Before he became a novelist, Michael Connelly was a crime reporter, covering the detectives who worked the homicide beat in Florida and Los Angeles. In vivid, hard-hitting articles, Connelly leads the reader past the yellow police tape as he follows the investigators, the victims, their families and friends, and, of course, the killers, to tell the real stories of murder and its aftermath.
Connelly's firsthand observations would lend inspiration to his novels, from The Black Echo, which was drawn from a real-life bank heist, to Trunk Music, based on an unsolved case of a man found in the trunk of his Rolls Royce. And the vital details of his best-known characters, both heroes and villains, would be drawn from the cops and killers he reported on: from loner detective Harry Bosch to the manipulative serial killer the Poet.
Stranger than fiction and every bit as gripping, these pieces show once again that Michael Connelly is not only a master of his craft, but also one of the great American writers in any form.
©2004 Michael Connelly; (P)2006 Time Warner AudioBooks. All Rights Reserved.
"The author is strongest bringing quiet moments to life, such as the despair of parents hoping that a missing child will still turn up, or the patient, resigned professionalism of weary detectives." (Publishers Weekly)
"This volume works on several levels: as a source of insight into Connelly's craft; as a collection of compelling true-crime stories; and as a great primer for journalists." (Booklist)
I have enjoyed Michael Connelly's fiction and had high hopes that I would enjoy this book as well. The performance is monotone and unemotional, which makes the stories less interesting. Yes, these are stories that he wrote as a reporter in the 80's and 90's. There is some interesting information that the public does not consider. But I think this could have been written and read better. It's a missed opportunity. I did not finish listening due to the performance.
I love the last 150 years of history. Bully Pulpit and the Wilson biography absolute best!
True Crime is a different kind of writing than crime fiction. The author must hew to the facts as they happen. These true stories lack the sparkle than the reader usually associates with Michael Connelly and instead of giving a fascinating inside look at police work, drag on. The author's own voice narrating the first segment is not a good readers' voice.
Len Cariou is such a genius. he should have read the entire thing.
It was just reading from newspaper stories and each one just kept repeating. I found the first reader very tiresome and boring. The second and third readers put more into it and weren't so bad. I usually enjoy his books very much. (Maybe not the narration so much.)
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