyable books I've read/listened to in a long, long time, and Dark Fire is my favorite of the series (all are excellent though). In Shardlake, Sansom has created a personable and compelling entry into the foreign world of Tudor times. Add in amazing plotting and characterization, and you've got a superb series to sink your teeth into. Crossley is one of my favorite narrators; as always, he does an amazing job of bringing to life all the different characters.
Well written, great historical details, well developed plot -- a delightful listen!
First rate narration by Steven Crossley too
I have a new Favorite Author / Narrator combo
I had read Dissolution, so I understand the narrator's disillusionment with Henry VIII's religious practices. The book provides brief background so it can be read stand-alone. At times, the names of characters can be a little confusing as to who's who, but it'll make sense as you go along. All-in-all, a story that makes you want to stay in your car.
I enjoyed this as much for the picture of 13th century England as I did for the story
The narrator was terrific and the story detailed enough to hold one's interest without
getting lost in extraneous material.
The Path Between the Seas to The Great Bridge ~ Kagan's Peloponnesian War to Gaddis' Cold One ~ Mornings on Horseback to a River of Doubt ~ Tom to Huck ~ Lennie to Charley ~ Cadfael to Cross ~ Rhyme to Reacher ~ Blomkvist and Salander to Wallander and Wallander ~ Moving Cheese or Eating Frogs ~ On the Road and Into Thin Air ~ The End of History to A Short History of Everything to ... well ... everything else.
This is a terrific historical mystery, enveloping you in two great mysteries (and several minor ones) played out in the world of Tudor England.
This is an exceptionally well-told tale. Listening, you are almost overcome by the stench of 16th Century London, with its uncapped, seeping cesspools and brown Thames. You are confronted by the hardened bullies and thugs who dominate its streets and its halls of justice, by the frightened and harried peasants worn down by a decade of "reform" and a lifetime of toil, and by a few everyday heros who try to do right against extraordinary odds.
Sansom is a talented historian who brings to real life not just the streets of London but also the intrigue of the Tudor Court, the class pretensions of its aristocracy, and the corruption seeping through its foundations. Against this backdrop play out two engaging mysteries ~ the seemingly straight-forward murder of a young boy and the possible rediscovery, after centuries, of a horrible weapon of war.
Matthew Shardlake, our lawyer-detective, plumbs these mysteries, aided by a charmingly rough-hewn companion. His travails will keep you intrigued and you will be glad that this is a long tale ~ you won't want it to end.
This second Shardlake mystery is a complete success.
Sansom does an amazing job depicting the political intrigue, protestant/catholic tension, the overall nature of Tudor England and the legal world surrounding it. Such a backdrop personalized through sturdy character development makes it that much more consuming. The new relationships Shardlake develops through searching out a murder and all that surrounds it had me bound to the story from beginning to end.
The twists and turns of the plot. The continuation of characters from the first novel. Again, Steven Crossley's performance.
Matthew Shardlake, no matter how hard or difficult or just plain herculean the task given him, Matthew gives it his all. He has a very sharp and just mind.
He animates the characters, gives them depth. Accurately pronounces words that I have never heard in used in speech.
As the plot begins to unfold Matthew is forced to work closely with John Barack a trusted informant of Lord Cromwell. As Barack sees how Matthew operates and Matthew sees the value of Barack's street-sense the two actually reach a synergy and while grudgingly at first develop a respect for each other.
This second of Sansom's series that takes place in Henry VIII's reign is quite intriguing. I continue to be amazed at Sansom's ability to combine real historical figures with fiction to create a fascinating mystery.
In this outing, Matthew Shardlake is again drawn into the web of Thomas Cromwell, after disassociating himself with Cromwell a few years before (in Dissolution). The scene is spring of 1540, only a few months before the real Cromwell falls out of favor and finds himself in the Tower, so I was in constant fear of Matthew's being caught up in Cromwell's final fall. However, the story is much more convoluted than that and has two plots going on at once. Plenty to keep you guessing at how Shardlake is going to get himself out of his various predicaments!
The former Brother Guy, the apothecary, makes a welcome return appearance, and a few other characters take the stage who I expect will be back in the next book of the series.
At this point, I must praise the narrator for a most excellent job. He makes sure to differentiate the voices of the different characters with a myriad of accents, enabling the listener to keep everyone straight. I have read complaints from other reviewers about the reader giving Brother Guy an "Eastern European" or "Russian" accent, but I think that the accent is just exotic enough to accurately characterize Guy, who is apparently a Moor with a complicated background.
I also enjoyed the afterword recorded by Sansom at the end, explaining a lot of the historical information and the ways in which he fit his characters into the story.
Looking forward to the next one!
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