©1997 Laura Lippman; (P)2008 BBC Audiobooks
This is the best I've listened to in many months. Perhaps because I once was a reporter, I really identified with Tess and her predicament when her newspaper folded. I liked the fact that this is a real mystery, not a disguised "romance" novel.
SPOILER ALERT! I held my breath, knowing what was coming when the car started up without its headlights. But the details, the word pictures, were not so predictable. The entire book kept me spellbound.
I immediately took advantage of the sale and bought the next three in the series. I know I'll buy the others as well.
It pulled me in immediately with descriptive writing and effective narration that allowed me to see and feel the story unfolding. It left me with a very vivid picture and a desire to hear more about Tess and the other characters which are likely to appear in subsequent books. I'm not sure why I initially chose this, but my next picks will be others in this series.
When I want a "who done it", I generally gravitate towards British authors. Americans usually have too much ... something: gratuitous vulgarity or sex or violence or all of the above. The heroines in such novels always seem to make a habit of doing the same remarkably stupid thing over and over. "Gosh. The last time I went out alone investigating a dark and lonely warehouse, I almost died! Well...things like that never happen twice!" And they do.
I was most impressed with this book. It was guilty of none of the above. Personally, I can't help but love an author that can manage to use the word "penultimate" in the very earliest chapters of a story. That sort of thing suggests a deep appreciation for the possibilities of language, a true writer.
I enjoyed listening. The action was well-balanced. I almost didn't know who did it until it was revealed. The city of Baltimore is treated as another character in the story, which is a nice touch. I have no criticisms of the narrator.
I believe I'll go get book #2 now.
Narrative makes the world go round.
Why can't more "gentle" contemporary detective novels like this series be created? I usually avoid U.S. contemporaries because of the
*poor quality of prose
*even more over-the-top action heroes and Barbie heroines who can run in designer shoes
*even campier formulaic gratuitous sex and violence scenes and
*overall dumbness factor
This series avoids the above and has the strength of quirky characters (but not TOO quirky) and a strong city setting. Lippman almost does for Baltimore what Rankin does for Edinburgh. Tess usually takes on a social issue (secondary to the plot), which may put off some readers. Except for #2 in the series (Charm City), I think Lippman grows stronger in her craft in each.
As for the narrator, Barabara Rosenblatt, who is much criticized in reviews of this series - I am among the minority who don't like her as the voice of Amelia Peabody, but I love her as Tess Monaghan I don't get the criticisms voicied here--- She doesn't slobber over the vowels -- I think her delivery is part of her fresh take on impulsive Tess. She reads as if speaking, so - yes - there are some human sounds. She is not Microsoft Anna!
So - if you seek a listen to relax, to be engrossed (and not grossed out or blood pressure raised), try this.
Great book with many twists and turns. I almost didn't buy this book because of the negative reviews. So glad I didn't listen to them.
I had not read any of Laura Lippman's books until i tried this. found it in turns witty and intriguing. i would love to recommend this to anyone. do start with Baltimore Blues.
Linda in Omaha
It took me a while to "bond" with the characters, but it was worth it in the end. I'm looking forward to more stories about Tess.
The narrator was easy enough to listen to, but left me critiquing her reading in many places. I would not refuse to buy another book with Deborah Hazlett as the reader, but would be prepared to be slightly less than satisfied with her performance. Maybe I'm just spoiled by some of the really great readers with Audible.
All in all, it was a good listen. I would recommend this book to my friends.
To accomplish great things, we must not only act, but also dream; not only plan, but also believe.
I know, I know this series has been out for a while, but this is the first book and totally new to me. I thoroughly enjoyed this mystery/thriller. Tess is a likeable character, story starts with her being unemployed and doing menial tasks for various people. Her close friend and rowing partner asks her to follow his fiance who has been acting strange, she does so and lo and behold finds she has a knack for it. By the end of the book others have come to realize her sluething skills as well. Thus we have the start of PI Tess.
The Narrator did a decent job and made the story enjoyable.
This one is a winner. A wonderful, clean, not too much romance/sex story. I would recommend getting this one.
This main character in this book is a delightful young journalist/ rower.The book is good entertainment and a good introduction to Baltimore and its politics. Think of it as the Wire light. I will probably listen to more books in the series.
Love books! Classics and lighter fiction, mysteries (not too violent please :-). And selective non-fiction--whatever takes my fancy.
When I started listening to this book, it initially seemed rather ordinary--okay, but nothing special. But as I continued listening, the story and narrator both seemed to hit their pace, and I think it became quite good.
Tess is an out of work reporter, who goes rowing with her friend "Rock" every morning. One day he asks her to spy on his fiancee, who is worrying him with her strange behaviors. Tess agrees to do that, and finds herself discovering more than she bargained for.
In this book, she begins to develop skills that appear to be positioning her to become a full time private eye in future stories. I would say that even though it was a little slow in the beginning, the narration and story both proved to be excellent, and I look forward to reading the next in the series.
I was, at first, a little off-put by the narrator's stressing of native words like "Balmer" (for Baltimore)--which is accurate, but not so obvious in ordinary conversation. But even that got toned down by about the middle of the book. Strongly recommend.
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